M. Harrison - LIGHT

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LIGHT: краткое содержание, описание и аннотация

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Light
The Centauri Device
The heavy SF action begins in 2400. Space-going humanity is the latest of many civilizations to be baffled by the impenetrable Kefahuchi Tract; that vast stellar region where an unshielded singularity makes physics itself unreliable. Along its accessible fringe, the "Beach", solar systems are littered with crazy, abandoned devices used to probe the Tract since before life began on Earth. A whole dead-end culture is based on beachcombing this rubble of industrial archaeology...
25th-century characters include a woman who's sacrificed almost everything to merge with the AI "mathematics" of a crack military spacecraft; a former daredevil who once surfed black holes but has retreated into a virtual reality tank; the lady proprietor of the Circus of Pathet Lao, with an alien freakshow and a hidden agenda; and a variety of raunchy, smelly, gene-sculpted lowlife, some comic, some menacing. Many are not what they seem.
Meanwhile in 1999 London, physicists Kearney and Tate--remembered in 2400 as the fathers of interstellar flight--are getting nowhere. Kearney's personal problems occupy familiar Harrison territory: urban paranoia, a seedily unreliable guru, bad sex, guilty rituals to propitiate a metaphysical-seeming threat called the Shrander--a pursuing image out of nightmare. In the lab, both Kearney and Tate fear the increasing quantum strangeness of their results.
The cosmological wonders and hazards of the Beach form a backdrop to space pursuits and violent skirmishes whose duration is measured in nanoseconds, reported in tensely lyrical prose. Eventually everything comes together as it should--even that oppressive 1999 story strand--with revelations, transformation, transcendence, and ultimate hope. Harrison demands your full attention and rewards it richly. --

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'Hi Ed,' she said. 'Like it? It's called Mona.'

She looked down at herself. Looked back up at him and laughed.

'You like it!' she said.

She said anxiously: 'You do like it, don't you?' She said, 'Oh Ed. I'm so happy.'

Ed didn't know what to say. 'Do I know you?'

'Ed!'

'It was a joke,' he said. 'I see the resemblance now. It's nice, but I don't know why you did this.'

He said: 'I liked you the way you were.'

Annie stopped smiling.

'Jesus, Ed,' she said. 'It wasn't for you. It was for me.'

'I don't get this.'

'Ed, I wanted to be smaller.'

'This isn't smaller,' Ed said. 'It's Pierpoint Street.'

'Oh, great,' she said. 'Fuck off. It's what I am, Ed. Pierpoint Street.'

She got back in the rickshaw. To the rickshaw girl she said, 'Take me away from this fucker.' She got down out of the rickshaw again and stamped her foot. 'I love you Ed, but it has to be said you're a twink. What if I wanted to be fucked by someone bigger than me? What if that was what I needed to get off? You don't see that, that's why you're a twink.'

Ed stared at her. 'I'm having an argument with someone I don't even recognise,' he complained.

' Look at me then. You helped me when I was down, only I found out too late that being your mother was the price. Twinks always need a mother. What if I didn't want to be that any more?"

She sighed. She could see he didn't get it.

'Look,' she said. 'What's my life to you? You saved me, and I don't forget that. But I got my ideas about things. I got my ambitions, I always did. You're shipping out with Madam Shen anyway. Oh yes! You think I didn't know that? Ed, I was there before you. Only a twink would think I wasn't.

'We already saved each other, now it's time to save ourselves. You know I'm right.'

A long curved wave of bleakness raced towards Ed Chianese's shore: the Alcubiere break, which is the black surf gravity; which is the coiled swell of empty space that sucks into itself one significant event of your life after another and if you don't move on you're left there gazing out across nothing at nothing much again.

'I guess,' he said.

'Hey,' she said. 'Look at me.' She came close and made him look in her eyes. 'Ed, you'll be OK.'

Her tailored pheromones caused his head to spin. Her very voice gave him an erection. He kissed her. 'Mmmm,' she said. 'That's nice. You'll soon be out there again, flying those famous lady-pilots. Which I have to say I'm jealous of them.' Her eyes were the colour of speedwell in the water meadows of a New Venusport corporate village. Her hair smelled of peppermint shampoo. Despite all this, she had completely natural lines. It was art not artifice. You would never know she had been to the tailor. She was sex on a stick, Mona the clone, the porn in your pocket.

'I got what I wanted, Ed -'

'I'm glad,' Ed made himself say. 'I really am.'

' — and I hope you will too.'

He kissed the top of her head. 'You take care, Annie.'

She let him see her smile.

'I will,' she said.

'Bella Cray… '

Annie shrugged.

'You didn't know me, Ed. How will she?'

She detached herself from him gently and got back in the rickshaw. 'You certain about this?' the rickshaw girl was prompted to enquire. 'Because you been in and out of there before.'

'I'm certain,' Annie said. 'I'm sorry.'

'Hey,' said the rickshaw girl, 'don't apologise. You work the port you're on a diet of raw sentiment.'

Annie laughed. She sniffed and wiped her eyes.

'You take care too,' she told Ed.

With that she was gone. Ed watched the rickshaw grow smaller and smaller as it crossed the bare concrete to the spaceport gate, its advertisements streaming after it like a cloud of coloured scarves and butterflies in the sun. Annie's little hand appeared for a moment, to be waved back at Ed, forlorn and cheerful at the same time. He heard her call something which he worked out later was, 'Don't spend too much time in the future!' Then she turned the corner to the city, and he never saw her again in that life.

Ed went and got drunk the rest of the day at the Cafй Surf and was dragged home in the dark by his former gambling partners from the Dunes Motel. There, he found Sandra Shen waiting for him with the fishtank under her arm. The old men laughed and blew on their hands to indicate scorching. 'You in trouble now, my man!' they predicted. All that night, pale white motes flickered in the dark in Annie Glyph's old room; then, later, on the dunes outside. Next day he woke exhausted aboard The Perfect Low. He was alone, and the ship was warming for take-off He felt the hum of engines through her frame. He felt the tremble in the tips of her fins. The oily preflight roll of the dynaflow drivers came up to him from somewhere below and the hair rose on the back of his neck for the millionth time because he was alive in this place and this time, and leaving it all only to find something else out there.

Always more. Always more after that.

The little freighter shook with the excitement of it too. She balanced herself carefully on a column of flame and in her own tubby fashion hurled herself skyward.

'Hey Ed,' came Sandra Shen's dry voice a minute or two later. 'Look at this!'

The New Venusport parking orbit was full of K-ships. Pods and superpods stretched away as far as Ed could see, hundreds of them, in restlessly layered and shifting formations. They dipped in and out of local space, extruding w eapons, as suspicious of one another as animals, hulls simmering gently in a bouillabaisse of particles. They shimmered with navigational fields, defensive fields, fields for target acquisition and ordnance control, fields which shed everything from soft X-rays to hard light, Local space miraged and twisted around them. They were hunting without moving. He could almost hear the poisonous throb of their engines.

War! he thought.

The Perfect Low, receiving clearance, edged between them and out of the lot.

TWENTY-EIGHT

Sparks in Everything

After the argument with Anna, Michael Kearney dressed and took the rental car into Boston, where he drank beer and caught Burger King before it closed, after which he sped deliberately up and down the coast road, driving in and out of thick white pockets of fog while he ate a bacon double cheeseburger with fries. The ocean, when you could see it, was a silver strip far out, the dunes at the south end of the bay heaped up black against it. Seabirds cackled on the beach even in the dark. Kearney parked the car, cut the engine, listened to the wind in the grass. He made his way down through the dunes and stood on the damp sand, stirring with the toe of one shoe the bands of tide-sorted shingle. After a moment, he had the impression of something huge sweeping in across the bay towards him. The monster was returning to its beach. Or perhaps not the monster itself, but whatever lay behind it, some condition of the world, the universe, the state of things, which is black, revelatory and, in the end, a relief-something you don't want to know but are perversely glad to have confirmed. It swept in directly from the east, directly from the horizon. It passed over him, or perhaps into him. He shivered and turned away from the beach, and trudged back up the dunes to the car, thinking about the woman he had killed in the English Midlands, where their idea of a dinner-table game was to ask:

'How do you see yourself spending the first minute of the new millennium?'

Even as he spoke he had wished he could answer differently. He had wished he could say the decent, optimistic kinds of things they were saying. Remembering this, he saw clearly how he had marginalised his own life. He had brought his life upon himself. Driving back to the cottage, he lowered the side window and threw the Burger King packaging out into the night.

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