M. Harrison - LIGHT

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LIGHT: краткое содержание, описание и аннотация

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Light
The Centauri Device
The heavy SF action begins in 2400. Space-going humanity is the latest of many civilizations to be baffled by the impenetrable Kefahuchi Tract; that vast stellar region where an unshielded singularity makes physics itself unreliable. Along its accessible fringe, the "Beach", solar systems are littered with crazy, abandoned devices used to probe the Tract since before life began on Earth. A whole dead-end culture is based on beachcombing this rubble of industrial archaeology...
25th-century characters include a woman who's sacrificed almost everything to merge with the AI "mathematics" of a crack military spacecraft; a former daredevil who once surfed black holes but has retreated into a virtual reality tank; the lady proprietor of the Circus of Pathet Lao, with an alien freakshow and a hidden agenda; and a variety of raunchy, smelly, gene-sculpted lowlife, some comic, some menacing. Many are not what they seem.
Meanwhile in 1999 London, physicists Kearney and Tate--remembered in 2400 as the fathers of interstellar flight--are getting nowhere. Kearney's personal problems occupy familiar Harrison territory: urban paranoia, a seedily unreliable guru, bad sex, guilty rituals to propitiate a metaphysical-seeming threat called the Shrander--a pursuing image out of nightmare. In the lab, both Kearney and Tate fear the increasing quantum strangeness of their results.
The cosmological wonders and hazards of the Beach form a backdrop to space pursuits and violent skirmishes whose duration is measured in nanoseconds, reported in tensely lyrical prose. Eventually everything comes together as it should--even that oppressive 1999 story strand--with revelations, transformation, transcendence, and ultimate hope. Harrison demands your full attention and rewards it richly. --

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'I love it in here,' she said.

'You have three milliseconds left,' the mathematics warned her. 'And we didn't get them all. I think one of them left the system. But Moire himself is loose and I'm still looking for him.'

'Leave me in here.'

'I can't do that.'

'Leave me in, or we're stuffed anyway. He used his team as decoys, went on ship-time late. The bet was he would have a millisecond or two left to bounce me as I slowed down.' It was a textbook tactic and she had fallen for it. ' Moire, you fucker, I know what you're up to! 'Too late. She was back on normal time. The tank proteome, flushed with nutrients and hormonal tranquillisers, was beginning to try and repair her. She could barely stay awake. 'Fuck,' she told the mathematics. 'Fuck, fuck, fuck.' There was laughter on the RF frequencies. Krishna Moire flickered briefly into existence in front of her, dressed in his powder-blue stormtroop uniform.

'Hey, Seria,' he said. 'What's this, you ask? Well it's goodnight from me. And a fucking goodnight to you.'

'He's on us,' said the mathematics.

Moire's ship flickered towards her through the wreckage. It looked like a ghost. It looked like a shark. Nothing she could do would be fast enough. The White Cat turned and turned in panic like one of her own victims, looking for a way out. Then everything lit up like a Christmas tree, and the Krishna Moire was batted away in the blast, a black needle toppling end over end against the dying flare of the explosion. In the same instant, Seria Mau became aware that something huge had materialised beside the White Cat. It was the Nastic cruiser, its vast, mouldy-looking hull, like a rotting windfall in some old orchard, still crawling with autorepair media.

'Jesus,' she said. 'They bumped him. Uncle Zip bumped his own guy.'

'I don't think it was Uncle Zip,' the mathematics said. 'The command came from somewhere else in the ship.' A dry laugh. 'It's like the bicameral mind in there.'

Seria Mau felt weepy when she heard this.

'It was the commander, 'she said. 'He always liked me. And I always liked him.'

'You don't like anyone,' the mathematics pointed out.

'Usually I don't,' said Seria Mau. 'But I'm very up and down today. I can't work out what's the matter with me.' Then she said: 'Where's that bastard Moire?'

'He's down in the outer layers of the gas giant. He got out by surfing the expansion wave of the bump. He's taken damage, but his engines still work. Do you want to go in after him?'

'No. Cook it up.'

'Pardon?'

'Cook the fucker up.'

'?'

'If you want something done,' sighed Seria Man, 'do it yourself. There.' Ordnance disengaged from one of the complex outer structures of the White Cat, hung for the blink of an eye while its engine fired, then streaked down into the gas giant's atmosphere. Gravity tried to crush it out of existence, but between here and there it had turned itself into the voice of God. Something like lightning flared across the face of the gas giant, as it began to torch itself up. Uncle Zip opened a line to the White Cat. He was puffing out his cheeks angrily. 'Hey,' he said, all that was unnecessary. You know? I paid good money for those guys. In the end I wouldn't of let them hurt you.'

Seria Mau ignored him.

'Better light out,' she advised her mathematics. She yawned. 'This is where we're going,' she said. And finally: 'I really didn't want to be bothered with that fucker again. I was just too tired.'

As they left the system, a new star had begun to burn behind them.

Seria Mau slept for a long time, dreamlessly at first. Then she began to see images. She saw the New Pearl River. She saw the garden, gloomy under rain. She saw herself from a great distance, very small but clear. She was thirteen. She had gone to sign up for the K-ships. She was saying goodbye to herbrother and her father. The scene was this: the station at Saulsignon, still pretty under its wartime skies, which were just like the wartime skies of Antique European Earth, blue, turbulent, vapour-trailed but full of hope. She saw herself wave, and she saw the father raise his hand. The brother refused to wave. He didn't want her to go, so he refused even to look at her. This scene faded slowly. After that, she glimpsed herself when she was last human, sitting on the edge of a bed shivering, vomiting into a plastic bowl while she tried to hold around her a cotton robe that fell open constantly at the back. You sign up for the K-ships in sterile white rooms at even temperatures: nevertheless, whatever you do you can't get warm. You mustn't have eaten. They give you the emetics anyway. They give you the injection. They give you the tests, but to be honest that is only to pass the two or three days it takes the injection to work. By then your bloodstream is teaming with selected pathogens, artificial parasites and tailored enzymes. You present with the symptoms of MS, lupus and schizophrenia. They strap you down and give you a rubber gag, to bite on. The way is cleared for the shadow operators, running on a nanomech substrate at the submicrometre level, which soon begin to take your sympathetic nervous system to pieces. They flush the rubbish out continually through the colon. They pump you with a white paste of ten-micrometre-range factories which will farm exotic proteins and monitor your internal indicators. They core you at four points down the spine. You are conscious all the way through this process, except for the brief moment when they introduce you to the K-code itself. Many recruits, even now, don't make it past that point. If you do, they seal you in the tank. By then they have broken most of your bones, and taken some of your organs out: you are blind and deaf, and all you are aware of is a kind of nauseous surf rolling through you forever. They have cut into your neocortex so that it will accept the software bridge known ironically as 'the Einstein Cross' from the shape you see the first time you use it. You are no longer alone. You will soon be able to consciously process billions of billions of bits per second; but you will never walk again. You will never laugh or touch someone or be touched, fuck or be fucked. You will never do anything for yourself again. You will never even shit for yourself again. You have signed up. It comes to you for an instant that you were able to choose this but that you will never, ever, ever be able to unchoose it.

In the dream, Seria Mau saw herself from above. All these years on, she wept at what she had done to herself back then. Her skin was like a fish's skin. She was trembling in the tank like a damaged experimental animal. But her brother would not even wave her goodbye that day. That in itself was reason enough. Who wanted a world like that, where you had to be the mother all the time, and your brother wouldn't even wave goodbye?

Abruptly Seria Mau was looking at a picture of a blank interior wall covered with ruched grey silk. After some time, the upper body of a man- he was tall, thin, dressed in a black tailcoat and starched white shirt; he held in one white-gloved hand a top hat, in the other an ebony cane-bent itself slowly into the frame of the picture. Seria Mau trusted him immediately. He had laughter in his eyes- they were a penetrating light blue-and a black pencil moustache, and his jet-black hair was brilliantined close to his head. It occurred to her that he was bowing. After a long while, when he had bent as much of his body into her field of vision as he could without actually stepping into it, he smiled at her, and in a quiet, friendly voice said:

'You must forgive yourself all this.'

'But -' Seria Mau heard herself reply.

At this, the ruched silk background was replaced by a group of three arched windows opening on to the blunt glare of the Kefahuchi Tract. This made the room itself appear to be toppling through space at a measured, subrelativistic pace.

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