Jon Grimwood - Pashazade

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Pashazade: краткое содержание, описание и аннотация

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The murder of an imperious North African noblewoman upsets the marriage plans of her nephew, who becomes the prime suspect. After Chief of Detectives Felix Abrinsky is called to an affluent home in Isk (El Iskandriya), Egypt, to examine the body of a recently murdered society matron, the story flashes back to the events that led up to the murder.
Young Ashraf Bey ("Raf") is united for the first time with his wealthy aunt, Lady Nafisa, who helped get him out of Huntsville, an American prison, where he went under the name of ZeeZee. (Alter ego or alternate reality? You decide.) Though Raf maintains that he worked as an attache, italicized chapters from ZeeZee's perspective paint a darker existence in Seattle.
Indeed, many of the characters have damaging secrets, including Abrinsky, who was fired from the LAPD. Raf is on his way to an arranged marriage to the beautiful and outspoken Zara when Nafisa deems Zara unsuitable for her jailbird nephew. Shortly thereafter, Nafisa is stabbed to death with her own pen. The suspicion cast on Raf is particularly dangerous for him because the higher his profile, the more vulnerable he is to his felonious former associates. Resourceful Raf determines to solve the crime himself.
In this first American installment of a trilogy published in England beginning in 2001, Grimwood (reMix, 1999, etc.) wraps gritty realism in layers of suspicion and suggestion (is Isk itself fantasy?), creating an antihero as unpredictable as Tom Ripley.

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Instead he was taking a last, regretful look. A few more minutes and he would be gone. Buying a coffee at Starbucks next door, most probably. Some small consolation for not being able to afford what he really wanted.

Hu San was used to it. The prices in her shop were higher than elsewhere. Partly that was because harbour-front sites in Seattle were expensive, occupied mostly by hotels, franchise chains and exclusive bars. The other reason was that Hu San didn't sell rubbish. She shipped the reproductions from Osaka to Seattle through her own small import/export company. Cheaper reproductions could be bought from Spain or Taiwan for a fraction of the price but she had her own motives for sourcing material from Osaka. Quite apart from an obvious one, which was that her lover was Japanese.

'How old is this?' The boy's voice was polite, his accent definitely not local. Hu San had watched him come into her shop every day for a week and silently pick up the same sword and pull it respectfully from its simple scabbard to examine the hamon: that wavy temper line where the blade was coated with clay before firing, so that variations in heat would produce a hard but brittle cutting edge, backed by softer but more flexible steel.

It was the best sword in the shop. Hu San suspected the English boy knew that. She also knew the boy had blanched the first time a price was mentioned, but still kept coming back.

'How old? Three-fifty years, maybe a bit more.' Hu Son's voice placed her as second-generation Chinese-American. More Seattle than anything else.

'And the scabbard?'

'What do you think?'

The boy picked up the scabbard thoughtfully. When he thought Hu San wasn't looking he flicked a thumbnail across a gold man on the scabbard's side. The circle peeled rather than flaked away.

'New,' said the boy, looking at the handle. It was all new except the blade.

'The blade is the sword.' Hu San said shortly. She waited for the question but the boy just nodded.

'Beautiful,' said the boy. Then, to Hu San's relief, he put the blade back in its scabbard, put the scabbard back on its daisho stand and left her shop. Which was as well, because the Chinese woman was expecting a visitor. And not one she looked forward to meeting.

Taking a pen from its tray, Hu San moistened a block of ink and began to practise writing her name. She'd practised every day since she was four, which was now just over thirty-five years ago. One day she would get it exactly right, but hopefully not too soon.

Her Korean visitor wore a dark suit, white shirt and red tie. The uniform of money-men or gangsters. He came in just as Hu San finished her third attempt. Neither bowed to the other and the Korean made no effort to hide his contempt at the smallness of the shop or at how Hu San was passing her time.

'Try writing an epitaph,' he suggested, 'if you must do that ethnic crap.'

But Hu San had no intention of dying. At least, not that day and not to any timetable worked out by a Korean. She knew the Korean's name, of course, but wasn't prepared to do the man the honour of using it, not even in her head. She'd known his father and that one had also been stupid.

'You know why I'm here?'

Hu San gave the briefest nod.

The Korean put his hand into his jacket pocket. 'Agree our terms,' he said, 'or else ...' The rest of what he planned to say was lost in the ring of a bell as ZeeZee walked back into the shop and headed straight for the sword. Hu San had been right. The boy had gone next door to Starbucks and nursed a regular latte — at the shelf by the window — while he came up with his proposal. He would put down a deposit on the katana, pay every week and collect the sword when its price had been met.

He wasn't about to mention that he didn't yet have a job.

Taking the sword from its rack, ZeeZee slid free the blade and held it out in front of him, feeling the perfection of its balance. Only then did he notice Hu San was not alone and that her visitor was gaping bug-eyed at him like some fish out of water.

'Go,' ordered Hu San. 'I'm shut now. Come back tomorrow

'You heard her,' said the suit. 'Move.'

ZeeZee was never quite sure why he didn't just walk out of the shop. Stubbornness, maybe. Disappointment at not being able to make his eminently sensible proposal. Sheer chance, perhaps. Some half-remembered butterfly stamping its foot way back when he was born. Although, later, the fox told ZeeZ.ee it had snapped awake, sniffed the air and tasted something sour. Tiri was like that, unpredictable. Whatever the reason, ZeeZee lowered the blade and started towards the counter. There was something he really needed to discuss.

'Out,' said the Korean, jerking his head towards the door. He had a gun in his hand that hadn't been there a second before.

Inside the boy's head an animal growled and ZeeZee heard a low whisper that hadn't spoken since he was seven.

Raise the sword ...

Without pausing to think, the boy lifted his blade, cavalry-sabre-style, and stepped forward. 'Are you being robbed?'

Hu San glanced from the boy to the Korean and then nodded.

The growling got louder.

'Call the police,' ZeeZee's voice was hoarse, way too high. He took a slow breath to steady himself. 'Call them ...'

Most of his weight ZeeZee rested on his left heel, leaving his right leg forward and heel slightly raised, as he took up the two-handed position taught at school. Man with gun versus man with sword. In theory it was a straight stand-off, but the idea he might actually have to use his blade raised questions of the kind the boy didn't want to answer.

'Fuckwit,' the Korean said flatly. He was talking to ZeeZee, or rather he was talking at ZeeZee, because his hand was already bringing up the revolver.

Sun flashed on metal, time slowed, and a katana blade slid through flesh and bit through bone showering the boy with hot rain.

'Bow,' ordered Hu San.

For a second the Korean's severed head remained on his neck. Then it tipped forward and fell to the floor. Death smoothing away the man's sudden expression of disbelief.

The Korean would probably have crumbled forward anyway, though to ZeeZee it looked as if the blood pumping from the man's neck was what forced him to his knees. It rained down around ZeeZee as he stood staring in shock at the razor-sharp blade resting unused in his hand.

'Could you have killed him?' Hu San asked as she wiped her own blade on a comer of her jacket.

Could he? ZeeZee didn't find the question odd. But then there was very little in life that he found odd. And it was a good question, even if he didn't yet know the answer. He'd never killed anything, not a fish from a lake or a sparrow with a BB gun, and yet...

He shrugged.

'No matter.' Hu San, elder sister of the Five Winds Society, pulled a tiny Nokia diary from her blood-splattered jacket and flipped it open. Her conversation was soft, unhurried and authoritative. ZeeZee didn't understand a word. Just as he didn't really understand how a middle-aged Chinese woman could manage to vault a counter and unsheathe a sword in less time than it took the Korean to raise his gun.

Stepping round the blood-splattered boy, Hu San walked to the shop door and flipped round a simple sign, from open to closed. Then she pulled down two bamboo blinds and locked the door. 'Shut for stocktaking,' she announced lightly.

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