Jon Grimwood - Pashazade

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Pashazade: краткое содержание, описание и аннотация

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The murder of an imperious North African noblewoman upsets the marriage plans of her nephew, who becomes the prime suspect. After Chief of Detectives Felix Abrinsky is called to an affluent home in Isk (El Iskandriya), Egypt, to examine the body of a recently murdered society matron, the story flashes back to the events that led up to the murder.
Young Ashraf Bey ("Raf") is united for the first time with his wealthy aunt, Lady Nafisa, who helped get him out of Huntsville, an American prison, where he went under the name of ZeeZee. (Alter ego or alternate reality? You decide.) Though Raf maintains that he worked as an attache, italicized chapters from ZeeZee's perspective paint a darker existence in Seattle.
Indeed, many of the characters have damaging secrets, including Abrinsky, who was fired from the LAPD. Raf is on his way to an arranged marriage to the beautiful and outspoken Zara when Nafisa deems Zara unsuitable for her jailbird nephew. Shortly thereafter, Nafisa is stabbed to death with her own pen. The suspicion cast on Raf is particularly dangerous for him because the higher his profile, the more vulnerable he is to his felonious former associates. Resourceful Raf determines to solve the crime himself.
In this first American installment of a trilogy published in England beginning in 2001, Grimwood (reMix, 1999, etc.) wraps gritty realism in layers of suspicion and suggestion (is Isk itself fantasy?), creating an antihero as unpredictable as Tom Ripley.

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'Obvious lividity ...'

He pushed the bruising and watched the skin go pale beneath his fingers as the blood that gravity had pooled in the tissue moved aside. Within another couple of hours that would be fixed in place.

'... lividity still blanches.' That confirmed his time frame.

All he needed now, for thoroughness, was a core temperature reading. The simplest way of getting that was use a rectal thermometer, but Felix knew better than to even consider the idea. Instead he reached for his Saez scalpel, moved the skirt higher still and punched his scalpel through the skin of Nafisa's abdomen. Extracting the blade, Felix took a surgical thermometer and worked it deep into the tiny wound. Ninety seconds later he broke the red tag off the top of the thermometer to fix the temperature and withdrew the sliver of glass and silicon, dropping it into an evidence bag, which he initialled.

A human body lost roughly one-point-fìve degrees an hour, depending on surrounding temperature. The reading was within the limits he'd expect.

'Initialling postM wound ...'

Using his pen, Felix drew a circle around the wound on Lady Nafisa's abdomen, signed his initials and added the date and time. The coroner-magistrate would have a fit about it, there'd be another strong memo to the Minister mentioning desecration of the dead and Felix would get told not to do it again.

Again.

To which he'd reply, as he always did, that if he wasn't allowed to use the orifices that Allah provided, then he'd have to make his own. As yet Madame Mila hadn't come up with an answer that ... Mind you, she hadn't forgiven him either.

'Toxicology report ...' Slamming a sterile plastic reservoir into a syringe, Felix picked a vein in Nafìsa's wrist and drew blood. Circling and initialling the puncture mark. Let them complain about that, too.

The corpse felt warm through the latex of his glove as he lifted a breast to examine the pen buried beneath it. He felt for the edge of her ribcage and then counted up, already knowing what he was going to find.

'Penetrating wound to chest, between third and fourth ..." The blow was perfectly placed to puncture her heart. And it was a single stab wound, highly professional. Amateur assassins often missed. Suicides left hesitation cuts, little lacerations and half-hearted weals while they jabbed or slashed at themselves to see how much it was going to hurt.

Yet no defensive wounds were present to indicate that Lady Nafisa had even tried to fight for her life. And this was a woman notorious for fighting for everything she considered her due. One fact contradicted the other, Felix decided glumly, chewing at the inside of his lip as he always did when conflicting evidence ate away at the insides of his mind.

Lifting her right hand to recheck unbroken skin between the woman's thumb and first finger, Felix almost hissed with irritation. 'No defensive cuts to finger web, nor across palm or wrist ..." He stopped, turned over the hand to look at her nails. The cuticles were still manicured and immaculate, that morning's lacquer as dark and glossy as a blood trickle but the nail ends were badly chipped and ripped back, all of them.

If she'd been a girl locked in a cellar to starve to death, then that was what he'd expect her fingers to look like at the end of the first day, before they stopped being something used to scrabble at a locked door and became food instead. And it did happen, even in El Iskandryia — but only among the poor, out in the slums, to daughters and sisters who hadn't been as careful as their fathers or brothers expected. It didn't happen to the middle-aged and rich.

Besides, her office wasn't a cellar and her door had been found open.

Felix shook his head, thought briefly about starting his fourth hip flask, the emergency one, and rejected the idea. Every year new morality laws made his life that much more difficult. It was hard enough being Nasrani in a North African city, even worse to be so obviously fat and pink in a country full of elegant Arabs, rugged Berbers and sophisticated Levantines. And his own Catholicism might now be almost residual, but it still made for difficulties in an Islamic metropolis where a male officer wasn't supposed to touch a female corpse.

But then, this was a city where the police test for rape in the outer boroughs was to sit the victim on a rough wooden stool to see if she squirmed with pain. If she didn't, she hadn't fought back and it wasn't rape. Most fought back. Many died rather than submit. Not surprising when most felaheen still chose to kill their daughters for being disgraced rather than kill the rapist and risk starting a blood feud.

Sod it. Felix took the swig anyway, aware without looking that the nail of the thumb he used to flip up the top was bitten to the quick, just like all his others. He'd have to go back on the Sobranie soon, whatever the medics said about ghostly shadows haunting his lungs. Logical deduction was hard enough without self-inflicted nicotine withdrawal.

So what had he got?

At first glance the attack appeared frenzied. But any attacker in a real frenzy would just have punched the pen straight through whatever clothes Lady Nafisa wore, which meant the open blouse signified something. Unless, of course, what it signified was not frenzy but passion and the stabbing came later, when the widow's defences were down.

That wasn't an avenue Nafìsa's cousin Jalila or her husband would want explored with too much thoroughness ... Or any thoroughness at all, come to that, Felix decided sourly as he listened to heels that clicked regular as a metronome across the courtyard outside. That would be Lady Jalila's friend, the new coroner-magistrate.

Felix waited for the sound of her and Hani's footsteps on the stairs. Then, when they didn't come, he tuned out the distant chatter of Hani's voice and went back to examining the body, using his last few seconds of peace to search for anything he might have missed. Something obvious.

There was a tiny stigma right in the centre of her left hand, a dark crater-like indentation that bled slightly along one edge.

Significant? Possibly. He grabbed a shot anyway and hurriedly thrust the dead woman's hand back in her lap where he'd found it. Then Felix smoothed the skirt down round her knees and stepped back. He left the blouse as he'd found it, torn open at the front. He didn't want anyone saying he'd been messing with the evidence.

'Chief Felix ...' The coroner-magistrate's greeting was borderline polite, but brittle. 'No one told me you'd be here.'

'Didn't they? Then you've been talking to the wrong people.' The fat man took his time to straighten up, rolling his heavy shoulders to ease their stiffness. And then, when he could put it off no longer, he turned to face the ebony-skinned woman who stood glaring from the doorway.

Madame Mila, with her hair pulled back, her nails worn short and unvarnished, her black trousers and coat cut from local cotton, not even off the peg but off the shelf from Walmart. She wore no jewellery.

Word was, Madame Mila dressed simply because of her job. Felix's view was that she'd dress like that no matter what job she did.

'We've done everything according to regulations,' said Felix. 'His Excellency here is my witness to that ...'

The woman raised her eyebrows but didn't bother to reply. Instead she stepped over to the body and touched her finger to the throat of the stabbed woman, checking that there was no pulse.

'Dead,' she announced. Felix nodded. The official time of death was now, not when Felix estimated she was killed but when the death was formally recorded by a medical officer.

Carefully, Madame Mila closed the open blouse. Then she stooped for the tissue-thin modesty shroud Felix had earlier discarded and spread it over the dead body. Only after that did she turn back to the door, nodding for Felix to follow her.

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