Jon Grimwood - Felaheen

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The third instalment in Jon Courtenay Grimwood's critically acclaimed series of Ashraf Bey mysteries
Detective. Diplomat. Uncle. Killer.
Ashraf Bey has been many things since arriving in El Iskandryia from Seattle. One thing he hasn't been, as yet, is a son to Moncef, Emir of Tunis - the father Raf has still to meet. Of course, Raf doesn't believe the Emir is his father anyway. (Given his mother's insistence that he's the son of a Swedish hitch hiker).
And now it may be too late, since the rumours that don't have Emir Moncef escaping assassination have him hovering on the edge of death. Despite refusing a plea for help from the Emir's chief of security, Raf still finds himself being drawn towards Tunis. It seems he has his own part in an unfolding political crisis that began decades earlier with US anti-globalisation riots and the Emir's refusal to ratify the 2005 UN Accord on Biotechnology.

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Carrying a cape of lamb over one shoulder, Raf watched the crowds part to let him through rather than risk having blood dragged across their clothes. The floor of the indoor market beneath his boots was wet with melted ice and slick with tomatoes dropped and trodden to pulp, the green walls sticky with handprints and streaked with condensation. He walked ahead at Isabeau's insistence. She needed space. Time enough to get a grip on her tears.

They exited near Bab el Bahar, the city's sea gate in the days before the ground between the medina and the Gulf of Tunis was mapped by French engineers for ersatz Parisian boulevards now old enough to be heritage sites in their own right.

The bab still functioned as the main gate into the walled heart of Tunis. By law, no buildings within the medina could be changed from one use to another. Shops remained shops and cafés remained cafés but little money existed to pay for their upkeep so even the famous suq roofs that cast whole alleys into half gloom were pitted and peeling, cracked across their roofs like lightning, sometimes actually dangerous.

There were also alleys where people lived rather than just made or sold things. And the houses that lined these looked in on courtyards just as the walled city looked in on the suqs and the surrounding ville looked in on the walled city. Within the medina were small squares, the result not of planning but of enough narrow alleys meeting to make a passing space necessary. Maison Hafsid looked onto one of these.

The entrance doors to Chef Edvard's restaurant were studded with nails, as was usual, and with hammered strips of black iron that formed crescents, six-pointed stars and spirals, this last being reserved for the medina's grander houses. Both doors were mirror images of the other. Crescent for crescent, spiral for spiral.

These Raf avoided, heaving the lamb carcass around to the rear, where his struggle to lift it off his shoulder without covering himself in slime was observed by Isabeau and a boy sitting in a door opposite. Aged about seven, the boy was sorting straw hats into those damaged by winter rains and those still good enough to sell.

Every city was like this. Interlocking circles, poverty and plenty. As was every life. The only difference being that no one bothered to write guides about the picturesque poverty of London or New York, Seattle or Zurich. Or if they did, it was in no language Raf read.

"Has anyone asked him if he saw anything?"

"What?" Isabeau sounded puzzled.

"That boy," Raf said, nodding to the child who was now watching them. "Has anyone asked if he saw what . . ." He stopped as soon as he realized Isabeau was no longer listening. She had leaned against the wall, near the top of the stairs that led down to Maison Hafsid's cellar kitchens, hands over her face.

"It's okay," said Raf, which was about as dumb a thing as anyone could say.

"No, it's not," Isabeau said.

Raf took the lamb and the large lump of harissa Isabeau held, neatly wrapped in its grease-proof paper, and carried them down the steps, along a short corridor and into the kitchens. He spoke to Chef Edvard, got the man's agreement for letting him have time off to take Isabeau back to her flat, then went back to the alley. Isabeau was standing exactly where she'd been when Raf left. The boy with the hats was gone.

Salt on his tongue. Raf woke with Isabeau naked in his arms. Worrying enough. What made it worse was a blinding headache and the packet of condoms by her bed. They were unused, unlike the brandy bottle beside them.

Taking one out, Raf squinted at the small print. American, which he could have guessed from its gold coin wrapper. A quality mark, a use-by date and a warning from the Surgeon General about retrovirus.

"Belonged to my brother . . ." Isabeau said, opening one eye.

Nodding hurt, so Raf just watched her go back to sleep.

The use-by date was two years ahead.

Very slowly, Raf shifted one arm from under Isabeau's shoulders, twisted until his legs hung over the edge of the cast-iron bed and sat up, regretting it immediately. For the time it took him to stop feeling sick, he played that game where the room spun when he looked at it but stopped if he shut his eyes again. Between spinning and darkness Raf played a second game of remembering what was in the room and wondering, why?

Once expensive but lately fallen into disrepair, its sash window glazed with only a single pane of glass, the room was soulless, almost sullen. A small music system sat on a metal table, both chrome. Although the sides of the music system were ersatz, coated plastic. There were no pictures on the walls. No looking glass or dressing table.

"This isn't her room, is it?"

"No," said Raf, agreeing with himself. "It's not."

The room was emotionally cold and Raf imagined Isabeau's real room to be littered with mementoes from a recently discarded childhood. A Cheb Rai poster. A row of those kitsch blue Chinese foals, piebald with dust as they rolled across some glass shelf. A vase, bad cut glass. An anorexically thin marble Madonna. The kind sold in St. Vincent de Paul . . .

Raf reined in his headache. Ran that thought back.

Someone like him, or rather someone like the him he'd become back in El Isk, might wear jade wrist beads while carrying a silver-and-coral Fatima key ring but neither Hani nor Zara would ever own something forbidden just because they liked the way it looked. Even a rust-eaten antique Buddha that Raf had found in a suq and placed in an alcove in the qaa drew odd looks from both of them. Mind you, it drew scowls from Donna and she was Catholic.

Which meant . . .

"Let me get this right," said Raf. "You're sitting in a dead man's room beside a naked woman and you're internalizing some seminar on comparative religion?"

Yeah, Raf nodded to himself. That was it exactly.

He'd fucked Isabeau. No matter that his memory of the exact act was bricked off with rising doubts, alcohol poisoning and emotional shutdown. The very fact he was having this conversation with himself was proof enough.

Pulling back Isabeau's covers, Raf swallowed what he saw. Flash-freezing her high breasts, soft stomach and hips permanently into memory. Comparing her figure, despite himself, with his memory of Zara. They were alike enough to make Raf feel ashamed. The only real difference, apart from the fact he'd fucked one and not the other (and the one he'd fucked was not the one he loved) was that a small crucifix on a gold chain twisted sideways in the crease between Isabeau's breasts.

"Okay," agreed Raf. That did explain the marble Madonna of his imagining.

There were plane trees beyond the window. Chrome blinds. A crack that ran across the floor where grouting between tiles had snapped along a stress line, then opened up, until the crack changed direction and broke tiles instead.

But the tiles were clean and recently scrubbed. Come to that the whole room was spotless.

"Which says what?"

That Pascal was too poor to afford repairs on the flat he shared with his sister but still liked it kept clean?

"Or wasn't anal enough to worry about interior decoration."

That too, except the tiny music system, sandblasted metal bed and chrome table had anal-retentive written through them like rock. Walking to the bedroom door, Raf glanced at the area beyond. A living space with Toshiba screen. Black leather sofa. Another chrome-and-glass table. Doors led to a small kitchen. A bathroom with shower stall. And finally, a second bedroom, half the size of the one in which he awoke. The other difference was a lock recently fixed to the inside of that door. Ceramic foals sat on a glass shelf but there were no posters or pictures and no slim marble Madonna. Nothing of real interest in the small bedside cabinet.

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