Jon Grimwood - Felaheen

"I've got cash," said Hani, yanking a roll of dollars from her fleece pocket. "And you can call me mademoiselle ." She grinned at Madame Fitmah's blossoming shock and nodded towards an antique brass till inlaid with silver and bronze, although the mechanism was strictly electronic. "You glanced at that," Hani explained, "then you looked at me and seemed puzzled."

"Mademoiselle?"

Hani nodded. "And I've got cash," she stressed, holding out the roll of US dollars, but still the woman looked doubtful.

El Isk was, by the standards of North Africa, surprisingly liberal in its approach to life. In part this was due to its status as a freeport and, in part, to the fact that liberalism had been General Koenig Pasha's only defence against creeping fundamentalism. True, a woman still couldn't inherit property, hold a job without the consent of her father or husband, drive alone on Fridays or initiate a divorce; but she could own a credit card and was liable for any debt she incurred. Unlike, say, Riyadh or Algiers, where all a man had to do was repudiate his wife's right to incur debt and no court would enforce an order.

Children were different, obviously enough. In Iskandryia, boys were considered responsible from the age of fourteen; for girls the age was twenty-one. Although where marriage was concerned the differential reversed. Then the legal age was fourteen for the girl and sixteen for a boy.

Even if Hani had possessed a credit card, Madame Fitmah would have been unwilling to sell her anything without an adult present to countersign the slip. Cash on the other hand . . .

"What kind of dress?"

"Gold," said Hani. "Thin as the wings of a Great Admiral butterfly, with pearls around the neck and sleeves seeded with emeralds."

"I'm not sure we've . . ." The Italian woman looked round at steel shelves lining her haut minimaliste boutique. A shop space taller than it was wide. And when she shrugged apologetically her scarlet Versace dress creased at the shoulders. "I doubt if anyone's ever . . ."

Hani sighed and the gown that Scheherazade wore on the last of her one thousand and one nights crumbled in her imagination and was gone.

"Show me what you've got," said Hani and sounded so like Zara that she tagged on a hurried please , before climbing onto a chrome-and-glass chair to position herself so that she stared at a red flower painted on the far wall, her spine rigid and legs bent at the knee. A move that would do more than cash could to convince Madame Fitmah the child belonged in her boutique.

"You've been measured before."

"Oh," Hani smiled sweetly. "I'm always being measured." And so she was, against the edge of a door in the kitchen by Donna, who took a fresh measurement every month and wrote the date against it. Although obviously this wasn't what the woman meant.

"But you don't have your card . . . ?"

"I've grown," Hani told the woman. She sounded ridiculously smug about this, as if the growth spurt had been down to her and not to nature. That wasn't the real reason Hani had left her card behind, of course. The one she'd had done with Zara featured Hani's name and address encoded on the chip.

The scanner was silent as it passed through the small girl's fleece, T-shirt and jeans to map the skin beneath, then looked through skin to the bones and measured those as well. Any clothes cut to measure would fit perfectly but Hani was too impatient to wait so Madame Fitmah matched her measurements to an inventory of stock.

"I'm sorry," the owner began to say and stopped as the face of the child in front of her immediately dissolved into tears. Half a second later and the grief was gone, pulled back into glistening eyes and a trembling mouth. A second after that and Hani's face was neatly composed.

"I'm sorry to have troubled you," Hani said as she slipped from the chair. Pushing her bundle of dollars back into a fleece pocket, she headed for the door.

"Wait." Madame Fitmah stood beside a screen, scrolling down the list. "I'm sure we can adapt something. Is this for a special occasion?"

"Oh yes," said Hani. "One of my cousins is having a party for his parents."

"Next time," Chef Antonio's voice was flat, "I sell your ass to my nephew Hassan, who likes that kind of thing." He took back his high-carbon Wusthof and threw the recipient of his scorn a cheap Sabatier kept for casual labour.

The Australian boy in question looked from Antonio to the blade that quivered in the door beside him and his shock, outrage and (let's be honest) unconcealed admiration went a tiny way towards restoring the chef's good humour. There were basic rules in life and first up was touch someone else's knife at your peril.

Antonio pointed to a half-full bucket of tomatoes. "You don't stop until you've skinned the lot. You understand?"

The Australian did.

With a sigh the chef turned back to his radio. "Sources close to the police say the man just arrested has known links to fundamentalist terror groups." The newsreader spoke with an accent so impossibly Parisian it had to be fake.

Antonio twisted the dial and watched a needle judder its way across a thin strip of glass inscribed with stations that, like as not, no longer existed. The radio was Soviet, the size of a cinder block, only three times as heavy. Someone, probably a prisoner in a gulag workshop, had painted individual swirls of grain across its metal casing.

". . . more news for you on the hour."

"Try another station," demanded Hassan.

Antonio took time out to stare at his wife's nephew but he still did what the fat boy suggested, stopping as the hiss of static thinned into Arabic.

"No further news on the murder at Maison Hafsid . . ."

Running the length of the dial twice, Antonio checked out as many of the local stations as he could find. It was easy to tell an approved station because those were the ones carrying identical versions of the same story. The pirates were more interesting but nothing they suggested sounded remotely like the truth.

"Any news on Isabeau?" Chef Antonio demanded.

"She hasn't phoned back."

"Okay," Antonio told Idries. "Let me know if she does . . ." But when a call finally came it wasn't from Isabeau.

"For you," Hassan said.

"Who?"

Hassan returned the stare he'd been given earlier. "For you," he said and dropped the receiver to let it spin, vinelike, tipped by a matte grey plastic fruit.

Sometime or other Antonio was going to have to talk to his wife. It was all very well having her nephew on board, but the deal was that the boy was here to learn, not behave like he was already part owner.

"Yes," Antonio barked, voice harsher than he intended. "What?" Whoever answered had presence enough to fill the chef's voice with something very close to respect. "I'll be there." The chef listened again. "We'll be there," he agreed, amending his words.

"Scrap the tomatoes," he told the Australian boy. "We're closing for tonight." He nodded at Idries. "Turn off the ovens and put everything back in the cooler . . ."

"You know," said Raf, the nouvelle ville rattling by behind his head in a succession of dusty shops and pavement tables. "There's something I still don't quite get." Tapping his last Cleopatra from its packet the way Hamzah's builders did, Raf crumpled the empty box and dropped it. A flick of a cheap lighter and he passed the cigarette to Isabeau, who dug deep and handed it back.

"What's to get?" Isabeau asked flatly.

"Who are you running from?"

Jagged glass/broken bulbs. Raf was going to have to get over matching images to emotions, his own and other people's. Shock of some kind had finally swallowed Isabeau; shaking her hands and dragging her thumb repetitively across her fingertips, grinding her heels into the floor.