Philip Dick - The Complete Stories of Philip K. Dick Vol. 4:

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"More than anyone else in the field, Mr. Dick really puts you inside people's minds."
– Wall Street Journal
Many thousands of readers worldwide consider Philip K. Dick to have been the greatest science fiction writer on any planet. Since his untimely death in 1982, interest in Dick's work has continued to mount and his reputation has been enhanced by a growing body of critical attention. The Philip K. Dick Award is now presented annually to a distinguished work of science fiction, and the Philip K. Dick Society is devoted to the study and promulgation of his works.
This collection includes all of the writer's earliest short and medium-length fiction (including several previously unpublished stories) covering the years 1954-1964, and featuring such fascinating tales as The Minority Report (the inspiration for Steven Spielberg's film), Service Call, Stand By, The Days of Perky Pat, and many others. Here, readers will find Dick's initial explorations of the themes he so brilliantly brought to life in his later work.
Dick won the prestigious Hugo Award for best novel of 1963 for The Man in the High Castle and in the last year of his life, the now-classic film Blade Runner was made from his novel Do Androids Dream Electric Sheep?
The classic stories of Philip K. Dick offer an intriguing glimpse into the early imagination of one of science fiction's most enduring and respected names.
"A useful acquisition for any serious SF library or collection." – Kirkus Reviews
"Awe-inspiring." – The Washington Post

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The toys on the floor, triggered to respond to oral instructions, gave up their various occupations, and started afresh.

"It saves on labor costs," Pinario explained. "This is a crop of junk that's got an entire repertoire to go through, before the buyer has his money's worth. If we stuck around to keep them active, we'd be in here all the time."

Directly before the dummy was the group of Ganymedean soldiers, plus the citadel which they had been built to storm. They had been sneaking up on it in an elaborate pattern, but, at the dummy's utterance, they had halted. Now they were regrouping.

"You're getting this all on tape?" Wiseman asked.

"Oh, yes," Pinario said.

The model soldiers stood approximately six inches high, made from the almost indestructible thermoplastic compounds that the Ganymedean manufacturers were famous for. Their uniforms were synthetic, a hodgepodge of various military costumes from the Moons and nearby planets. The citadel itself, a block of ominous dark metal-like stuff, resembled a legendary fort; peepholes dotted its upper surfaces, a drawbridge had been drawn up out of sight, and from the top turret a gaudy flag waved.

With a whistling pop, the citadel fired a projectile at its attackers. The projectile exploded in a cloud of harmless smoke and noise, among a cluster of soldiers.

"It fights back," Wiseman observed.

"But ultimately it loses," Pinario said. "It has to. Psychologically speaking, it symbolizes the external reality. The dozen soldiers, of course, represent to the child his own efforts to cope. By participating in the storming of the citadel, the child undergoes a sense of adequacy in dealing with the harsh world. Eventually he prevails, but only after a painstaking period of effort and patience." He added, "Anyhow, that's what the instruction booklet says." He handed Wiseman the booklet.

Glancing over the booklet, Wiseman asked, "And their pattern of assault varies each time?"

"We've had it running for eight days now. The same pattern hasn't cropped up twice. Well, you've got quite a few units involved."

The soldiers were sneaking around, gradually nearing the citadel. On the walls, a number of monitoring devices appeared and began tracking the soldiers. Utilizing other toys being tested, the soldiers concealed themselves.

"They can incorporate accidental configurations of terrain," Pinario explained. "They're object-tropic; when they see, for example, a dollhouse here for testing, they climb into it like mice. They'll be all through it." To prove his point, he picked up a large toy spaceship manufactured by a Uranian company; shaking it, he spilled two soldiers from it.

"How many times do they take the citadel," Wiseman asked, "on a percentage basis?"

"So far, they've been successful one out of nine tries. There's an adjustment in the back of the citadel. You can set it for a higher yield of successful tries."

He threaded a path through the advancing soldiers; Wiseman accompanied him, and they bent down to inspect the citadel.

"This is actually the power supply," Pinario said. "Cunning. Also, the instructions to the soldiers emanate from it. High-frequency transmission, from a shot-box."

Opening the back of the citadel, he showed his boss the container of shot.

Each shot was an instruction iota. For an assault pattern, the shot were tossed up, vibrated, allowed to settle in a new sequence. Randomness was thereby achieved. But since there was a finite number of shot, there had to be a finite number of patterns.

"We're trying them all," Pinario said.

"And there's no way to speed it up?"

"It'll just have to take time. It may run through a thousand patterns and then -"

"The next one," Wiseman finished, "may have them make a ninety-degree turn and start firing at the nearest human being."

Pinario said somberly, "Or worse. There're a good deal of ergs in that power pack. It's made to put out for five years. But if it all went into something simultaneously -"

"Keep testing," Wiseman said.

They looked at each other and then at the citadel. The soldiers had by now almost reached it. Suddenly one wall of the citadel flapped down, a gun-muzzle appeared, and the soldiers had been flattened.

"I never saw that before," Pinario murmured.

For a moment nothing stirred. And then the lab's child-dummy, seated among its toys, said, "I'm tired of that. Do something else."

With a tremor of uneasiness, the two men watched the soldiers pick themselves up and regroup.

Two days later, Wiseman's superior, a heavy-set, short, angry man with popping eyes, appeared in his office. "Listen," Fowler said, "you get those damn toys out of testing. I'll give you until tomorrow." He started back out, but Wiseman stopped him.

"This is too serious," he said. "Come down to the lab and I'll show you."

Arguing all the way, Fowler accompanied him to the lab. "You have no concept of the capital some of these firms have invested in this stuff!" he was saying as they entered. "For every product you've got represented here, there's a ship or a warehouse full on Luna, waiting for official clearance so it can come in!"

Pinario was nowhere in sight. So Wiseman used his key, by-passing the hand-signals that opened up the testing room.

There, surrounded by toys, sat the dummy that the lab men had built. Around it the numerous toys went through their cycles. The racket made Fowler wince.

"This is the item in particular," Wiseman said, bending down by the citadel. A soldier was in the process of squirming on his belly toward it. "As you can see, there are a dozen soldiers. Given that many, and the energy available to them, plus the complex instruction data -"

Fowler interrupted, "I see only eleven."

"One's probably hiding," Wiseman said.

From behind them, a voice said, "No, he's right." Pinario, a rigid expression on his face, appeared. "I've been having a search made. One is gone."

The three men were silent.

"Maybe the citadel destroyed him," Wiseman finally suggested.

Pinario said, "There's a law of matter dealing with that. If it 'destroyed' him – what did it do with the remains?"

"Possibly converted him into energy," Fowler said, examining the citadel and the remaining soldiers.

"We did something ingenious," Pinario said, "when we realized that a soldier was gone. We weighed the remaining eleven plus the citadel. Their combined weight is exactly equal to that of the original set – the original dozen soldiers and the citadel. So he's in there somewhere." He pointed at the citadel, which at the moment was pinpointing the soldiers advancing toward it.

Studying the citadel, Wiseman had a deep intuitive feeling. It had changed. It was, in some manner, different.

"Run your tapes," Wiseman said.

"What?" asked Pinario, and then he flushed. "Of course." Going to the child-dummy, he shut it off, opened it, and removed the drum of video recording tape. Shakily, he carried it to the projector.

They sat watching the recording sequences flash by: one assault after another, until the three of them were bleary-eyed. The soldiers advanced, retreated, were fired on, picked themselves up, advanced again…

"Stop the transport," Wiseman said suddenly.

The last sequence was re-run.

A soldier moved steadily toward the base of the citadel. A missile, fired at him, exploded and for a time obscured him. Meanwhile, the other eleven soldiers scurried in a wild attempt to mount the walls. The soldier emerged from the cloud of dust and continued. He reached the wall. A section slid back.

The soldier, blending with the dingy wall of the citadel, used the end of his rifle as a screwdriver to remove his head, then one arm, then both legs. The disassembled pieces were passed into the aperture of the citadel. When only the arm and rifle remained, that, too, crawled into the citadel, worming blindly, and vanished. The aperture slid out of existence.

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