Philip Dick - The Complete Stories of Philip K. Dick Vol. 5 - The Eye of the Sibyl and Other Classic Stories

"But Mr. Masters," Miss Handy said, "it's such an important error, sir. If he's right. Mr. Brandice claims that the entire chapter -"

"I read his letter; I also talked to him on the vidphone. I know what he claims." Masters walked to the window of his office, gazed moodily out at the arid, crater-marred surface of Mars which he had witnessed so many decades. Five thousand copies printed and bound, he thought. And of that, half in gold-stamped Martian wub-fur. The most elegant, expensive material we could locate. We were already losing money on the edition, and now this.

On his desk lay a copy of the book. Lucretius' De Rerum Natura, in the lofty, noble John Dryden translation. Angrily, Barney Masters turned the crisp white pages. Who would expect anyone on Mars to know such an ancient text that well? he reflected. And the man waiting in the outer office consisted of only one out of eight who had written or called Obelisk Books about a disputed passage.

Disputed? There was no contest; the eight local Latin scholars were right. It was simply a question of getting them to depart quietly, to forget they had ever read through the Obelisk edition and found the fumbled-up passage in question.

Touching the button of his desk intercom, Masters said to his receptionist, "Okay; send him." Otherwise the man would never leave; his type would stay parked outside. Scholars were generally like that; they seemed to have infinite patience.

The door opened and a tall gray-haired man, wearing old-fashioned Terra-style glasses, loomed, briefcase in hand. "Thank you, Mr. Masters," he said, entering. "Let me explain, sir, why my organization considers an error such as this so important." He seated himself by the desk, unzipped his briefcase briskly. "We are after all a colony planet. All our values, mores, artifacts and customs come to us from Terra. WODAFAG considers your printing of this book…"

" 'WODAFAG'?" Masters interrupted. He had never heard of it, but even so he groaned. Obviously one of the many vigilant crank outfits who scanned everything printed, either emanating locally here on Mars or arriving from Terra.

"Watchmen Over Distortion And Forged Artifacts Generally," Brandice explained. "I have with me an authentic, correct Terran edition of De Rerum Natura - the Dryden translation, as is your local edition." His emphasis on local made it sound slimy and second-rate; as if, Masters brooded, Obelisk Books was doing something unsavory in printing books at all. "Let us consider the inauthentic interpolations. You are urged to study first my copy -" He laid a battered, elderly, Terran-printed book open on Masters' desk. "- in which it appears correctly. And then, sir, a copy of your own edition; the same passage." Beside the little ancient blue book he laid one of the handsome large wub-fur bound copies which Obelisk Books had turned out.

"Let me get my copy editor in here," Masters said. Pressing the intercom button he said to Miss Handy, "Ask Jack Snead to step in here, please."

"Yes, Mr. Masters."

"To quote from the authentic edition," Brandice said, "we obtain a metric rendering of the Latin as follows. Ahem." He cleared his throat self-consciously, then began to read aloud.

"From sense of grief and pain we shall be free;

We shall not feel, because we shall not be.

Though earth in seas, and seas in heaven were lost,

We should not move, we only should be toss'd."

"I know the passage," Masters said sharply, feeling needled; the man was lecturing him as if he were a child.

"This quatrain," Brandice said, "is absent from your edition, and the following spurious quatrain – of God knows what origin – appears in its place. Allow me." Taking the sumptuous, wub-fur bound Obelisk copy, he thumbed through, found the place; then read.

"From sense of grief and pain we shall be free;

Which earth-bound man can neither qualify nor see.

Once dead, we fathom seas cast up from this:

Our stint on earth doth herald an unstopping bliss."

Glaring at Masters, Brandice closed the wub-fur bound copy noisily. "What is most annoying," Brandice said, "is that this quatrain preaches a message diametric to that of the entire book. Where did it come from? Somebody had to write it; Dryden didn't write it – Lucretius didn't." He eyed Masters as if he thought Masters personally had done it.

The office door opened and the firm's copy editor, Jack Snead, entered. "He's right," he said resignedly to his employer. "And it's only one alteration in the text out of thirty or so; I've been ploughing through the whole thing, since the letters started arriving. And now I'm starting in on other recent catalog-items in our fall list." He added, grunting. "I've found alterations in several of them, too."

Masters said, "You were the last editor to proofread the copy before it went to the typesetters. Were these errors in it then?"

"Absolutely not," Snead said. "And I proofread the galleys personally; the changes weren't in the galleys, either. The changes don't appear until the final bound copies come into existence – if that makes any sense. Or more specifically, the ones bound in gold and wub-fur. The regular bound-in-boards copies – they're okay."

Masters blinked. "But they're all the same edition. They ran through the presses together. In fact we didn't originally plan an exclusive, higher-priced binding; it was only at the last minute that we talked it over and the business office suggested half the edition be offered in wub-fur."

"I think," Jack Snead said, "we're going to have to do some close-scrutiny work on the subject of Martian wub-fur."

An hour later aging, tottering Masters, accompanied by copy editor Jack Snead, sat facing Luther Saperstein, business agent for the pelt-procuring firm of Flawless, Incorporated; from them, Obelisk Books had obtained the wub-fur with which their books had been bound.

"First of all," Masters said in a brisk, professional tone, "what is wub-fur?"

"Basically," Saperstein said, "in the sense in which you're asking the question, it is fur from the Martian wub. I know this doesn't tell you much, gentlemen, but at least it's a reference point, a postulate on which we can all agree, where we can start and build something more imposing. To be more helpful, let me fill you in on the nature of the wub itself. The fur is prized because, among other reasons, it is rare. Wub-fur is rare because a wub very seldom dies. By that I mean, it is next to impossible to slay a wub – even a sick or old wub. And, even though a wub is killed, the hide lives on. That quality imparts its unique value to home-decoration, or, as in your case, in the binding of lifetime, treasured books meant to endure."

Masters sighed, dully gazed out the window as Saperstein droned on. Beside him, his copy editor made brief cryptic notes, a dark expression on his youthful, energetic face.

"What we supplied you," Saperstein said, "when you came to us – and remember: you came to us; we didn't seek you out – consisted of the most select, perfect hides in our giant inventory. These living hides shine with a unique luster all their own; nothing else either on Mars or back home on Terra resembles them. If torn or scratched, the hide repairs itself. It grows, over the months, a more and more lush pile, so that the covers of your volumes become progressively luxurious, and hence highly sought-after. Ten years from now the deep-pile quality of these wub-fur bound books -"

Interrupting, Snead said, "So the hide is still alive. Interesting. And the wub, as you say, is so deft as to be virtually impossible to kill." He shot a swift glance at Masters. "Every single one of the thirty-odd alterations made in the texts in our books deals with immortality. The Lucretius revision is typical; the original text teaches that man is temporary, that even if he survives after death it doesn't matter because he won't have any memory of his existence here. In place of that, the spurious new passage comes out and flatly talks about a future of life predicated on this one; as you say, at complete variance with Lucretius's entire philosophy. You realize what we're seeing, don't you? The damn wub's philosophy superimposed on that of the various authors. That's it; beginning and end." He broke off, resumed his note-scratching, silently.