Robert Sheckley - Options

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Options: краткое содержание, описание и аннотация

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Options The story is ostensibly about a marooned space traveller's attempt to get a spare part for his starship, the
. He has a robotic guard, programmed to guard him against all planetary dangers. But soon he discovers that the robot has not been programmed for the planet where they are, with comic results. However, the narrative later descends into a mass of diversions, non-sequiturs and meditations on the nature of authorship. Eventually the diversions take over the book to the extent that the author openly introduces an increasingly bizarre succession of deus ex machina in an attempt to get the novel back on track, but eventually admits defeat.

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The Duke of Melba was a large and impressive individual. His eyes were a frosty blue.

He bore a resemblance to Ronald Colman, though the Duke was handsomer, more bitter, and possessed more cool. His hands were finely shaped with long tapering fingers.

Noticeable also were the little crow's-feet at the corners of his eyes. These, together with the feathering of grey at his temples, did nothing to detract from his attractiveness; quite the contrary, they gave him a bold, brooding, weather-beaten appearance that the opposite sex (as well as many members of his own sex, not all of them gay) found distinctively attractive. Taken all in all, he was the man you would pick to advertise your oldest scotch, your best line of clothing, your most expensive motorcars.

The Duke thought that over and found it good. A few things were missing. So he gave himself the faintest suggestion of a limp, just for the hell of it and because he had always considered a limp to be mysterious and attractive.

When he was through, the Duke of Melba was fair pleased. The only thing that galled him was the fact that his wife had caused him to vanish. That seemed to him a very castrating thing to do.

"Do you know?" he said to Mishkin, "I have a wife. The Duchess of Melba, you know."

"Oh. That's nice," Mishkin said.

"In a way it is, I suppose. But the thing is, I don't believe in her."

The Duke smiled to himself: an attractive smile. Then he frowned: an attractive frown, for his wife appeared suddenly in front of him.

The Duchess of Melba took one good look at the Duke, then swiftly changed her appearance. Her hair went from grey to chestnut brown with red highlights. She became tall, slender, with medium-large boobies and a delicious ass. She gave herself delicate bones in her wrists, a faint, blue vein that throbbed in her forehead, a beauty mark shaped like a star on her left cheek, fantastic legs, a Pierre Cardin outfit, a Hermes handbag, shoes by Riboflavin, a tantalizing smile smiled by long, slim lips that didn't need any lipstick because they were naturally red (it ran in the family), a solid gold Dunhill lighter, emaciated cheeks, raven black hair with blue highlights, and a big sapphire ring instead of a gold-plated wedding band.

The Duke and the Duchess looked at each other and found each other admirable. They strolled away arm and arm into the nowhere they had made each other vanish into.

"All the best," Mishkin called after them. He looked around the parking lot but he couldn't find his car. It was one of those days.

At last a parking lot attendant came ambling up to him — a short fat man in a green jumper with the words AMRITSAR HIGH SCHOOL ALL-STARS embroidered over his left breast pocket. The attendant said, "Your ticket, sir? No tickee, no caree."

"Here it be," said Mishkin, and from the transverse pocket of his slung pouch he removed a piece of red pasteboard.

"Don't let him take that ticket!" a voice called out.

"Who is that?" Mishkin asked.

"I am your SPER robot presently disguised as a 1968 Rover TC 2000. You are under the influence of a hallucinating drug. Do not give the attendant that ticket!"

"Give ticket," said the attendant.

"Not so fast," said Mishkin.

"Yes, fast ," said the attendant, and reached out.

It seemed to Mishkin that the attendant's fingers split into a mouth. Mishkin stepped back. Very slowly the attendant came towards him. Now he could be seen as a kind of large snake with wings and a forked tail. Mishkin avoided him without trouble.

Mishkin was back in the forest (That damned forest!) The robot was standing beside him. A large, winged snake was advancing very slowly on Mishkin.

13

The snake had a mouth that secreted fantasies. His very breath was illusion. His eyes were hypnotic, and the movement of his wings cast spells. Even his size and shape were matters of illusion, for he was capable of changing himself from gigantic to infinitesimal.

But when the snake had made himself tinier than a fly, Mishkin deftly captured him and shut him up in an aspirin bottle.

"What will you do with him?" the robot asked.

"I will keep him," said Mishkin, "until it is the proper time for me to live in fantasies."

"Why is that time not now?" the robot asked.

"Because I am young now," Mishkin replied, "and it is time for me to be living adventures and to be making actions and suffering reactions. Later, much later, when my fires have dimmed and my memories have lost their bright edge, then I shall release this creature. The winged snake and I will walk together into that final illusion that is death.

But that time is not now."

"Well spoken," the robot said. But he wondered who was speaking with Mishkin's mouth.

So they kept going across the forest. The aspirin bottle was sometimes very heavy, sometimes light. It was evident that the creature had power. But it was not enough to dissuade Mishkin from the work that lay ahead of him. He didn't know what this work was, but he knew that it didn't lie in an aspirin bottle.

14

Mishkin and the robot came to a ravine. There was a plank across the two sides of the ravine. Looking down, one could see a tiny thread of water thousands of feet below.

This was noteworthy, for the ravine had a natural grandeur and attractiveness. But more striking by far was the plank across the two sides of the ravine. There was a table on the plank, near the middle. There were four chairs at the table, and four men sat in the chairs. They were playing a game of cards. They had full ashtrays beside them. There was an unshielded light, suspended by nothing visible, burning palely above their heads.

Mishkin approached and listened to them for a while.

"Open for a dollar."

"Fold."

"Call."

"Raise."

"And another dollar."

They played with concentration but with evident fatigue Their faces were stubbly and pale, and their rolled-up sleeves were grimy. They were drinking beer from no-neck bottles and eating thick sandwiches.

Mishkin walked up and said, "Excuse me."

The men looked up. One of them said, "What's up, bub?"

"I'd like to get by," Mishkin said.

They stared at him as if he were crazy. "So walk around," one of the men said.

"I can't," Mishkin said.

"Why not? You lame or something?"

"Not at all," Mishkin said. "But the fact is, if I tried to walk around I would fall into the ravine. You see, there's no room between the chairs and the edge; or rather, there's an inch or two, but my balance isn't good enough for me to risk it."

The men stared at him. "Phil, did you ever hear anything like that?"

Phil shook his head. "I've heard some weird ones, Jack, but this takes the fur-lined pisspot for sure. Eddie, what do you think?"

"He's gotta be drunk. Huh, George?"

"Hard to say. What do you think, Burt?"

"I was just going to ask Jack what he thought," Burt looked at Mishkin. In a not unkindly manner, he said, "Look, fella, me and the boys are having this private poker game here in room 2212 of the Sheraton-Hilton, and you come in and say that you'll fall over the edge of a ravine if you walk around us, when the fact of the matter is that you shouldn't be in our room in the first place, but being here, you could walk around us all day without anything happening to you since this happens to be a hotel not a ravine."

"I think you are labouring under a delusion," Mishkin said. "It happens that you are not in a hotel room in the Sheraton-Hilton."

George, or possibly Phil, said, "Then where are we?"

"You are seated at a table situated on a plank over a ravine on a planet called Harmonia."

"You," said Phil, or possibly George, "are out of your ever-loving mind. Maybe we had a few drinks, but we do know what hotel we signed into."

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