Carved on another tree: "This Trip is the property of Orchidius".
And on another: "Everybody is a bit player in the movie of Orchidius's life".
"We seem to meet quite often," Mishkin said. "Do you suppose that we are the same person?"
"Definitely not," said Orchidius. "You are logical and realistic and goal-oriented, and you have a personality and a history and even a few character traits, whereas I am an abstraction who just slips in and out of things for no reason and no purpose."
"My trip is overdetermined," Mishkin said. "It's also freaky. Too much is happening to me. I can't stand the changes."
"I can't stand them, either. Maybe we're going about things in the wrong way."
The robot said, "You are both going about things in the right way and you're both simultaneously the same person and different people and you're both on the same trip even though your trips aren't the same."
"Can you explain what all of that means?" Mishkin asked.
"No, I can't," the robot said. "Robots are allowed only a small supply of wisdom, and I have used up all of mine for at least a week."
All that week the robot could barely put one foot after another. He was incapable of oiling himself, couldn't finish the simplest task, and his answers to even the simplest questions were ridiculous in the extreme.
At the end of the week he was recovered and ready to explain what all of that had meant. But Mishkin didn't ask him. Mishkin liked to have his meals cooked properly and his clothes washed promptly. He thought it was no bargain to exchange a good servant for a sage of dubious qualifications. The robot himself offered no protest.
35. The Doctor of Juxtapositions
"Great Scott, MacGregor, I believe that in some unaccountable fashion we have passed through an obverse transverse of the space-time continuum and have actually returned to Earth and that we are now viewing everything through altered topological ratios, thus causing subtle changes in our perception of received reality!!!"
Special techniques, reawaken!
Hypnotize yourself into becoming yourself. Energize your Receptive Centre. Shut off signals from the uptight old Censor. Give yourself suggestions. Give yourself autosuggestions. Give yourself automatic autosuggestions. New technique of «flagging» the subconscious allows you to give yourself automatic subconscious autosuggestions without your even knowing about it!
Go beyond drugs into experiences that simulate the drug simulations of experiences that can be achieved only by Higher Consciousness.
Enjoy sexual intercourse in your sleep without a partner.
Process the computer power in your mind: you can do it/it can do you.
READOUT IS INSIGHT. READOUT IS INSIGHT. READOUT IS INSIGHT.
Magi for sale or rent: plump Hindu Master, speaking incomprehensible prehensile English, has turban, will travel. Chinese Master with inscrutable smile and acupuncture kit never believed in communism, must travel. British Master specializing in discipline — "mental restraint is the road to freedom" — doesn't believe in socialism, listens to acid rock. American Master, AC-DC, doesn't believe in anything for very long — teaches the communal road to rugged individualism — has large supply of mandalas, mantras, yantras — uses rational mysticism to achieve mind-blowing pragmatic effects — disarming, boyish smile — wears fringed leather pants — doesn't believe in law of cause and effect but pays taxes anyhow — rates 35.2 on the schizophrenia machine — sexually liberated, except when anxious…
Orchidius was at the Festival of the Mind. He wore a headband, robe, and sandals, and employed hieratic gestures of great power and economy. He had his own booth and for two days gave prophecies with fair success but on the third day reverted to a previous imprinting and turned his booth into a hot dog stand.
Mishkin wandered through the Festival and ate cotton candy and thought bittersweet thoughts of his youth, just like everyone else. He smiled politely and disdainfully, just like everybody else. But this was no real indication of his true attitude. Mishkin was a secret pilgrim. He wanted out of his bag, out of repetition-compulsion, out of confusion, out of tedious novelty. Just like everybody else.
When does the ecstasy begin?
37. Magus Reveals Secrets
Q. The approach to enlightenment involves an apparent contradiction, which is exemplified in the dual personality of the con-man sage. The problem is always the same: Why did the leader betray us? Did he find us unworthy? Or was the betrayal a secret act of love done in order to let us work out the final stage of our destinies on our own? Or did the leader's powers fail? Or could it be that he never had any power at all?
Which story are we stuck in?
A. Perhaps it's a case of divine ambiguities: the complications pile up, everything modifies everything else, vagueness is king. Would you like that story? Or how about ambiguity for fun and profit — the magus. He is putting you on. You're doing numbers over the divine spirituality of it all, and he's laughing up his embroidered sleeve, not very nice. Is that the story you'd prefer?
Q. What's going on around here? Why isn't anything working out?
A. Should I take you by the hand? Very well, but where will I lead you? Of course, I could put it all in order, and we could dance a minuet. I do want to amuse you, but really, there's a limit. Do you really want a guided tour through the formal gardens promised in the prospectus? Maybe that would be OK for you, but how about me? I'm supposed to have some fun, too. But now I'm starting to sound like a reform rabbi, and I notice that Mishkin has just gotten himself into a sort of interesting situation, so let's look into the house on Willow Road and see what is happening.
"But Professor Mackintosh, how do you know it is Earth that we have finally returned to?"
The professor smiled softly and pointed with his cane. Do you see that flower over there? It is Hemerocallis fulva, known as the day lily, and common throughout much of the United States. Those orange-coloured blossoms open but for a single day, you know — not proof positive, but rather good circumstantial evidence — like a trout in the milk, as Thoreau said."
Mishkin clung to the outer edges of the face, which began to melt, the nose flattening and segueing into the cheek, the eyes bleeding into the hair, the mouth softening and blurring, the handholds pulling out of the silly putty, and Mishkin slid away through obligatory swallow song, and long, still Ohio nights with the crickets raucous in the box-berry hedges, and the telephone lines black against the sky like a diagram of your whole life.
It was like that, but it wasn't exactly like that. It was more like those hushed summer nights in the old frame house in Rushmore, Mississippi, when an intolerable sweetness clung to the moist denim stretched over a young girl's sleeping buttocks, and you realized, young though you were, that things were going to happen to you, and you would live by them and lose by them, but always, somewhere, the river would wind, dark and sinuous, sweet mother of the past, companion of the present, mourner of the irretrievable future.
A slingshot. With this weapon Mishkin shot his way through innumerable fantasies.
Later, he exchanged his slingshot for an M-1 and shot his way through the same fantasies.
An empty butter wrapper. Mishkin once ate an entire pound of butter at a single sitting, washing it down with a quart of ice-cold milk. Now he lives away from home and picks at his food like a bird.
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