"Well, the black sheep return," the CC began in a superior tone. "I must say you outlasted the usual Nearside stay, in fact..."
"Shut up! " I bawled. "You shut up and listen to me. I want to contact Carnival, and I want her now , crash priority, emergency status. Get on it!"
The CC was all business, dropping the in loco parentis program and operating with the astonishing speed it's capable of in an emergency. Carnival was on the line in three seconds.
"Fox," she said, "I don't want to start this off on a bad footing; so, first of all, I thank you for giving me a chance to settle this with you face-to-face. I've retained a family arbiter, and I'd like for us to present our separate cases to him on this Change you want, and I'll agree to abide by his decision. Is that fair for a beginning?" She sounded anxious. I knew there was anger beneath it—there always is—but she was sincere.
"We can talk about that later, Mom," I sobbed. "Right now you've got to get to the field, as quick as you can."
"Fox, is Halo with you? Is she all right?"
"She's all right."
"I'll be there in five minutes."
It was too late, of course. Old Lester had died shortly after I lifted off, and Halo had been there with a dead body for almost two hours.
She was calm about it. She held Carnival and me together while she explained what had to be done, and even got us to help her. We buried him, as he had wanted, on the surface, in a spot that would always be in the light of Old Earth.
Carnival never would tell me what she would have done if he had been alive when we got there. It was an ethical question, and both of us are usually very opinionated on ethical matters. But I suspect we agreed for once. The will of the individual must be respected, and if I face it again, I'll know what to do. I think.
I got my Change without family arbitration. Credit me with a little sense; if our case had ever come up before a family arbiter, I'm sure he would have recommended divorce. And that would have been tough, because difficult as Carnival is, I love her, and I need her for at least a few more years. I'm not as grownup as I thought I was.
It didn't really surprise me that Carnival was right about the Change, either. In another lunation I was male again, then female, male; back and forth for a year. There's no sense in that. I'm female now, and I think I'll stick with it for a few years and see what it's about. I was born female, you know, but only lasted two hours in that sex because Carnival wanted a boy.
And Halo's a male, which makes it perfect. We've found that we do better as opposites than we did as boyfriends. I'm thinking about having my child in a few years, with Halo as the father. Carnival says wait, but I think I'm right this time. I still believe most of our troubles come from her inability to remember the swiftly moving present a child lives in. Then Halo can have her child—I'd be flattered if she chose me to father it—and...
We're moving to Nearside. Halo and me, that is, and Carnival and Chord are thinking about it, and they'll go, I think. If only to shut up Adagio.
Why are we going? I've thought about it a long time. Not because of old Lester. I hate to speak unkindly of him, but he was inarguably a fool. A fool with dignity, and the strength of his convictions; a likable old fool, but a fool all the same. It would be silly to talk of "carrying on his dream" or some of the things I think Halo has in mind.
But, coincidentally, his dream and mine are pretty close, though for different reasons. He couldn't bear to see the Nearside abandoned out of fear, and he feared the new human society. So he became a hermit. I want to go there simply because the fear is gone for my generation, and it's a lot of beautiful real estate. And we won't be alone. We'll be the vanguard, but the days of clustering in the Farside warrens and ignoring Old Earth are over. The human race came from Earth, and it was ours until it was taken from us. To tell the truth, I've been wondering if the aliens are really as invincible as the old stories say.
It sure is a pretty planet. I wonder if we could go back?
"Bagatelle," copyright © 1976 by Universal Publications and Distributing Corporation for Galaxy Magazine , August 1974.
"The Funhouse Effect," copyright © 1976 by Mercury Press Inc. for The Magazine of Fantasy and Science Fiction , December 1976.
"The Barbie Murders," copyright © 1978 by Davis Publications for Isaac Asimov's Science Fiction Magazine , February 1978.
"Equinoctial," copyright © 1977 by David Gerrold from Ascents of Wonder , published by Popular Library.
"Manikins," copyright © 1976 by Ultimate Publishing Company for Amazing Science Fiction Story Magazine , January 1976.
"Beatnik Bayou," copyright © 1980 by John Varley from NEW VOICES III, published by Berkley Publishing Corporation, April 1980.
"Good-bye, Robinson Crusoe," copyright © 1977 by Davis Publications for Isaac Asimov's Science Fiction Magazine , Spring 1977.
"Lollipop and the Tar Baby," copyright © 1977 by Damon Knight from ORBIT 19, published by Harper & Row, Inc.
"Picnic on Nearside," copyright © 1974 by Mercury Press Inc. for The Magazine of Fantasy and Science Fiction , August 1974.