Tim Powers - Dinner At Deviant's Palace

Здесь есть возможность читать онлайн «Tim Powers - Dinner At Deviant's Palace» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: NY, Год выпуска: 1985, ISBN: 1985, Издательство: Ace Books, Жанр: Фантастика и фэнтези, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Dinner At Deviant's Palace: краткое содержание, описание и аннотация

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First published in 1985, this legendary and still distinctive novel may attract new fans, although the postnuclear-war theme has become somewhat dated. Technology has vanished in a barbaric, 22nd-century California run by a Sidney Greenstreet lookalike messiah, Norton Jaybush, who boasts a fancifully colossal "night club of the damned" in Venice and his own Holy City in Irvine. His young hippie followers, aka "Jaybirds," drift in a hallucinatory Philip K. Dick-style dream, while "redeemers" strive to rescue them. The serviceable plot focuses largely on the efforts of the hero, Gregorio Rivas, a musician and former redeemer who lives in "Ellay," to bring back a runaway. The film Mad Max (1980) seems to have inspired many of the images in this rundown world, such as "an old but painstakingly polished Chevrolet body mounted on a flat wooden wagon drawn by two horses." Powers has a nice knack for puns, e.g., a "hemogoblin," a balloonlike monster who sucks blood from its victims, and "fifths," paper money issued by a "Distiller of the Treasury." The antireligious tone of the book, not uncommon in science fiction of the era, is a refreshing change from much of today's blatantly proselytizing SF (see feature, "Other Worlds, Suffused with Religion," Apr. 16). At times Powers's heavy prose style can be trying, but his engaging conceptions will keep most readers turning the pages.

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«He's deaf,» the shepherd remarked. He cocked the gun and raised it. «Now, no hard feelings, but we don't care if you're McAn or Bailey or Rivas or just some creep trying to kidnap his wife away from us. We can't have you around.»

«Oh Jesus, mister, don't shoot me,» quavered Rivas, falling forward onto one knee and snaking his left hand up into his right sleeve—and then from the half-kneeling position he lunged strongly upward, whipping the knife free and driving it at the shepherd's chest.

The pistol exploded beside his ear as he came up and a hot lash ripped his shoulder a moment before he slammed heavily against the shepherd. Together they thudded into the wall and rebounded, knocking the torch loose and spattering both of them with scalding wax, and then Rivas had spun away in the sudden darkness, lost his footing and tumbled to the floor. He heard the shepherd lurch forward, collide with the chair and go over it and then fall thrashing and gasping in the corner.

Christ, thought Rivas frantically as he slapped the floor around himself for the lost knife, the goddamn gun shoots bullets, he shot me, he's probably aiming it at the noise I'm making right now, where's the goddamn knife . . . .

All his muscles were tensed in useless anticipation of the next bullet, and even after he heard the harsh exhalation from the corner and the staccato knocking of one of the shepherd's boots against the wall and floor, and realized what it meant, it took him nearly a full minute to relax enough even to get to his feet.

Live ammunition, he marveled. Where on earth can he have got it? I thought it all went stale half a century ago.

After a while he stopped panting. The torch had gone out when it fell, and the room was illuminated only dimly by the light that filtered down the hall, but after some peering he saw his knife on the floor and picked it up. It was slippery with warm blood. He shoved it back into its sheath, promising himself he'd clean it later.

He took a deep breath, tried not to pay attention to the hollow feeling in his belly and the sudden sweat on his face, and then he forced himself to walk around the fallen chair, get down on his knees, and grope for the pistol.

He thought his eyes would become accustomed to the dimness, but somehow as the minutes went by he could see even less than before. The shepherd's death spasm had left his corpse smelling very bad, and when Rivas's fumbling search forced him to move the body he had no idea what his hands were getting wet with. Webs stretched and tore under his fingers in the darkness, and his thumb had started bleeding again, slicking everything he touched, and the dead body seemed to have gotten huge, so that Rivas could hardly move without bumping into an arm or a leg . . . or maybe it had, spiderlike itself, grown more limbs in the dark . . . or maybe there was more than one corpse in here, maybe there were dozens, all over the floor, behind him, getting silently to their feet, wide-eyed in the dark, reaching for him with cooling hands . . . .

A spider or something tapped across his hand, but instead of exploding in a scream Rivas imploded into a sort of mentally crystallized state. His jaws were clenched together so hard that his whole head hurt, and his knees were helping push against his lower jaw, both kneecaps jammed under his chin and his arms wound tightly around his shins.

Hang on, he thought dimly, just hold it all in, maintain stasis, until Jaybush can take the whole thing away. Don't want agitation, motion, stuff, people . . . come soon, take it all away from me.

But he hadn't backed far enough away from it all, and he knew he was lying on his side on the floor like a knocked-over barrel, and that his elbow was in agony. He released the grip of his hands, and his knees fell away from his chin and he coughed.

Alarm quickly replaced the crystalline stasis as he struggled to his feet. There was more light in the corridor outside, as if approaching torches were only a corner or two away, and voices were getting louder. He reeled to the doorway and hurried down the corridor in the direction away from the light.

He wished he'd found the pistol, but he was fairly confident that he could find the kitchen—and the kitchen exit!– from here.

An hour later he was crouched on the shaded balcony of a half-collapsed apartment building a few miles south of the stadium, wishing he hadn't lost the pint of whiskey, which he'd brought along as much for its disinfectant properties as for its relaxing ones. Though his bullet-furrowed shoulder had stopped bleeding, it was hot and aching, and he was afraid that it—or maybe his thumb—had got infected and was responsible for his present feverish dizziness.

You can't get sick now, he told himself angrily, you've got to decide with a clear head what to do. I'm blown with the Jaybirds, Sister Sue's band, anyway, and all my supplies are gone. What any smart redemptionist would do at this point is go home, refund half the client's advance, apologize and recommend a colleague; especially a redemptionist who has every reason to believe he's begun losing his mind.

But they've got Urania. If I'm not willing to risk it for her, then what am I saving it for?

He stood up, flexing his hot, throbbing shoulder against the weight it seemed to have on it. The only thing I can do, he thought bleakly, is to move much further southeast, along the shore of the Long Beach Channel and into the Seal Beach Desolate—assume the worst, that Urania is being taken directly toward the Holy City in Irvine, get well ahead of her and then slowly try to work my way back northwestward without letting any Jaybird group get past me unobserved.

The realization that it was a nearly impossible task didn't make him change his mind about attempting it.

Rivas sighed, plodded out of the shade to the end of the tilted balcony and was about to climb back down the outward-leaning stairs, when out of the corner of his eye he caught a glimpse of his shadow on the stucco wall.

And then despite his dizziness he had instantly vaulted over the rail with a hoarse yell of fear, and he landed heavily on his side but forced himself to go rolling and somersaulting across the yard, scraping against walls and grinding his wounded shoulder across the dirt . . . for in blurry silhouette against the wall he had seen an as-yet-only-tenuous shape crouched on his shoulder, the shadow of a thing still mostly transparent but clearly man-shaped.

After a few frantic, spasmodic seconds Rivas scrambled to his feet, wheezing, and peered around fearfully behind him, afraid the dislodged thing might still be near enough to pounce on him and reattach itself.

Then he saw it, a dozen feet away. Its ectoplasmic substance had been torn and crumpled in Rivas's slithering progress across the yard, but it was hunching itself up into a crouch, and though it was as hard to get a good look at as a jellyfish in clear water, Rivas could see the thing's faintly pink-tinged face curl in an idiot grin.

He was desperately trying to remember what he'd heard– and naively scoffed at!—about the creatures known as hemogoblins: that they were mostly commonly encountered in the southern hills, and started out as almost invisible cellophanelike bags that drifted through the air until they could attach themselves to an open wound; they expanded and took on human shape and a reddish color as they ingested more and more of the blood of their host, until finally the host expired and the vitalized hemogoblin was able to walk around and hunt rather than just fly randomly, like a dandelion seed, on the wind. He'd even heard stories of them speaking.

The indistinct anthropoid shape started toward him, and he scooped up a handful of dirt and lashed it at the thing. The dirt tore through it like shrapnel, but in a few seconds it had re-knit itself and was grinning at him again.

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