Robert Wilson - The Divide

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The author depicts the plight of John Shaw, a gene-engineered superman, and his alter ego Benjamin. John is the cold genius and Benjamin the engaging “normal” man fighting to survive.

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Coming through Manitoba he ran into a frontal system, rain and wet snow that sidelined the Corvette in a little town called Atelier while the Dominion Service Station and Garage replaced the original tires with fresh snow-treads. John checked into a motel called The Traveller and picked up some books at the local thrift shop.

Entertainment reading for the post-human: a science-fiction novel; The Magic Mountain (the only Mann he’d never looked into); a paperback bestseller. Also a battered Penguin edition of Olaf Stapledon’s Odd John —the joke, of course, was on himself.

He had read the Stapledon many times before. It was a classic of English eccentric writing of the thirties, the story of a mutant supergenius born to ordinary humanity. During his adolescence John had adopted the book as a kind of bible. The story was fuzzy-minded, uneven, sometimes silly in its literal-mindedness; but he felt a resonance with Odd John’s sense of “spiritual contamination” by mankind, his “passion of loneliness.” The John of the book sought out others of his kind!—telepaths and mutants—and founded a Utopian colony which the Great Powers ultimately destroyed. Two unlikely assumptions there, John thought: that there were others of his kind, and that such people would constitute a perceptible threat to anyone.

But the biggest mistake Stapledon had made, John thought, was his character’s self-sufficiency. Stapledon compared his Odd John to a human being among apes. But a human being raised by apes isn’t a superior ape. In all the qualities that matter to apes, he’s not much of an ape at all. And if he feels contemptuous of the apes, it’s only the automatic contempt of the rejected outsider.

Still—in this desolate prairie town—some of that contempt came welling up.

After dinner he went walking along the narrow main street of Atelier where the Trans-Canada passed through. Atelier was a grain town; its landmarks were a railway depot, a Chinese restaurant, and a five and dime. Nobody much was out in the weather except for a few sullen leather-jacketed teens occupying the Pizza Patio. He pressed through the sleet beyond the local mall and discovered signs of life at a tiny sports arena. An illuminated Port-A-Sign announced:

REV HARMON BELWEATHER REVIVAL TONIGHT 9.00 MIRACLES! HEALING!

John gazed awhile at the sign; then—curious, sad, and entirely alone—he joined the small crowd in the overheated lobby, indoors and away from the rain.

* * *

The auditorium was three-quarters full when the ushers closed the doors.

It was an elderly crowd, with a few earnest young couples scattered around the arena. He counted several wheelchairs, a great many crutches. A woman in a gingham skirt moved down the aisles, stopping here and there to exchange a few words with the audience. She paused at the row in front of John and chatted with a hugely overweight man about his gall bladder troubles. She caught John’s glance and moved toward him; when he did not look away she asked, “Are you here for healing?”

He shook his head in the negative.

“Are you sure? You look like a man with a need.”

He gave her a long, focused look. The woman in the gingham dress tugged at her earlobe, stared a moment longer, then shrugged uneasily and moved away.

The audience hushed as the lights dimmed. A local choir performed a hymn, and then Reverend Belweather took the stage. He was a squat, compactly fat man in a sincere Republican suit. His hair was cut to Marine length; he wore rings on his fingers. He began in a low-key fashion, whispering into the hand mike—you had to strain forward to hear him—but he was good, John thought. He read the crowd well and he was good with his body, with his aggressive strut and upraised palm. He preached to the crowd for forty minutes under the fierce klieg lights, rising to thunderous crescendos of damnation and salvation, the sweat rivering off the slope of his forehead. John closed his eyes and felt the crowd around him as a single, physical thing—an animal, aroused to some terrible confusion of eroticism and fear. The human odor was as physical as heat in the confined space of the auditorium and it beat against him like a pulse. I pity them, John thought. And I hate myself for my pity. And I hate them for provoking it.

Wishing, at the same time, that he could be a part of it. He understood the profound comfort here. To be not alone. But he could not wholly grasp the beatitude beneath this stink of human sweat. He had read too much history. It smelled like Torquemada and his chambers; it smelled like Belsen and the killing fields of Cambodia.

The healing came last. Reverend Belweather called up the afflicted by name or disorder. “God informs me there’s a Michael among us … Michael with a gall bladder!” And the fat man in the forward aisle stood up and ambled toward the stage, shocked into obedience.

Obscure in the shadows, John followed him down.

An experiment.

He stood in this cluster of diseased, dying, and broken individuals and felt a second wave of paralyzing contempt. Contempt for their sheeplike vulnerability; contempt for the man who was shearing them. I hate them, he thought, for cooperating in this … for their stupidity, he thought; because I cannot forgive them for it.

The healing act itself was anticlimactic, a tepid discharge of the tensions that filled the auditorium. A hand on the forehead, the hot breath of blessing, the command to shed those crutches and walk—at least as far as the wings, where the Reverend Belweather’s muscular stage crew redistributed the crutches and wheelchairs as needed. The woman in the gingham dress lingered there, also.

John edged his way to the stage.

Reverend Belweather regarded him with a certain amount of suspicion—this odd bird among the flock—and said, “Quickly, son, what exactly is your ailment?”

“I have a headache,” John said.

Reverend Belweather turned his eyes toward heaven, as much exasperation as prayer in the look. “Dear God,” he said to the microphone, “we join together in begging an end to this young man’s discomfort.” And the hand on the head.

Reverend Belweather’s hand was fleshy and moist. John imagined something pale and unwholesome, a dead thing touching him.

He concentrated for a moment. He could not say why this impulse had overtaken him. Some marriage of cruelty and distaste. One more experiment; there had been many before. But there was no restraining it.

Reverend Belweather yanked his hand away from John’s head as he felt the skin writhing there.

Spontaneous scars and wounds that appear in a religious trance are called “stigmata.” The phenomenon occurs in faiths from Catholicism to Voodoo; an interaction between mind and body triggered by religious ecstasy.

John was able to do it at will.

Reverend Belweather stared with honor at the cross of raised, feverish skin that had formed on John’s forehead.

He managed, “ Who are you?”

“It doesn’t matter,” John said. “What matters is that your wife has a radio transmitter built into her hearing aid and that you’re using it to defraud these people. You’re in violation of three federal statutes and you’re committing a sin. You should cancel tomorrow’s performance.”

Reverend Belweather staggered back as if the floor had shifted under his feet. He looked for his stage crew—the big men in the wings. They had already sensed a ripple in the flow and moved forward. “Get him the fuck out of here,” the Reverend Harmon Belweather said, his voice suddenly shrill and petulant. “Just get him the fuck out— now!” But he had clutched the hand-mike to his chest in an involuntary spasm of panic, and the words rang and echoed through the big Tannoy P.A. speakers like an invocation, or a failed and panicky exorcism.

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