Robert Silverberg - Thorns

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Duncan Chalk is a monstrous media mogul with a vast appetite for other people’s pain. He feeds off it, and carefully nurtures it in order to feed it to the public. It is inevitable that Chalk should home in on Minner Burris, a space traveler whose body was taken apart by alien surgeons and then put back together again differently. Burris’ pain is constant. And so is that of Lona Kelvin, used by scientists to supply eggs for 100 children and then ruthlessly discarded. Only an emotional vampire like Chalk can see the huge audience eager to watch a relationship develop between these two damaged people. And only Chalk can make it happen.
Attention: the text lacks aithor’s italic.

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Thorns

by Robert Silverberg

CAMILLA: You, sir, should unmask.

STRANGER: Indeed?

CASSILDA: Indeed it’s time. We have all laid aside disguise but you.

STRANGER: I wear no mask.

CAMILLA: (Terrified, aside to Cassilda.) No mask? No mask?

The King in Yellow: Act 1—Scene 2.

For Jim and Judy Blish

ONE: THE SONG THE NEURONS SANG

“Pain is instructive,” Duncan Chalk wheezed.

On crystal rungs he ascended the east wall of his office. Far on high was the burnished desk, the inlaid communicator box from which he controlled his empire. It would have been nothing for Chalk to sail up the wall on the staff of a gravitron. Yet each morning he imposed this climb on himself.

A variety of hangers-on accompanied him. Leontes d’Amore, of the mobile chimpanzee lips; Bart Aoudad; Tom Nikolaides, notable for shoulders. And others. Yet Chalk, learning the lesson of pain once more, was the focus of the group.

Flesh rippled and billowed on him. Within that great bulk were the white underpinnings of bone, yearning for release. Six hundred pounds of meat comprised Duncan Chalk. The vast leathery heart pumped desperately, flooding the massive limbs with life. Chalk climbed. The route zigged and backswitched up forty feet of wall to the throne at the top. Along the way blotches of thermoluminescent fungus glowed eagerly, yellow asters tipped with red, sending forth pulsations of warmth and brightness.

Outside it was winter. Thin strands of new snow coiled in the streets. The leaden sky was just beginning to respond to the morning ionization poured into it by the great pylons of day. Chalk grunted. Chalk climbed.

Aoudad said, “The idiot will be here in eleven minutes, sir. He’ll perform.”

“Bores me now,” Chalk said. “I’ll see him anyway.”

“We could try torturing him,” suggested the sly d’Amore in a feathery voice. “Perhaps then his gift of numbers would shine more brightly.”

Chalk spat. Leontes d’Amore shrank back as though a stream of acid had come at him. The climb continued. Pale fleshy hands reached out to grasp gleaming rods. Muscles snarled and throbbed beneath the slabs of fat. Chalk flowed up the wall, barely pausing to rest.

The inner messages of pain dizzied and delighted him. Ordinarily he preferred to take his suffering the vicarious way, but this was morning, and the wall was his challenge. Up. Up. Toward the seat of power. He climbed, rung by rung by rung, heart protesting, intestines shifting position inside the sheath of meat, loins quivering, the very bones of him flexing and sagging with their burden.

About him the bright-eyed jackals waited. What if he fell? It would take ten of them to lift him to the walkway again. What if the spasming heart ran away in wild fibrillation? What if his eyes glazed as they watched?

Would they rejoice as his power bled away into the air?

Would they know glee as his grip slipped and his iron grasp over their lives weakened?

Of course. Of course. Chalk’s thin lips curved in a cool smile. He had the lips of a slender man, the lips of a bedouin burned down to bone by the sun. Why were his lips not thick and liquid?

The sixteenth rung loomed. Chalk seized it. Sweat boiled from his pores. He hovered a moment, painstakingly shifting his weight from the ball of the left foot to the heel of the right. There was no reward and less delight in being a foot of Duncan Chalk. For an instant nearly incalculable stresses were exerted across Chalk’s right ankle. Then he eased forward, bringing his hand down across the last rung in a savage chopping motion, and his throne opened gladly to him.

Chalk sank into the waiting seat and felt it minister to him. In the depths of the fabric the micropile hands stirred and squeezed, soothing him. Ghostly ropes of spongy wire slid into his clothes to sponge the perspiration from the valleys and mounds of his flesh. Hidden needles glided through epithelium, squirting beneficial fluids. The thunder of the overtaxed heart subsided to a steady murmur. Muscles that had been bunched and knotted with exertion went slack. Chalk smiled. The day had begun; all was well.

Leontes d’Amore said, “It amazes me, sir, how easily you make that climb.”

“You think I’m too fat to move?”

“Sir, I—”

“The fascination of what’s difficult,” said Chalk. “It spins the world on its bearings.”

“I’ll bring the idiot,” d’Amore said.

“The idiot-savant,” Chalk corrected him. “I have no interest in idiots.”

“Of course. The idiot-savant. Of course.”

D’Amore slipped away through an irising slot in the rear wall. Chalk leaned back, folding his arms over the seamless expanse of chest and belly. He looked out across the great gulf of the room. It was high and deep, an open space of large extent through which glowworms floated. Chalk had an old fondness for luminous organisms. Let there be light, be light, be light; if he had had the time, he might have arranged to glow himself.

Far below on the floor of the room, where Chalk had been at the commencement of the daily climb, figures moved in busy patterns, doing Chalk’s work. Beyond the walls of the room were other offices, honeycombing the octagonal building whose core this was. Chalk had built a superb organization. In a large and indifferent universe he had carved out a sizable private pocket, for the world still took its pleasure in pain. If the deliciously morbid thrills of mulling over details of mass murders, war casualties, air accidents, and the like were largely things of the past, Chalk was well able to provide stronger, more extreme, and more direct substitutes. He worked hard, even now, to bring pleasure to many, pain to a few, pleasure and pain at once to himself.

He was uniquely designed by the accident of genes for his task: a pain-responsive, pain-fed eater of emotion, depending on his intake of raw anguish as others did on their intake of bread and meat. He was the ultimate representative of his audience’s tastes and so was perfectly able to supply that vast audience’s inner needs. But though his capacity had dwindled with the years, he still was not satiated. Now he picked his way through the emotional feasts he staged, a fresh gobbet here, a bloody pudding of senses there, saving his own appetite for the more grotesque permutations of cruelty, searching always for the new, and terribly old, sensations.

Turning to Aoudad, he said, “I don’t think the idiot-savant will be worth much. Are you still watching over the starman Burris?”

“Daily, sir.” Aoudad was a crisp man with dead gray eyes and a trustworthy look. His ears were nearly pointed. “I keep watch over Burris.”

“And you, Nick? The girl?”

“She’s dull,” said Nikolaides. “But I watch her.”

“Burris and the girl…” Chalk mused. “The sum of two grudges. We need a new project Perhaps … perhaps…”

D’Amore reappeared, sliding from the opposite wall atop a jutting shelf. The idiot-savant stood placidly beside him. Chalk leaned forward, doubling fold of belly over fold of belly. He feigned interest.

“This is David Melangio,” D’Amore said.

Melangio was forty years old, but his high fore-head was unfurrowed and his eyes were as trusting as a child’s. He looked pale and moist, like something out of the earth. D’Amore had dressed him stylishly in a glittering robe shot through with iron threads, but the effect was grotesque on him; the grace and dignity of the expensive garment were lost, it served only to highlight Melangio’s blank, boyish innocence.

Innocence was not a commodity the public would pay any great price to buy. That was Chalk’s business: supplying the public with what it demanded. Yet innocence coupled with something else might fill the current need.

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