Samuel Delany - Dhalgren

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Dhalgren: краткое содержание, описание и аннотация

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Bellona is a city at the dead center of the United States.
has happened there… The population has fled. Madmen and criminals wander the streets. Strange portents appear in the cloud-covered sky. Into this disaster zone comes a young man — poet, lover, and adventurer — known only as the Kid. Tackling questions of race, gender, and sexuality,
is a literary marvel and groundbreaking work of American magical realism.
Text is full. The unclosed ending sentence can be read as leading into the unopened opening sentence, turning the novel into an enigmatic circle.

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have so changed by the book's end that the answers to the initial questions will have become trivial. (It is Troy, Sodom, Abel Cuyuk, the City of Dreadful

an ocean of smoke and evening. I tried to smell it, but my nostrils were numb or acclimated. The lions gaped in the blurr. We neared the fogged pearl of one functioning lamp, and her face got all twisted. She stopped, turquoise, hem to knees, exploding high as her scarlet waist. "Should we…? Oh, Kid! Do you know what they said!" "Will you please …" I asked her. My throat hurt with running and the raw air. "Will you please tell me what… what they said!"

Both hands came up to cage her mouth. She was a shower of sliver on metallic black. "Someone, up on the roof of the bank: The Second City Bank — oh, a God-damn sniper!"

"Who, for Christ's sake?" I grabbed her small elbows and the hair shook around her head. "Will you tell me who they got?"

"Paul," she whispered. "Paul Fenster! The school, Kid… everything!"

"Is he dead?"

Her head shook in a way that meant she didn't know. Her hands twisted silver cloth at her hips: scarlet bled

Woke up this morning in the dark loft. Heard a handful of cars before I rolled to the window and pulled back the shade. Sunlight opened like a fan across the blanket. I climbed down the ladder pole, dressed, and went outside. The air was chill enough to see breath. The sky, lake blue, was fluffed with clouds to the south; the north was clear as water. I walked to the end of the block. The pavement was dark near the edge from pre-dawn rain. I stepped over a puddle. At the bus stop — was it eight o'clock yet? — stood a man in a quilted jacket carrying a black enamel lunch box; two women with fur collars; a man in a grey hat with a paper under his arm; one woman in red shoes with big, boxy heels. Across the street stood a long-haired kid in an army jacket, thumb out for the uphill traffic. He grinned at me, trying for my attention. I thought it was because I'd left one boot off, but he wanted me to look at something in the sky without attracting the other people at the stop. I looked up between the trolley wires. White clouds hung behind the downtown buildings, windows like a broken honey comb running with brass dawn-light. Perhaps twenty-five degrees of an arc, air-brushed on the sky, were the pink, the green, the purple of a rainbow. I looked back at the kid on the corner, but a seventy-five Buick came glistening to a stop for him and he was getting oh God oh Jesus, please o please I can't I please don't let it

down from one; yellow snaked across her belly from the other. "In the burning," she said very quickly. "In the fire… all your poems, the new ones; they burned…!" Her lips kept touching and parting, sorting more words, none of which fit. "Everything, all of them… I couldn't…"

"Unnn…" Something went right into my stomach without using gut or throat for entrance, I said, "Unnn…" She let go her skirt.

"That's… good I guess," was all I could say. "I didn't like them. So it's good they're… gone."

"You should have kept them in your notebook! I was wrong! You should…" She shook her head. "Oh, I'm so sorry!"

I started to cough.

"Look," she said, "I know half of them by heart anyway. You could reconstruct—" "No," I said.

"— and Everett Forest made that…" "No. It's good they're gone."

"Kid," she said, "what about Paul…? Up on the Second City Bank building. Were you…? Oh, please try to remember!" Then she started as though she'd seen something (behind me? above me? were my lights still on? I don't remember!), and turned. And ran, blazing gold a moment before shadow took her and I ran after, into the brush, feet crashing in leaves and ash. Her bright hem whipped back till she became some darker color. (Thinking: Who is in control of her? Who, less than fifty yards off, is following through the undergrowth, twisting the nobs, pushing the switches that change her from scarlet to ultramarine?) My bare foot passed

This morning Filament brought around a woman who I first thought was Italian and who became Black Widow this evening. Overheard her in a discussion in the back yard just now — one of the few here that has even veered near any politics outside the city: "It's not that men and women are identical, it's just that they are so near identical in all but the political abuses and privileges that are that are lavished on the one and visited on the other that to talk of 'inate' differences as significant, even to childbirth, is to hold up the color of the hair, the strangth of a limb, a predilection for history over mathematics or vice versa, as a pre-determining factor in who shall be treated how, with no appeal; while to ignore those abuses and privileges is to ignore oppression, exploitation, even genocide, even while these are shaping conscience, consciousness, and rage." I was impressed. But I have heard similar from Nightmare, Dragon Lady, Madame Brown, Tak, D-t, Bunny, even Tarzan. Is Bellona, then, that unbelievable field where awarenesses, of such an order, are the only real strangth? That they can occur here is what makes possible the idea of leaving for another city.

from concrete to grass. The night billowed and sagged. Did habit guide us through the maze of mists?

I saw the quivering fires.

The brass dish, big across as a car tire, had been dragged twenty feet over the ashy grass. I felt very high. Thought swayed through my mind, shattered, sizzled like water on coals. Something in the smoke—? I raised my arm.

Brass leaves, shells, claws — from the ornamented wrist band, over-long blades curved up around my hand. In the dish, small blue flames hung quivering over the red. Fire light dripped down the blades.

I took another step, flexing just the scarred fingertips.

Something tickled my shoulder.

I whirled, crouching. The leaf rolled down my vest, fluttered against the chains, brushed the worn place at my knee, spun on to the ground. Gasping, I looked up the leaning trunk. Above, shadow coiled in the bole of some major branch, struck away by lightning.

The air was still. But suddenly dead leaves I could not see thundered above, loud as jets. Holding my mouth wide as I could, I leaned forward. The side of my foot pressed a root. Thigh, belly, chest, cheek lay up against the bark. I breathed deep for the woody smell and pushed my body into the trunk.

With my bladed hand I stroked the bark till I felt the trunk move. Sweat rolled under my vest. Chains bit my belly; glass

About a third the nest say "must of," distict and clear. They think it, too. They aren't saying "must've," or must'a'," either. I notice it specifically in D-t, Filament, Raven, Spider, Angel, Cathedral, Oevestation, Priest. So: they are going through a different word to word process than the rest of us (Tarzan, for instance, who says "must'a' ")-I don't think we feel any verb in that at all, while the people who say "must of" do feel something prepositional, or at least genative. A word hits my ears and inside my head a sensory recall forms — a memory of an object, dim and out of focus, the recollection of a sound, a smell, or even a kinesthetic expectation. The recalls are unclear — there is always margin for correction. As word arrives after word, the recalls join and correct each other, grow brighter, clearer, become percise: a … huge… pink… mouse! What do I mean when I say a word means something? Probably the neuro/chemical

bits pressed about me; bark gnawed my cheek. Above, in the roaring, I heard a crack; not the sound wood makes broken against the grain, but when it splits longways. And there was a smell, stronger than the smoke: vegetative, spicey, and fetid.

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