"Oh." I stepped back from the grill. "I thought you were going to come out here on the porch…" (He chuckled.) "Well, I guess this is okay." I pulled my chair around.
"Good. I'm glad you find this acceptable. It's rather unusual for the Father to allow someone seeking an understanding of the monastic community-as they describe the process here — to have any intercourse at all with people outside the walls. Converse with members is limited. But though I've been here several days, I don't officially start my course of study till sundown this evening. So he's made an exception."
I sat on the arm of the lawn chair. "Well," I said, "if it goes down this evening…"
He chuckled again. "Yes. I suppose so."
"What are you doing here?" I asked.
"I guess the best way to describe it is to say that I'm about to embark on a spiritual course of study. I'm not too sure how long it will last- You catch me just in time. Oh — I must warn you: You may ask some questions that I'm not allowed to answer. I've been instructed by the Father that, when asked them, I am simply to remain silent until you speak again."
"Don't worry," I said, "I won't pry into any secrets about your devotional games here," wishing I sort of could.
But the voice said: "No, not questions that have anything to do with the monastary."
And (While he considered further explanation?) I considered the tower exploding slowly, thrusting masonry on blurred air too thin to float brick and bolts and bellrope.
"I don't think there's anything about the monastery you could ask I wouldn't be allowed to answer — if I knew the answers. But part of the training is a sort of self-discipline: Any question that sparks certain internal reactions in me, causes me to think certain thoughts, to feel certain feelings, rather than rush into some verbal response that, informative or not, is still put up mainly to repress those thoughts and feelings, I'm supposed to experience them fully in the anxiety of silence."
"Oh," I said. "What sort of thoughts and feelings?" After ten quiet seconds, I laughed. "I'm sorry. I guess that's sort of like not thinking about the white hippopotamus when you're changing the boiling water into gold."
"Rather."
"It sounds interesting. Maybe I'll try it some day," and felt almost like I did the morning I'd told Reverend Amy I'd drop in on one of her services. "Hey, thanks for the note. Thanks for the party, too."
"You're most welcome. If you got my letter, then I must restrain from apologizing any more. Though I'm not surprised at meeting you, I wasn't exactly expecting it now. Dare I ask if you enjoyed yourself — though perhaps it's best just to let it lie."
"It was educational. But I don't think it had too much to do with your not showing up. All the scorpions had a good time — I brought the whole nest."
"I should like to have been there!"
"Everybody got drunk. The only people who didn't enjoy themselves probably didn't deserve to. Didn't you get any reports back from your friends?" First I thought I'd asked one of those questions.
"…Yes… Yes, I did. And some of my friends are extremely colorful gossips — sometimes I wonder if that's not how I chose them. I trust nothing occurred to distract you from any writing you're engaged in at present. I was quite sincere about everything I said concerning your next collection in my letter."
"Yeah."
"After some of my friends — my spies — finished their account of the evening, Thelma — do you remember her? — said practically the same thing you just did, almost word for word, about anyone who didn't enjoy himself not deserving to. When she said it, I suspected she was just trying to make me feel better for my absence. But here it is, corroborated by the guest of honor. I best not question it further. I hadn't realized you were a friend of Lanya's."
"That's right," I said. "She used to know you."
"An impressive young lady, both then and, apparently, from report, now. As I was saying, after my spies finished their account, I decided that you are even more the sort of poet Bellona needs than I'd thought before, in every way — except in literary quality which, as I explained in my letter, I am, and intend to remain, unfit to judge."
"The nicest way to put it, Mr Calkins," I said, "is I'm just not interested in the ways you mean. I never was interested in them. I think they're a load of shit anyway. But…"
"You are aware," he said after my embarrassed silence, "the fact that you feel that way makes you that much more suited for your role in just the ways I mean. Every time you refuse another interview to the Times, we shall report it, as an inspiring example of your disinterest in in publicity, in the Times. Thus your image will be further propagated — Of course you haven't refused any, up till now. And you said 'But…' " Calkins paused. " 'But' what?"
I felt really uncomfortable on the chair arm. "But… I feel like I may be lying again." I looked down at the creases of my belly, crossed with chain.
If he picked up on the "again" he didn't show it. "Can you tell me how?"
"I remember… I remember a morning in the park, before I ever met Mr Newboy, or even knew anyone would ever want to publish anything I ever wrote, sitting under a tree — bare-ass, with Lanya asleep beside me, and I was writing — no, I was re-copying out something. Suddenly I was struck with… delusions of grandeur? The fantasies were so intense I couldn't breathe! They hurt my stomach. I couldn't… write! Which was the point. Those fantasies were all in the terms you're talking about. So I know I have them…" I tried to figure why I'd stopped. When I did, I took a deep breath: "I don't think I'm a poet… any more, Mr Calkins. I'm not sure if I ever was one. For a couple of weeks, once, I might have come close. If I actually was, I'll never know. No one ever can. But one of the things I've lost as well, if I ever knew it, is the clear knowledge of the pitch the vanes of my soul could twist to. I don't know… I'm just assuming you're interested in this because in your letter you mentioned wanting another book."
"My interest," he said, coldly, "is politics. I'm only out to examine that tiny place where it and art are flush. You make the writer's very common mistake: You assume publishing is the only political activity there is. It's one of my more interesting ones; it's also one of my smallest. It suffers
The advantage of transcribing your own conversation: It's the only chance you have to be articulate. This conversation must have been five times as long and ten times as clumsy. Two phrases I really did lift, however, are the ones about "…the clear knowledge of the pitch the vanes of my soul could twist to…" and "… experience them in the anxiety of silence…" Only it occurs to me "… the vanes of my soul…" was his, while "… the anxiety of silence…" was mine.
accordingly, and there's nothing either of us can do about it with Bellona in the shape it is. Then again, perhaps I make a common mistake for a politician. I tend to see all your problems merely as a matter of a little Dichtung, a little Warheit, with the emphasis on the latter." He paused and I pondered. He came up with something first: "You say you're not interested in the extra-literary surroundings of your work — I take it we both refer to acclaim, prestige, the attendant hero-worship and its inevitable distortions — all those things, in effect, that buttress the audience's pleasure in the artist when the work itself is wanting. Then you tell me that, actually, you're no longer interested in the work itself — how else am I to interpret such a statement as 'I am no longer a poet'? Tell me — and I ask because I am a politician and I really don't know — can an artist be truly interested in his art and not in those other things? A politician — and this I'll swear — can not be truly (better say, effectively) interested in his community's welfare without at least wanting (whether he gets it or not) his community's acclaim. Show me one who doesn't want it (whether he gets it or not) and I'll show you someone out to kill the Jews for their own good or off to conquer Jerusalem and have it dug up as a reservoir for holy water."
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