Samuel Delany - Dhalgren

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Dhalgren: краткое содержание, описание и аннотация

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Bellona is a city at the dead center of the United States.
has happened there… The population has fled. Madmen and criminals wander the streets. Strange portents appear in the cloud-covered sky. Into this disaster zone comes a young man — poet, lover, and adventurer — known only as the Kid. Tackling questions of race, gender, and sexuality,
is a literary marvel and groundbreaking work of American magical realism.
Text is full. The unclosed ending sentence can be read as leading into the unopened opening sentence, turning the novel into an enigmatic circle.

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"Well, you guys…" Jack turned a little from side to side. (Thinking: His palms are now glued to the wood, but he doesn't want to be noticed trying to tug them loose.) "You guys… I just don't know. All you got down there is niggers anyway, don't you? After what I done — what they said I done, what's a bunch of bad niggers gonna do when I come walkin' in? You guys play a little too rough… robbin' people in the street. And killin' people." He blinked inflamed lids. "I don't mean, personal. You're a nice guy. And you're their chief, huh…? But that's what I heard, you know? And I don't wanna get into shit like that. I don't got nothin' against it, but…" He frowned, shaking his head. "People talk. And people talk. People talk, tryin' to make you into something you ain't. And after a while, you almost don't know what you done and what you didn't do your own self. People talkin' about me, about what I done, that day when the sky was lit across with that funny kind of light, and that nigger they got in the pictures was after that white girl and the colored people had a riot and tore the hands off the church clock down in Jackson; they say cause I climbed up on the roof and shot the nigger, from the roof, I'm responsible for the riot, for the whole thing, for everything that happened here. Just for shootin' a damn nigger…" His lips, lined with brown, touched, parted, touched: "I had a gun. I didn't shoot…" He spoke slowly. "I didn't shoot that black man. I mean, I even met him three or four time. Right in this bar. With Tak. He was a nice man. I shot him…? I didn't shoot…" Suddenly he knuckled at his lips' scabbed corner. "I went down there. I did that. To check the place out. And with my gun! You climb up the steps behind the Second City Bank building and get up the rest of the way by the fireladder. You can hunker

I don't remember ever getting corrected in high school or college for writing who instead of whom. But except to be funny, I've never said whom in my life. Which makes me think there are two other words: who and who'—the apostrophe standing for the syncopated m. I've been using who' in this notebook for maybe a week, but it still looks funny. So I'll cut it out.

down behind the cornice and aim out over the whole damn street. Man, if you could shoot at all, you could pick off anyone! An' I shoot pretty good…" He looked at me, narrowing his thickened lids. "You think I done it?"

'That depends," I said. "Did you check it out before or after he got shot?"

Something happened on Jack's unshaven face: the skin between his eyebrows wrinkled, the skin below his jaw slackened. Something happened behind it too. "Oh God," he said as flatly as, once, I heard a man say "elevator". "Oh God…" He turned back to the bar. "They all want it to be so bad, they gonna make it be no matter what I done or not. They gonna make it be. Just by wantin' it."

"I know," I told him.

"What can I do? I don't know what to do."

"You have to know who you are," I said. "No matter what they say."

He didn't look at me. "You know who you are?"

After a second I said: "About two thirds of it; so I guess at least I'm on my way. Maybe I'm pretty lucky." I finished my beer. "You come down to the nest. Whenever you want. Just don't bring your gun."

"I wish," Jack said after a few seconds, "I could just get me some kind of job. A job where I could make some good money. Then I could get me a girl friend; then I could buy my own drinks. I don't like to sit in a bar and hustle nice guys for drinks."

"When I first got to town," I told him, "I had a job, moving furniture. Five bucks an hour. You'd've dug it. It was made for you."

But he was looking at the dollar bill.

Since the frustration was making me mean, I decided it was time to go. I stepped from the bar.

"Hey, Kid?"

"What?"

"Ain't you gonna take your change?" He put his middle finger on the wrinkled dollar and slid it over the wet wood.

I thought a second. "Why don't you keep it?"

"Aw, no, man — Naw, I don't like to take no handouts. I need a job; make some good money; pay my own way."

"You take this hand-out," I said. "You need it."

"Well, thanks, man…?" His finger, holding the paper to the counter, slid it back. "Thanks a lot! I'm good for it, too. You'll get it back, once I get some money. You're a pretty nice guy."

Comments anyway: I want to help. And feel help would be impossible. Almost. Which is simply almost forgetting how much help I've had.

I hope he comes to the nest.

Off his head about everything else, he's right on about the pussy. Despite George, and a city concecrated by twin moons, I know there must be some greater, female diety (for whom George is only consort) a sin yet to name her (as that sun is never, named); we have all glimpsed her, sulking in the forest of her knowledge — every tree a tree of that knowledge — and there is nothing but to praise

This afternoon Lady of Spain and Filament staggered through the front door in volcanic laughter, lurched up the hall supporting each other—

"Hey," I said. "What happened with you?"

Filament faced me, pursed her lips, inflated her cheeks, widened her eyes, and rattled her chains before her breasts, miming something I did not understand. Her cheeks exploded with more laughter. Lady of Spain, dragging Filament's arm, hauled her away.

Dollar pushed around me, grinning. "Hey!" he called, "What happened? Did you do it?"

Filament turned and repeated the mime.

Dollar — I'm not sure it meant more to him than it did to me — crashed back against the wall, holding his stomach and howling: "Oh, wow…! You mean…? Really…? Wow…!" and followed them up the hall, his laugh shriller than either of theirs.

Then Tarzan stepped in from the service porch and said: "Look, ladies, people are sleeping in the back room, huh?" There are twelve tones of voice in which you can say that: three of them would have gotten him an apology with muffled giggles. He chose, at random, from the other nine.

"Fuck off, man!" Dollar said, straightening. "It's their nest too!" His had actually been the only laugh with edge to wake.

"Now look!" Tarzan said.

Sex between nest members is rare enough — I can think of six, no seven exceptions, including me and Denny — to make me wonder if basically I don't have here an exandrous and/or exogynous totem group. Most sex comes walking in, invited or not — and even-

"These bitches come running in here yelling and shouting! Somebody's got to tell 'em to keep—"

"Now you look," Filament said. She had about as much use for Tarzan as he had for the other Caucasians in the nest. "You may be Tarzan. But I am not Jane!"

"I'd fuck him," Lady of Spain said. Black, and an occasional partaker in long, intense conversations with Jack the Ripper, for Tarzan she had acquired something of the apes' aura. (Because of this was she more tolerant of him?) "I really would. But Tarzan don't fuck nothin'." Only one of the twelve could make that come out right. She chose it with such ease, I hope he took a lesson.

"Aw, hey, now: I was just asking you to keep it a little—"

D-t, naked and half asleep, loomed in the back doorway, forearms high on the jambs, boney hips cocked askew, big hands (with their funny thumbs) and head hanging. The head came up and he blinked. "Tarzan, when

tually walks out. The seventh exception was Filament's surprising (to me, anyway. Lanya says, "Why were you surprised?" I don't know why I was surprised. I was surprised, that's all.) affair with a tall, Italian looking girl named Anne Harrimon, who, her first night here, took lights and chains and the name Black Widow. Always standing hand in hand, always sitting knee to knee whispering, running through the house giggling or asleep at any time in any room, one's head against the other's breast, one's breast beneath the other's hand, intense, innocently exhibitionistic, and almost wordless, they developed, within hours, a protective/voyeuristic (?) male circle that ran with them everywhere and that, incidentally, dissolved the apes for the duration (the two were not Tarzan's favorite people). After a couple of weeks, the Widow came to me and returned her chains. Those few minutes of conversation in the yard were the only time I really got to know her, decided I liked her; decided I would offer them back to her if I ever saw her again (recalling Nightmare and Lanya): she left. Filament was sad but did not talk about her; then returned to older ways. Seems to be the place to mention it: I once asked Denny why he had no nickname.

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