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James BeauSeigneur: In His Image James

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James BeauSeigneur In His Image James

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A scientific expedition to examine the Shroud of Turin turns into a nightmare of worldwide destruction and begins the ultimate battle between good and evil in this page-turning apocalyptic novel. Based on the actual scientific expedition to examine the Shroud of Turin, author James BeauSeigneur creates a fictionalized story that links ancient DNA to the coming of the Antichrist. While examining the Shroud of Turin – believed by many to be the burial shroud of Jesus Christ – Professor Harold Goodman makes an incredible discovery: a cluster of skin cells still alive after 2000 years. Faced with such a startling find, Goodman conspires to carry out what may be the most earth-shattering experiment ever attempted: the cloning of Jesus Christ. When the experiment proves successful, the child born of the ancient cells soon sets in motion forces which trigger worldwide cataclysms, and could end the world as we know it.

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"How will you do that?" Heller asked.

"Well," Rogers said, as he reached into one of the packing crates, "our friends at Los Alamos have designed an ingenious little device that measures applied pressure." Rogers unpacked the device and demonstrated it to Heller.

"Nice, but how will you know how much pressure to apply?" Heller asked.

"Well," said Rogers, "that's why we're here."

Decker followed the two men as they squeezed in around the crowded table. After making the necessary preparations Rogers made some 'guesstimates.' "We know the Shroud is at least six hundred years old," he said, "so it's probably quite a bit more fragile than this. I'd guess to be safe we should probably use, oh, about ten percent of the pressure we're using here." The decision, Decker realized, was a SWAG (a scientific wild ass guess) but he wasn't about to utter a discouraging word at this point. "Next, I'll remove the tape from the Shroud," Rogers continued, "and mount each piece on a slide. Each slide will be numbered and photographed, and then it will be sealed in a plastic case to ensure it remains uncontaminated."

For the next two days the team continued to work, rehearsing their procedures. Decker tried to prove himself a useful member of the team, and at times he forgot all about being a reporter. He even began to wonder if choosing journalism over medicine hadn't been a mistake after all.

6Conversation between John Heller and Ray Rogers is paraphrased. For actual words as recorded by Dr. John H. Heller, see ibid., pp. 86-87.

Chapter 2

The Shroud

September 28,1978 – Northern Italy

Barely more than misplaced starlight, the lights of Milan peeked dimly through the window as the jet flew over northern Italy. Decker studied the outline of this landlocked constellation as he considered the consequences of the job ahead. Like Professor Goodman, Decker was certain the team's research would prove that the Shroud was nothing more than a cheap medieval forgery. The problem was, he knew there were a lot of people who would not appreciate having their bubble of faith burst by the truth, including Elizabeth's mother, a devout Catholic. So far his relationship with her had been pretty good. How would she take all of this? I guess we'll be spending Christmas with my mom for the next few years, he mused.

Father Rinaldi, who had gone directly from the meeting in Connecticut to Turin, had chartered a bus to take the team the 125 kilometers from Milan to Turin. By the time the bus pulled into their hotel it was midnight and though it was only 7:00 p.m. in New York and 4:00 p.m. on America's west coast, everyone decided to go to their rooms to try to get some sleep.

The next morning Decker, who was never very good at adjusting to different time zones, got up before the sun. Because of the time difference going east, he should have wanted to sleep in. But it made no difference – he was ready to get up and logic was not involved. As the morning sky grew light, he looked out from his hotel window down Turin's long, straight streets which intersected at nearly perfect ninety degree angles. On either side of the streets were homes and small stores occupying one and two story buildings, none of which appeared to be less than two centuries old. Beyond the city, to the north, east, and west, the Alps pierced the atmosphere and clouds on their way to the sky. Elizabeth would love this, he thought.

Decker left the hotel for some early morning sightseeing. Despite the city's proximity to the mountains he encountered very few hills on his walk. About a quarter of a mile from the hotel he came to the Porta Palatina, an immense gateway through which in 218 B.C. Hannibal, after a siege of only three days, drove his soldiers and elephants into the Roman town of Augusta Taurinorum, or ancient Turin. As he walked, the wonderful smells of morning began to drift from the open windows of houses along his path. The sounds of children playing followed, and then suddenly the timeless atmosphere of the city was crowded into the present by the sound of a television in someone's kitchen. It was time to head back to the hotel.

As he entered the hotel lobby, Decker heard the voices of team members. The breakfast meeting had already begun and the conversation centered around a problem with the equipment that the team had brought from the United States. Without interrupting, Decker tried to piece together what was going on. Apparently the equipment had been put in the name of Father Rinaldi with the intention of avoiding exactly the sort of problems with customs that the team was now experiencing. Unfortunately, though Rinaldi was an Italian citizen, he had been in the U.S. too long and back in Turin too short a time to be eligible to bring the equipment into the country without a sixty-day impoundment. Rinaldi and Tom D'Muhala had already been sent to the customs office in Milan for some face-to-face diplomacy and arm twisting.

After breakfast, several members of the team decided to walk the half mile from the hotel to the royal palace of the House of Savoy, which for centuries had been the residence of the kings of Italy. It was in a suite of rooms in the palace that the team would be conducting its investigation of the Shroud. When they reached the palace they were stunned to find tens of thousands of people standing several abreast in lines that stretched for over a mile to the east and west. The lines converged at the Cathedral of San Giovanni Battista, which is adjacent to the palace. In the cathedral, in a sterling silver case sealed within a larger case of bullet proof glass filled with inert gasses, the Shroud is kept. Two or three times a century the Shroud is taken out and put on public display, drawing pilgrims from all over the world. The crowd that day represented only a small fraction of the three million people who over the past several weeks had traveled from all over the world to see what they believed to be the burial cloth of Christ.

The team was escorted through a courtyard into a restricted part of the palace. At every corner were guards armed with small European-made machine guns. The team paused as they entered, awestruck with the size and splendor of their surroundings. There was gold everywhere: on chandeliers, on picture frames, on vases, inlaid into carvings in the doors and other woodwork. Even the wallpaper was gold-gilt. And everywhere were paintings and marble statuary. At the end of a long, opulently decorated hall was the entrance to the princes' suite, where the team would conduct their experiments. Beyond the ten-foot doors was a fifty by fifty foot ballroom, the first of seven rooms which made up the suite. The second room, which is where the Shroud would be placed for examination, was as magnificent as the first. Crystal chandeliers hung from ceilings painted in classical frescos of angels and swans and biblical scenes. Somewhere in the life of ancient buildings which remain in use comes a point at which time and progress can no longer be ignored. Whether it is the carriage house that becomes a garage or a closet that is converted to a phone room, some aesthetics ultimately yield to the demands of modern convenience. In the princes' suite the evidence of compromise was a bathroom and electricity. The bathroom was a strange arrangement with two toilets and five sinks. This would double as the team's photographic darkroom. The only electricity was provided by a wire just slightly thicker than a standard extension cord, which led to a single outlet about an inch away from the baseboard. The team's equipment would require far more power than that.

"We'll need to run electric cables up here from the basement," said Rudy Dichtl, the team member with the most 'hands-on' electrical experience. "I'm going to see if I can find a hardware store."

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