JAMES ROLLINS - SANDSTORM

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SANDSTORM: краткое содержание, описание и аннотация

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Lady Kara Kensington's family paid a high price in money and blood to found the gallery that now lies in ruins. And her search for answers is about to lead Kara and her friend Safia al-Maaz, the gallery's brilliant and beautiful curator, into a world they never dreamed actually existed. For new evidence exposed by the tragedy suggests that Ubar, a lost city buried beneath the Arabian desert, is more than mere legend … and that something astonishing is waiting there. Two extraordinary women and their guide, the international adventurer Omaha Dunn, are not the only ones being drawn to the desert. Former U.S. Navy SEAL Painter Crowe, a covert government operative and head of an elite counterespionage team, is hunting down a dangerous turncoat, Crowe's onetime partner, to retrieve the vital information she has stolen. And the trail is pointing him toward Ubar.

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Raising her gaze, Cassandra stared at the shimmer of wavering lights where the town of Shisur lay. She lifted her radio, called the forward troops, and ordered a pullback. She then switched back to the artillery captain.

“Level the town.”

11:15 A.M.

ASPAINTERled the others out of the village and through the gates of the ruins, he heard the first whistle. It pierced through the storm’s roar.

He swung as the first shell struck the town. A fireball burst skyward, lighting the storm, illuminating a patch of the village briefly. The boom reverberated in his gut. Gasps rose around him. More whistles filled the air.

Rockets and mortars.

He never suspected Cassandra had such firepower at hand.

Painter fumbled for his radio. “Coral! Go dark!”

Whatever advantage of surprise they had gained by the sudden burst of vehicles from their hiding places had ended. It was time to evacuate.

Out in the town, the lights of the vehicles were all extinguished. Under the cover of darkness, the women were to retreat to the ruins. More rockets struck, blooming in wild spirals of fire, whipped by the winds.

“Coral!” he yelled into the radio.

No answer.

Barak grabbed his arm. “They know the rendezvous.”

Painter swung around. More concussions pounded his gut.

Over at the sinkhole, the gunfire from the second helicopter had gone silent. What was happening?

11:17 A.M.

SAFIA HUDDLEDwith Omaha under a lip of rock. The bombs rattled pebbles from the ruins of the citadel atop the cliff above them.

To the south, the dark skies glowed ruddy from fires. Another boom reverberated through the storm’s wail. The town was being destroyed. Had the others had time to escape? Safia and Omaha had left their radios down in the trilith chamber. They had no way of knowing how the others had fared.

Painter, Kara…

At her side, Omaha leaned most of his weight on his right foot. She had seen him take that spill while fleeing here. He had twisted his ankle.

Omaha mumbled through his scarf. “You could still make a dash for it.”

She was worn, her shoulder ached. “The helicopter…”

It still hovered over the sinkhole. Its floodlight had blinked off, but she still heard it. It swept a slow circuit over the sandy floor, keeping them pinned.

“The pilot broke off his attack before. He’s probably half blind by the storm. If you stuck to the wall, ran fast…I could even take potshots from here.”

Omaha still had his pistol.

“I’m not leaving without you,” Safia whispered. Her statement was not all altruistic. She squeezed his hand, needing to feel his solidness.

He attempted to free his hand. “Forget it. I’d just slow you down.”

She held harder. “No…I can’t leave your side.”

He suddenly seemed to understand the deeper meaning in her words, the raw fear. He pulled her closer. She needed his strength. He gave it to her.

The helicopter swept by overhead, the bell beat of its rotor wash suddenly louder. It angled back over the center of the sinkhole, unseen, its path described by the beat of its passage.

She leaned into Omaha. She had forgotten how broad his shoulders were, how well she fit against him. Staring over his shoulder, Safia noted a flicker of blue across the sinkhole, a dance of lightning.

Oh, God…

She clutched Omaha harder.

“Saff,” Omaha mumbled, lips by her ear. “After Tel Aviv-”

The explosion blew away any further words. A wall of superheated air slammed them both against the wall, to their knees. A flash of brilliance, then all vision squeezed away.

Rocks rained around them. A tremendous crack sounded above. A huge boulder struck the sheltering lip and thudded into the sand. More stones fell, a torrent of rocks. Half blind, Safia felt it under her knees. A shift in the earth.

The citadel was coming down.

11:21 A.M.

PAINTER HADreached the edge of the sinkhole when the explosion ripped up from there. The only warning: a flash of blue scintillation deep in the hole. Then a column of cerulean blue fire erupted from the chamber opening, lighting every corner, shoving back the storm both with its brilliance and its hot breath.

The ground shook underfoot.

He felt the rush of heat shoot by his face, straight up, confined by the walls of the deep sinkhole, but its backwash still buffeted him backward.

Cries arose all around him.

The jetted column of cerulean fire struck the last helicopter full in the belly, knocking it skyward, cartwheeling it. Its fuel tank exploded in a wash of red flame, dramatic against the blue. The wreckage of the helicopter scattered away, not in pieces, but in liquid jets of molten fire. The entire craft had melted within the bath of cobalt flame.

Next, from the sinkhole’s south rim, Painter watched the ruins of the citadel, perched precariously over the western edge, begin a slow tumble into the pit. And at the bottom, lit by the balefire flames as they petered out, two figures stumbled across the floor, rocks falling all around them.

Safia and Omaha.

11:22 A.M.

DAZED, OMAHAleaned on Safia. She had an arm under his shoulders. They fought through the sands. His eyes wept from the residual burn on his retinas, but vision slowly returned. First a glow formed, dull, bluish. Then he saw dark shadows falling around him, thudding into the sand, some bouncing.

A rain of rocks. A biblical curse.

“We must get clear!” Safia yelled, sounding as if she were underwater.

Something struck the back of his good leg. They were both thrown to the sand. A deep grumble rattled behind them, above them, an angry god.

“It’s coming down!”

11:33 A.M.

PAINTER RACEDheadlong down the path into the sinkhole.

To his left, the back half of the citadel spilled into the chasm. It groaned and rumbled. Pouring rock and sand into one end of the pit. Painter had witnessed a mud slide during a rainstorm, an entire hillside liquefying. This was the same. Only a bit slower. Rock proving more stubborn.

In snatches through the stormy gloom, he spotted Safia and Omaha scrambling away from the avalanche as it slowly spilled toward them, chasing them across the floor. They fell down again as Omaha was struck in the shoulder and spun around.

Painter would not reach them in time.

A throaty growl whined behind him and a shout: “Out of the way!”

The shout threw him around. A light flicked on, spearing him in the face. He was blinded, but he saw enough in that split second to dive aside.

The sand bike sailed passed him down the slope, spewing up gravel and sand. It leaped the path ten feet from the bottom, front wheel yanked up, rear knobby wheel spinning. It landed with a bounce, a twist, a crunch of sand-then tore off across the floor.

Painter continued down the path.

He had spotted the rider, bent over the handlebars. It was Coral Novak, cloaked and goggled, hood thrown back, white hair flagging behind her.

Painter gave chase, watching the cycle tear alongside the avalanche. Its headlamp flicked back and forth as Coral dodged around obstacles. Then she reached the pair, braking and skidding to them. He heard her shout.

“Grab tight!”

Then she was off again, shooting straight across the floor, away from the tumbling stones, hauling Omaha and Safia, who clung to the seat’s back, feet and legs dragging behind.

They raced clear of the rock slide.

Painter reached the bottom, well clear of the tumult of stone and sand. By the time he reached the floor, it was over. The collapse of the hill and fortress settled to a stop. The steep cliff was now a gentle slope.

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