JAMES ROLLINS - SANDSTORM

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SANDSTORM: краткое содержание, описание и аннотация

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Lady Kara Kensington's family paid a high price in money and blood to found the gallery that now lies in ruins. And her search for answers is about to lead Kara and her friend Safia al-Maaz, the gallery's brilliant and beautiful curator, into a world they never dreamed actually existed. For new evidence exposed by the tragedy suggests that Ubar, a lost city buried beneath the Arabian desert, is more than mere legend … and that something astonishing is waiting there. Two extraordinary women and their guide, the international adventurer Omaha Dunn, are not the only ones being drawn to the desert. Former U.S. Navy SEAL Painter Crowe, a covert government operative and head of an elite counterespionage team, is hunting down a dangerous turncoat, Crowe's onetime partner, to retrieve the vital information she has stolen. And the trail is pointing him toward Ubar.

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“Do you speak English?” were his first words to Safia. She was working behind a small table on the dining terrace of a small hostelry overlooking the Arabian Sea. It was the haunt of many students doing research in the region, being cheap as chips and serving the only decent coffee around.

Irritated at the interruption, she had been curt. “As a British citizen, I should hope I speak better English than you, sir.”

Glancing up, she discovered a young man, sandy blond hair, corn-flower blue eyes, a dusky trace of beard, wearing scuffed khakis, a traditional Omani headcloth, and an embarrassed smile.

“Excuse me,” he said. “But I noticed you had a copy of Arabian Archaeology and Epigraphy 5. I was wondering if I could glance at a section.”

She picked up the book. “Which section?”

“ ‘Oman and the Emirates in Ptolemy’s Map.’ I’m heading into the borderlands.”

“Truly? I thought that region had been closed to foreigners.”

Again that smile, only it had grown a mischievous edge. “So you caught me. I should’ve said I hope to be traveling to the borderlands. I’m still awaiting word from the consulate.”

She had leaned back and eyed him up and down. She switched to Arabic. “What do you plan to do up there?”

He didn’t miss a beat, responding in Arabic himself. “To help settle the border dispute by proving the ancient tribal routes of the local Duru tribes, confirming an historical precedent.”

She continued in Arabic, checking his knowledge of the region’s geography. “You’ll have to be careful in Umm al-Samim.”

“Yes, the quicksands,” he said with a nod. “I’ve read about that treacherous stretch.” His eyes flashed with eagerness.

Safia relented and passed him her copy of the periodical. “It’s the only copy from the Institute of Arabian Studies. I’ll have to ask you to read it here.”

“From the IAS?” He had taken a step forward. “That’s the Kensington nonprofit, isn’t it?”

“Yes. Why?”

“I’ve been trying to reach someone in authority over there. To grease some wheels with the Omani government. But no one would return my calls or letters. That place is a tough nut to crack, like its sponsor, Lady Kara Kensington. Now there’s a cold fish if there ever was one.”

“Hmm,” she said noncommittally.

After making their introductions, he asked if he could share her table while he read the article. She had nudged the chair in his direction.

“I heard the coffee’s quite good here,” he said as he sat.

“The tea’s even better,” she countered. “But then again, I’m British.”

They had continued in silence for a long while, reading their respective journals, each occasionally eyeing the other, sipping their drinks. Finally, Safia noticed the terrace door swing open behind her guest. She waved.

He turned at the arrival of the newcomer to their table. His eyes widened.

“Dr. Dunn,” Safia said, “may I introduce you to Lady Kara Kensington. You’ll be happy to know she speaks English, too.”

She had enjoyed watching color blush to his cheeks, caught off guard, blindsided. She suspected such didn’t happen often to the young man. The three of them spent the rest of the afternoon talking, debating current events in Arabia and back home, discussing Arabian history. Kara left before the sun set, heading off to an early business dinner with the local chamber of commerce, but not before promising to help Dr. Dunn with his expedition.

“I guess I owe you at least dinner,” he had stated afterward.

“And I suppose I must accept.”

That night, they shared a leisurely dinner of wood-fired kingfish, accompanied with spiced rukhal bread. They talked until the sun sank into the sea and the skies filled with stars.

That was their first date. Their second date wouldn’t be for another six months, after Omaha was finally freed from a Yemeni prison for entering a holy Muslim site without permission. Despite the penal setback, they continued to see each other off and on, across four out of the seven continents. One Christmas Eve, back at his family’s home in Lincoln, Nebraska, he had dropped to a knee by the couch and asked her to marry him. She had never been happier.

Then a month later, everything changed in one blinding flash.

She shied away from that last memory, standing up finally from her desk to clear her head. It was too stuffy in her office. She needed to walk, to keep moving. It would be good to feel the breeze on her face, even the damp chill of London’s winter. She retrieved her coat and locked up her office.

Safia’s office was located on the second floor. The stairs down to the first floor were at the other end of the wing, near the Kensington Gallery, which meant she would have to pass the explosion site again. Not something she wanted to do. But she had no choice.

She set off down the long dark hall, illuminated by the occasional red security lamp. Usually she enjoyed the empty museum. It was a peaceful time after the daily bustle. She would often wander the gated galleries, staring at cabinets and displays, comforted by the weight of history.

No longer. Not this night.

Circulating fans had been set up like guard towers on long poles the entire length of the north wing, whirring and rattling noisily, trying and failing to disperse the reek of charred wood and burned plastics. Space heaters dotted the floor, snaking orange cords, set up to dry out the halls and galleries after the pumps had drained the worst of the sooty water. It made the hall swelter, like the damp warmth of the tropics. The line of fans stirred the air only sluggishly.

Her heels tapped the marble floor as she passed the galleries displaying the museum’s ethnographical collection: Celtic, Russian, Chinese. The damage from the explosion grew worse the nearer she approached her own gallery: smoke-stained walls, ribbons of police tape, piles of swept plaster, broken glass.

As she passed the opening to the Egyptian exhibit, she heard a muffled tinkle behind her, like breaking glass. She stopped and glanced over a shoulder. For a moment, she thought she spotted a flicker of light from the Byzantine gallery. She stared for a long breath. The opening remained dark.

She fought down a growing panic. Since the attacks had begun, she had difficulty distinguishing real danger from false. Her heart thudded in her throat, and the hairs on her arms tingled as a nearby fan rotated its pass over her, whirring asthmatically.

Just the headlamps of a passing car, she assured herself.

Swallowing her anxiety, she turned back around to discover a dark figure looming in the hall outside the Kensington Gallery.

She stumbled back.

“Safia?” The figure lifted a hand torch and flicked it on, blinding her with its brightness. “Dr. al-Maaz.”

She sighed with relief and hurried forward, shielding her eyes. “Ryan…” It was the head of security, Ryan Fleming. “I thought you had gone home.”

He smiled and flicked off the torch. “I was on my way when I was paged by Director Tyson. It seems a pair of American scientists insisted that they review the explosion site.” He walked her toward the opening to the gallery.

Inside, two figures dressed in identical blue jumpsuits moved through the dark gallery. The only illumination came from a pair of lamp poles in each room that cast weak pools of light. In the dimness, the investigators’ instruments glowed brightly. They appeared to be Geiger counters. In one hand, each of them held a compact base unit with a lighted computer screen. In the other, they carried meter-long black wands, attached to the base unit by a coiled cord. They slowly worked one of the gallery rooms in tandem, sweeping their instruments over singed walls and piles of debris.

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