Beth Revis - A Million Suns

I have spent the whole time facing the ship, looking back at the path we have taken. But now I see behind me, toward where the ship is facing. And I realize why Godspeed seemed to glow. This… I never expected this. How did Orion keep this secret? How could anyone keep this secret? It’s — it’s everything — it’s—

There, hanging in the sky, right in front of me—

Is a planet.

I STARE OUT THE OPEN HATCH, MY EYES NOT ON THE STARS, but on the tether that ties Elder back to me.

I count down the seconds. The tether twitches. And I know:

Something’s wrong.

I CAN’T BREATHE, BUT IT’S NOT BECAUSE OF THE LACK OF oxygen. It’s because everything about me — my lungs, my heart, my brain — stopped when I saw that blue and green and white orb floating in the sky.

In the distance, far larger than the millions of stars around me, I can see Centauri A and Centauri B, the two stars that make up the center of this solar system. They’re so bright and so big compared to the other stars that they melt in my eyes like blurry, glowing orbs of ice.

But I don’t stare at them.

I stare at the planet.

That— this —is Orion’s secret. It’s not that the ship isn’t working, that we’re never going to make it.

It’s that the ship has already arrived .

We’re already here! There— there —is the planet that will be our home!

It floats, so bright that it hurts my eyes. Giant green landmasses spread out across blue water, with swirls and wisps of clouds twirling over top. At the edge of the planet, where it turns away from the suns and starts to darken, I can see bright flashes of light — bursts of whiteness in the darkness — and I think: Is that lightning? In the center, where the light of the suns makes the planet seem to glow from within, I can see, very distinctly, a continent. A continent. On one edge, it’s cracked and broken like an egg, dark lines snaking deep into the landmass. Rivers. Lots of them. Maybe something too big to be rivers if I can see it from here. Fingers of land stretch out into the sea, and dots of islands are just out of their grasp. That area will be cool all the time, I think. Boats can go along the rivers, up and down. We can swim in the water.

Because already, I can see myself living there. Being there.

On a planet that looks up at a million suns every night, and at two every day.

I want to scream, shout with joy. But the air is so thin now.

Too thin.

I’ve spent too long looking at Orion’s secret.

The boop… boop… boop… fades away. There’s nothing to warn about now.

Because there’s no air left.

My sight is rimmed with black. My head pulses with my heartbeat, which sounds as loud to me as the alarm once did. I turn from the planet— my planet —and start pulling, hand over hand, against the tether, toward the hatch. The ship bobs in and out of my vision as my whole body jerks. I’m panicked now and fighting to stay awake. I try to suck in air, but there’s nothing there to suck. I’m drowning in nothing.

Closer.

My hands slip, and I’m afraid — if I lose my grasp, if I fall all the way back to the end of the tether — I’ll never make it back to the ship. I’ll never make it back to Amy.

But if I have to die, I think, at least I can die looking at the planet. Is this what Harley thought? Did he see Centauri-Earth before he died? Was his last thought one of regret — that he threw himself to the stars when the planet was almost within his grasp?

I look down at my hands wonderingly. When did I forget to put one hand over the other as I pull myself along the tether? I’m still floating in the direction of the ship — the lack of gravity ensures that — but I have to keep pulling myself along the rope or I’ll never make it back to Godspeed —to oxygen — in time. I force my arms to move, drag my body closer to the ship. I pull harder than before. Desperation fills my muscles. My mouth hangs open, sucking at nothing. My throat convulses.

I’ve got to get to the ship.

My muscles are shaking, but I don’t know if it’s from exertion or suffocation. Just — one more tug — there. The hatch. My fingers scramble, trying to grip the edge of the opening. On the other side of the door is Amy. I crane my head up and, through my watery eyes, I can see her pressed against the glass. I heave, once, and my body propels up, floating through the zero gravity. I bounce against the ceiling of the inside of the hatch. Black spots dance before my eyes.

The hatch door grinds closed… so slowly…

I turn in time to see the planet, just barely out of sight, only visible here, at the rim between the ship and space—

— The hatch door locks into place.

And I see nothing but black.

AS SOON AS THE HATCH DOOR SHUTS, I REACH FOR THE handle, but it has to re-pressurize before it can open. Through the window of the hatch, I see Elder’s body thunk against the floor as gravity returns. I pound on the door with both fists, but he doesn’t so much as twitch. He lies there, motionless, his face obscured by the helmet.

An eternity later, the lock clicks and I fling the door open. I drop to my knees at Elder’s side and turn his body over so he’s flat on his back. His arms and legs are limp; the shell of his suit is clunky and in the way.

The helmet first. Elder’s head pours out of it and thunks on the metal floor.

“Elder,” I say. “ELDER.” I slap him, hoping for something, but—

I jab my wi-com and com Doc. “Get down to the cryo level!” I scream into my wrist as I attack the shell armor of the suit, ripping at the latches and stays around Elder’s torso, breaking it open to reveal his chest.

“What’s wrong?” Doc asks. His voice is breathless over the wi-com, as if he’s already running.

“It’s Elder!” I shout.

“I’m on the Shipper Level, but I’ll be there as soon as I can.”

“Hurry!”

I bend down to Elder’s chest — he’s not breathing. My hair falls across his face, into his slightly open mouth, but he doesn’t flinch.

I don’t know if this will work — I pray it will, but I don’t know — I tip Elder’s head back — his skin is so cold — pinch his nose, and breathe into his mouth. I did this on a dummy once after swim lessons in Florida when I was a kid, but the dummy was plastic and an unrealistic mix of hard and soft — nothing at all like the warm wet of Elder’s mouth. I do two short bursts of breaths— Puff! Puff! Then I lean back on my knees, fold my hands over each other, and press down on his chest.

Push, push. Push, push. Push, push. Push, push. Push, push. Push, push.

Push, push. Push, push. Push, push. Push, push. Push, push.

Push, push. Push, push. Push, push.

Push, push.

Puff! Puff!

Push, push.

Push, push. Push, push. Push, push.

Push, push. Push, push. Push, push. Push, push. Push, push.

Push, push. Push, push. Push, push. Push, push. Push, push. Push, push.

Nothing.

Pushpushpushpushpushpushpushpushpushpushpushpushpushpush.

God, why isn’t this working?! Am I doing it right? I can barely remember that one hour of CPR training so long ago — what if I’m hurting him?

I lower my head to breathe into his mouth again. I have to swallow back a sob. I won’t cry.

He’s not dead. I won’t let him be dead.

Puff!

I lean up to take some more air — and I feel, just barely — a whiff of breath coming from Elder. I lean down, my cheek next to his lips — and I can feel it. Air. His chest rises and falls, rises and falls. I move down, pressing my face against his body.