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George Martin: Songs of the Dying Earth

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George Martin Songs of the Dying Earth

Songs of the Dying Earth: краткое содержание, описание и аннотация

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Today, in order to honor the magnificent career of Jack Vance, one unparalleled in achievement and impact, GEORGE R.R. MARTIN and GARDNER DOZOIS, with the full cooperation of Jack Vance, his family, and his agents, suggest a Jack Vance tribute anthology called , to encourage the best of today's fantasy writers to return to the unique and evocative milieu of The Dying Earth, from which they and so many others have drawn so much inspiration, to create their own brand-new adventures in the world of Jack Vance s greatest novel. Half a century ago, Jack Vance created the world of the Dying Earth, and fantasy has never been the same. Now, for the first time ever, Jack has agreed to open this bizarre and darkly beautiful world to other fantasists, to play in as their very own. To say that other fantasy writers are excited by this prospect is a gross understatement; one has told us that he'd crawl through broken glass for the chance to write for the anthology, another that he'd gladly give up his right arm for the privilege that's the kind of regard in which Jack Vance and The Dying Earth are held by generations of his peers.

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Puillaine had not, in truth, ever tasted the so-called ambrosia of the Maurenrons, but he understood it to be an acrid and deplorable stuff, fit only for massaging cramped limbs. Yet he maintained an affable cordiality, studiously examining the nearer of the two carboys, holding it to the light, hefting it as though to determine the specific gravity of its contents. “The repute of your wines is not unknown to me,” he said diplomatically. “But I propose we set these aside for later in the day, since, as I have explained, I prefer only a light wine before my midday meal, and perhaps the same is true of you.” He gave them an inquisitive look. They made no objection; and so he murmured the spell of opening and poured out a ration of the Sanreale for each of them and himself.

By way of salute, Unthan Vyorn offered a quotation from one of Puillayne’s best-known little pieces:

What is our world? It is but a boat
That breaks free at sunset, and drifts away
Without a trace.

His intonation was vile, his rhythm was uncertain, but at least he had managed the words accurately, and Puillayne supposed that his intentions were kindly. As he sipped his wine, he studied this odd trio with detached curiosity. They seemed like crude ruffians, but perhaps their unpolished manner was merely the typical style of the people of the Maurenrons, a locality to which his far-flung travels had never taken him. For all he knew, they were dukes or princes or high ministers of that northern place. He wondered in an almost incurious way what it was that they wanted with him. Merely to quote his own poetry to him was an insufficient motive for traveling such a distance. Gimbiter believed that they were malevolent; and it might well be that Gimbiter, a shrewd observer of mankind, was correct in that. For the nonce, however, his day’s intake of wine had fortified him against anxiety on that score. To Puillayne, they were at the moment merely a puzzling novelty. He would wait to see more.

“Your journey,” he said politely, “was it a taxing one?”

“We know some small magics, and we had a few useful spells to guide us. Going through the Kelpusars, there was only one truly difficult passage for us,” said Unthan Vyorn, “which was the crossing of the Mountain of the Eleven Uncertainties.”

“Ah,” said Puillayne. “I know it well.” It was a place of bewildering confusion, where a swarm of identical peaks confronted the traveler and all roads seemed alike, though only one was correct and the others led into dire unpleasantness. “But you found your way through, evidently, and coped with equal deftness with the Gate of Ghosts just beyond, and the perilous Pillars of Yan Sfou.”

“The hope of attaining the very place where now we find ourselves drew us onward through all obstacles,” Unthan Vyorn said, outdoing even himself in unctuosity of tone. And again he quoted Puillayne:

The mountain roads we traveled rose ten thousand cilavers high.
The rivers we crossed were more turbulent than a hundred demons.
And our voices were lost in the thunder of the cataracts.
We cut through brambles that few swords could slash.
And then beyond the mists we saw the golden Klorpentine
And it was as if we had never known hardship at all.

How barbarously he attacked the delicate lines! How flat was his tone as he came to the ecstatic final couplet! But Puillayne masked his scorn. These were foreigners; they were his guests, however self-invited they might be; his responsibility was to maintain them at their ease. And he found them diverting, in their way. His life in these latter years had slipped into inflexible routine. The advent of poetry-quoting northern barbarians was an amusing interlude in his otherwise constricted days. He doubted more than ever, now, Gimbiter’s hypothesis that they meant him harm. There seemed nothing dangerous about these three except, perhaps, the chilly eyes of the one who did not seem to speak. His friend Gimbiter evidently had mistaken bumptiousness for malversation and malefic intent.

Fur-swathed Kesztrel Tsaye said, “We know, too, that you are a collector of exotica. Therefore we bring some humble gifts for your delight.” And he, too, offered a brief quotation:

Let me have pleasures in this life
For the next is a dark abyss!

“If you will, Malion Gainthrust—”

Kesztrel Tsaye nodded to the icy-eyed silent man, who produced from somewhere a sack that Puillayne had not previously noticed, and drew from it a drum of red candana covered with taut-stretched thaupin-hide, atop which nine red-eyed homunculi performed an obscene dance. This was followed by a little sphere of green chalcedony out of which a trapped and weeping demon peered, and that by a beaker which overflowed with a tempting aromatic yellow liquid that tumbled to the floor and rose again to return to the vessel from which it had come. Other small toys succeeded those, until gifts to the number of ten or twelve sat arrayed before Puillayne.

During this time, Puillayne had consumed nearly all the wine from the flask he had reserved for himself, and he felt a cheering dizziness beginning to steal over him. The three visitors, though he had offered them only a third as much apiece, had barely taken any. Were they simply abstemious? Or was the shimmering wine of Sanreale too subtle for their jackanapes palates?

He said, when it appeared that they had exhausted their display of gewgaws for him, “If this wine gives you little gratification, I can select another and perhaps superior one for you, or we could open that which you have brought me.”

“It is superb wine, master,” Unthan Vyorn said, “and we would expect no less from you. We know, after all, that your cellar is incomparable, that it is a storehouse of the most treasured wines of all the world, that in fact it contains even the unobtainable wine prized beyond all others, the True Vintage of Erzuine Thale. This Sanreale wine you have offered us is surely not in a class with that; but it has much merit in its own way and if we drink it slowly, it is because we cherish every swallow we take. Simply to be drinking the wine of Puillayne of Ghiusz in the veritable home of Puillayne of Ghiusz is an a honor so extreme that it constringes our throats with joy, and compels us to drink more slowly thanotherwise we might.”

“You know of the True Vintage, do you?” Puillayne asked.

“Is there anyone who does not? The legendary wine of the Nolwaynes who have reigned in Gammelcor since the days when the sun had the brightness of gold — the wine of miracles, the wine that offers the keenest of ecstasies that it is possible to experience — the wine that opens all doors to one with a single sip—” Unshielded covetousness now gleamed in the lanky man’s eyes. “If only we could enjoy that sip! Ah, if only we could merely have a glimpse of the container that holds that wondrous elixir!”

“I rarely bring it forth, even to look at it,” said Puillayne. “I fear that if I were to take it from its place of safekeeping, I would be tempted to consume it prematurely, and that is not a temptation to which I am ready to yield.”

“A man of iron!” marveled Kesztrel Tsaye. “To possess the True Vintage of Erzuine Thale, and to hold off from sampling it! And why, may I ask, do you scruple to deny yourself that joy of joys?”

It was a question Puillayne had heard many times before, for his ownership of the True Vintage was not something he had concealed from his friends. “I am, you know, a prodigious scribbler of minor verse. Yes,” he said, over their indignant protests, “minor verse, such a torrent of it that it would fill this manse a dozen times over if I preserved it all. I keep only a small part.” He gestured moodily at the fifty volumes bound in Deodand vellum. “But somewhere within me lurks the one great poem that will recapitulate all the striving of earthly history, the epic that will be the sum and testament of us who live as we do on the precipice at the edge of the end of days. Someday I will feel that poem brimming at the perimeters of my brain and demanding release. That feeling will come, I think, when our sun is in its ultimate extremity, and the encroaching darkness is about to arrive. And then, only then, will I broach the seal on the True Vintage, and quaff the legendary wine, which indeed opens all doors, including the door of creation, so that its essence will liberate the real poet within me, and in my final drunken joy I will be permitted to set down that one great poem that I yearn to write.”

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