George Martin: Songs of the Dying Earth

Gimbiter made such inquiries about them at the hostelry as were feasible, but all he could learn was that they were mercantile travelers from Hither Almery or even farther north, come to the southlands on some enterprise of profit. But even the innkeeper knew that they were aware of the fame of the metropole’s great poet Puillayne, and were eager to achieve an audience with him. And therefore Gimbiter had duly provided his friend with a warning; but he was sadly aware that he could do no more than that.

Nor was Puillayne’s air of unconcern an affectation. One who has visited the mephitic shores of the Sea of Nothingness and returned is truly beyond all dismay. He knows that the world is an illusion built upon a foundation of mist and wind, and that it is great folly to attach oneself in any serious way to any contrary belief. During his more sober moments, of course, Puillayne of Ghiusz was as vulnerable to despair and anxiety as anyone else; but he took care to reach with great speed for his beloved antidote the instant that he felt tendrils of reality making poisonous incursions through his being. But for wine, he would have had no escape from his eternally sepulchral attitudinizing.

So the next day, and the next, days that were solitary by choice for him, Puillayne moved steadfastly through his palace of antiquarian treasures on his usual diurnal rounds, rising at daybreak to bathe in the spring that ran through his gardens, then breakfasting on his customary sparse fare, then devoting an hour to the choice of the day’s wines and sampling the first of them.

In mid-morning, as the glow of the first flask of wine still lingered in him, he sat sipping the second of the day and reading awhile from some volume of his collected verse. There were fifty or sixty of them by now, bound identically in the black vellum made from the skin of fiendish Deodands that had been slaughtered for the bounty placed upon such fell creatures; and these were merely the poems that he had had sufficient sobriety to remember to indite and preserve, out of the scores that poured from him so freely. Puillayne constantly read and reread them with keen pleasure. Though he affected modesty with others, within the shelter of his own soul he had an unabashed admiration for his poems, which the second wine of the day invariably amplified.

Afterward, before the second wine’s effect had completely faded, it was his daily practice to stroll through the rooms that held his cabinet of wonders, inspecting with ever-fresh delight the collection of artifacts and oddities that he had gathered during youthful travels that had taken him as far north as the grim wastes of Fer Aquila, as far to the east as the monster-infested deadlands beyond the Land of the Falling Wall, where ghouls and deadly grues swarmed and thrived, as far west as ruined Ampridatvir and sullen Azederach on the sunset side of the black Supostimon Sea. In each of these places, the young Puillayne had acquired curios, not because the assembling of them had given him any particular pleasure in and of itself, but because the doing of it turned his attention for the moment, as did the drinking of wine, from the otherwise inescapable encroachment of gloom that from boyhood on had perpetually assailed his consciousness. He drew somber amusement now from fondling these things, which recalled to him some remote place he had visited, summoning up memories of great beauty and enchanting peace, or arduous struggle and biting discomfort, it being a matter of no importance to him which it might have been, so long as the act of remembering carried him away from the here and now.

Then he would take his lunch, a repast scarcely less austere than his morning meal had been, always accompanying it by some third wine chosen for its soporific qualities. A period of dozing invariably followed, and then a second cooling plunge in the garden spring, and then — it was a highlight of the day — the ceremonial opening of the fourth flask of wine, the one that set free his spirit and allowed the composition of that day’s verses. He scribbled down his lines with haste, never pausing to revise, until the fervor of creation had left him. Once more, then, he read, or uttered the simple spell that filled his bayside audifactorium with music. Then came dinner, a more notable meal than the earlier two, one that would do justice to the fifth and grandest wine of the day, in the choosing of which he had devoted the greatest of care; and then, hoping as ever that the dying sun might perish in the night and release him at last from his funereal anticipations, he gave himself to forlorn dreamless sleep.

So it passed for the next day, and the next, and, on the third day after Gimbiter Soleptan’s visit, the three strangers of whom Gimbiter had warned him presented themselves at last at the gates of his manse.

They selected for their unsolicited intrusion the hour of the second wine, arriving just as he had taken one of the vellum-bound volumes of his verse from its shelf. Puillayne maintained a small staff of wraiths and revenants for his household needs, disliking as he did the use of living beings as domestic subordinates, and one of these pallid eidolons came to him with news of the visitors.

Puillayne regarded the ghostly creature, which just then was hovering annoyingly at the borders of transparency as though attempting to communicate its own distress, with indifference. “Tell them they are welcome. Admit them upon the half hour.”

It was far from his usual custom to entertain visitors during the morning hours. The revenant was plainly discommoded by this surprising departure from habit. “Lordship, if one may venture to express an opinion—”

“One may not. Admit them upon the half hour.”

Puillayne used the interval until then to deck himself in formal morning garb: a thin tunic of light color, a violet mantle, laced trousers of the same color worn over underdrawers of deep red, and, above all the rest, a stiff unlined garment of a brilliant white. He had already selected a chilled wine from the Bay of Sanreale, a brisk vintage of a shimmering metallic-gray hue, for his second wine; now he drew forth a second flask of it and placed it beside the first. The house-wraith returned, precisely upon the half hour, with Puillayne’s mysterious guests.

They were, exactly as Gimibiter Soleptan had opined, a rough-hewn, uncouth lot. “I am Kesztrel Tsaye,” announced the shortest of the three, who seemed to be the dominant figure: a burly person wrapped in the thick shaggy fur of some wild beast, and topped with a gold-trimmed cap of a different, glossier fur. His dense black beard encroached almost completely on his blunt, unappealing features, like an additional shroud of fur. “This is Unthan Vyorn”—a nod toward a lanky, insolent-looking fellow in a yellow robe, flamboyantly baroque red boots, and an absurd betasseled bit of headgear that displayed a leopard’s spots—“and this,” he said, glancing toward a third man, pale and unremarkably garbed, notable mainly for an appearance of extreme inconsequence bordering on nonpresence, but for his eyes, which were cold and brooding, “is Malion Gainthrust. We three are profound admirers of your great art, and have come from our homes in the Maurenron foothills to express our homage.”

“I can barely find words to convey the extreme delight I experience now, as I stand in the very presence of Puillayne of Ghiusz,” said lanky Unthan Vyorn in a disingenuously silken voice with just the merest hint of sibilance.

“It seems to me that you are capable of finding words readily enough,” Puillayne observed. “But perhaps you mean only a conventional abnegation. Will you share my wine with me? At this hour of the morning, I customarily enjoy something simple, and I have selected this Sanreale.”

He indicated the pair of rounded gray flasks. But from the depths of his furs, Kesztrel Tsaye drew two globular green flasks of his own and set them on the nearby table. “No doubt your choice is superb, master. But we are well aware of your love of the grape, and among the gifts we bring to you are these carboys of our own finest vintage, the celebrated azure ambrosia of the Maurenrons, with which you are, perhaps, unfamiliar, and which will prove an interesting novelty to your palate.”