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Harlan Ellison: Deathbird Stories

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Harlan Ellison Deathbird Stories

Deathbird Stories: краткое содержание, описание и аннотация

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Harlan Ellison’s masterwork of myth and terror as he seduces all innocence on a mind-freezing odyssey into the darkest reaches of mortal terror and the most dazzling heights of Olympian hell in his finest collection. Deathbird Stories Unlike some of Ellison’s collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction. His stories will rivet you to the floor and change your heartbeat… as unforgettable a chamber of horror, fantasy and reality as you’ll ever experience. - “Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing.” -

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He watched the vehicle skid, wheelless, for a quarter of a mile down the Freeway before it caught the inner breakwall of the lanedivider, shot high in the air, and came down turning over. It landed on the bubble, which burst, and exploded in a flash of fire and smoke that rocked the Chevy.

At three hundred miles per hour, two inches above the Freeway, riding on air, anything that broke up the air bubble would be a lethal weapon. He had won the duel. That Billy was dead.

George pulled in at the next getty, and sat in the lot. Jessica came around finally. He was slumped over the wheel, shaking, unable to speak.

She looked over at him, then reached out a trembling hand to touch his shoulder. He jumped at the infinitesimal pressure, felt through the g-and crash-suits. She started to speak, but the peek queeped, and she studded it on.

“Sector Control, sir.” The Operator smiled.

He did not look up.

“Congratulations, sir. Despite one possible infraction, your duel has been logged as legal and binding. You ‘II be pleased to know that the occupant of the car you challenged was rated number one in the entire Central and Eastern Freeway circuit. Now that Mr. Bonney has been finalized, we are entering your name on the dueling records. Underwriters have asked us to inform you that a check will be in the mails to you within twenty-four hours.

“ Again, sir, congratulations. “

The peek went dead, and George tried to focus on the parking lot of the neon and silver getty. It had been a terrible experience. He never wanted to use a car that way again. It had been some other George, certainly not him.

“I’m a family man,” he repeated Jessica’s words. “And this is just a family car…I…”

She was smiling gently at him. Then they were in each other’s arms, and he was crying, and she was saying that’s all right, George, you had to do it, it’s all right.

And the peek queeped.

She studded it on and the face of the Operator smiled back at her. “Congratulations, sir, you’ll be pleased to know that Sector Control already has fifteen duel challenges for you.

“Mr. Ronnie Lee Hauptman of Dallas has asked for first challenge, and is, at this moment, speeding toward you with an ET A of 6:15 this evening. In the event Mr. Hauptman does not survive, you have waiting challenges from Mr. Fred Bull of Chatsworth, California…Mr. Leo Fowler of Philadelphia…Mr. Emil Zalenko of…”

George did not hear the list. He was trying desperately, with clubbed fingers, to extricate himself from the strangling folds of the g-and crash-suits. But he knew it was no good. He would have to fight.

In the world of the Freeway, there was no place for a walking man.

The Author wishes to thank Mr. Ben Bova, formerly of Avco Everett Research Laboratory (Everett, Massachusetts), for his assistance in preparing the extrapolative technical background of this story.

Posing the question: does the god of love use underarm deodorant, vaginal spray and fluoride toothpaste?

On the Downhill Side

“In love, there is always one who kisses and one who offers the cheek.”

—French proverb

I knew she was a virgin because she was able to ruffle the silken mane of my unicorn. Named Lizette, she was a Grecian temple in which no sacrifice had ever been made. Vestal virgin of New Orleans, found walking without shadow in the thankgod coolness of cockroach-crawling Louisiana night. My unicorn whinnied, inclined his head, and she stroked the ivory spiral of his horn.

Much of this took place in what is called the Irish Channel, a strip of street in old New Orleans where the lace curtain micks had settled decades before; now the Irish were gone and the Cubans had taken over the Channel. Now the Cubans were sleeping, recovering from the muggy today that held within its hours the déjà vu of muggy yesterday, the déjà rêvé of intolerable tomorrow. Now the crippled bricks of side streets off Magazine had given up their nightly ghosts, and one such phantom had come to me, calling my unicorn to her—thus, clearly, a virgin—and I stood waiting.

Had it been Sutton Place, had it been a Manhattan evening, and had we met, she would have kneeled to pet my dog. And I would have waited. Had it been Puerto Vallarta, had it been 20” 36’ N, 105” 13’ W, and had we met, she would have crouched to run her fingertips over the oil-slick hide of my iguana. And I would have waited. Meeting in streets requires ritual. One must wait and not breathe too loud, if one is to enjoy the congress of the nightly ghosts.

She looked across the fine head of my unicorn and smiled at me. Her eyes were a shade of gray between onyx and miscalculation. “Is it a bit chilly for you?” I asked.

“When I was thirteen,” she said, linking my arm, taking a tentative two steps that led me with her, up the street, “or perhaps I was twelve, well no matter, when I was that approximate age, I had a marvelous shawl of Belgian lace. I could look through it and see the mysteries of the sun and the other stars unriddled. I’m sure someone important and very nice has purchased that shawl from an antique dealer, and paid handsomely for it.”

It seemed not a terribly responsive reply to a simple question.

“A queen of the Mardi Gras Ball doesn’t get chilly,” she added, unasked. I walked along beside her, the cool evasiveness of her arm binding us, my mind a welter of answer choices, none satisfactory.

Behind us, my unicorn followed silently. Well, not entirely silently. His platinum hoofs clattered on the bricks. I’m afraid I felt a straight pin of jealousy. Perfection does that to me.

“When were you queen of the Ball?”

The date she gave me was one hundred and thirteen years before.

It must have been brutally cold down there in the stones.

There is a little book they sell, a guide to manners and dining in New Orleans: I’ve looked: nowhere in the book do they indicate the proper responses to a ghost. But then, it says nothing about the wonderful cemeteries of New Orleans’ West Bank, or Metairie. Or the gourmet dining at such locations. One seeks, in vain, through the mutable, mercurial universe, for the compleat guide. To everything. And, failing in the search, one makes do the best one can. And suffers the frustration, suffers the ennui.

Perfection does that to me.

We walked for some time, and grew to know each other, as best we’d allow. These are some of the high points. They lack continuity. I don’t apologize, I merely pointed it out, adding with some truth, I feel, that most liaisons lack continuity. We find ourselves in odd places at various times, and for a brief span we link our lives to others—even as Lizette had linked her arm with mine—and then, our time elapsed, we move apart. Through a haze of pain occasionally; usually through a veil of memory that clings, then passes; sometimes as though we have never touched.

“My name is Paul Ordahl,” I told her. “And the most awful thing that ever happened to me was my first wife, Bernice. I don’t know how else to put it—even if it sounds melodramatic, it’s simply what happened—she went insane, and I divorced her, and her mother had her committed to a private mental home. “

“When I was eighteen,” Lizette said, “my family gave me my coming-out party. We were living in the Garden District, on Prytania Street. The house was a lovely white Plantation—they call them antebellum now—with Grecian pillars. We had a persimmon-green gazebo in the rear gardens, directly beside a weeping willow. It was six-sided. Octagonal. Or is that hexagonal? It was the loveliest party. And while it was going on, I sneaked away with a boy…I don’t remember his name…and we went into the gazebo, and I let him touch my breasts. I don’t remember his name.”

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