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Harlan Ellison: Deathbird Stories

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Harlan Ellison Deathbird Stories

Deathbird Stories: краткое содержание, описание и аннотация

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Harlan Ellison’s masterwork of myth and terror as he seduces all innocence on a mind-freezing odyssey into the darkest reaches of mortal terror and the most dazzling heights of Olympian hell in his finest collection. Deathbird Stories Unlike some of Ellison’s collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction. His stories will rivet you to the floor and change your heartbeat… as unforgettable a chamber of horror, fantasy and reality as you’ll ever experience. - “Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing.” -

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When he opened his eyes, he was still on his knees, but he could think again, and the red surfaces had become normal again.

He will try again. You must be ready.

“Tell me everything! I can’t go through this without knowing, I need help! Tell me, Snake, tell me now!”

You can help yourself. You have the strength. I gave you the spark.

and the second derangement struck!

The air turned shaverasse and he held dripping chunks of unclean rova in his jowls, the taste making him weak with nausea. His pods withered and drew up into his shell and as the bones cracked he howled with strings of pain that came so fast they were almost one. He tried to scuttle away, but his eyes magnified the shatter of light that beat against him. Facets of his eyes cracked and the juice began to bubble out. The pain was unbelievable.

Fight him!

Stack rolled onto his back, sending out cilia to touch the earth, and for an instant he realized he was seeing through the eyes of another creature, another form of life he could not even describe. But he was under an open sky and that produced fear; he was surrounded by air that had become deadly and that produced fear; he was going blind and that produced fear; he was…he was a man… fought back against the feeling of being some other thing…he was a man and he would not feel fear, he would stand.

He rolled over, withdrew his cilia, and struggled to lower his pods. Broken bones grated and pain thundered through his body. He forced himself to ignore it, and finally the pods were down and he was breathing and he felt his head reeling….

And when he opened his eyes he was Nathan Stack again.

…and the third derangement struck:

Hopelessness.

Out of unending misery he came back to be Stack.

…and the fourth derangement struck:

Madness.

Out of raging lunacy he fought his way to be Stack.

…and the fifth derangement, and the sixth, and the seventh, and the plagues, and the whirlwinds, and the pools of evil, and the reduction in size and accompanying fall forever through submicroscopic hells, and the things that fed on him from inside, and the twentieth, and the fortieth, and the sound of his voice screaming for release, and the voice of Snake always beside him, whispering Fight him!

Finally it stopped.

Quickly. now.

Snake took Stack by the hand and, half-dragging him, raced to the great palace of light and glass on the slope, shining brightly under the star pinnacle, and they passed under an arch of shining metal into the ascension hall. The portal sealed behind them.

There were tremors in the walls. The inlaid floors of jewels began to rumble and tremble. Bits of high and faraway ceilings began to drop. Quaking, the palace gave one hideous shudder and collapsed around them.

Now, Snake said. Now you will know everything!

And everything forgot to fall. Frozen in midair, the wreckage of the palace hung suspended above them. Even the air ceased to swirl. Time stood still. The movement of the Earth was halted. Everything held utterly immobile as Nathan Stack was permitted to understand all.

19
MULTIPLE CHOICE
(Counts for ½ your final grade.)

1. God is:

A. An invisible spirit with a long beard.

B. A small dog dead in a hole.

C. Everyman.

D. The Wizard of Oz.

2. Nietzsche wrote “God is dead.” By this did he mean:

A. Life is pointless.

B. Belief in supreme deities has waned.

C. There never was a God to begin with.

D. Thou art God.

3. Ecology is another name for:

A. Mother love.

B. Enlightened self-interest.

C. A good health salad with granola.

D. God.

4. Which of these phrases most typifies the profoundest love:

A. Don’t leave me with strangers.

B. I love you.

C. God is love.

D. Use the needle.

5. Which of these powers do we usually associate with God:

A. Power.

B. Love.

C. Humanity.

D. Docility.

20

None of the above.

Starlight shone in the eyes of the Deathbird and its passage through the night cast a shadow on the Moon.

21

Nathan Stack raised his hands and around them the air was still, as the palace fell crashing. They were untouched. Now you know all there is to know, Snake said, sinking to one knee as though worshipping. There was no one there to worship but Nathan Stack.

“Was he always mad?”

From the first.

“Then those who gave our world to him were mad, and your race was mad to allow it.”

Snake had no answer.

“Perhaps it was supposed to be like this,” Stack said.

He reached down and lifted Snake to his feet, and he touched the shadow creature’s sleek triangular head. “Friend,” he said.

Snake’s race was incapable of tears. He said, I have waited longer than you can know for that word.

“I’m sorry it comes at the end.”

Perhaps it was supposed to be like this.

Then there was a swirling of air, a scintillation in the ruined palace, and the owner of the mountain, the owner of the ruined Earth came to them in a burning bush.

AGAIN, SNAKE? AGAIN YOU ANNOY ME?

The time for toys is ended.

NATHAN STACK YOU BRING TO STOP ME? I SAY WHEN THE TIME IS ENDED. I SA Y, AS I’VE ALWAYS SAID.

Then, to Nathan Stack:

GO AWAY. FIND A PLACE TO HIDE UNTIL I COME FOR YOU.

Stack ignored the burning bush. He waved his hand, and the cone of safety in which they stood vanished. “Let’s find him, first, then I know what to do.”

The Deathbird sharpened its talons on the night wind and sailed down through emptiness toward the cinder of the Earth.

22

Nathan Stack had once contracted pneumonia. He had lain on the operating table as the surgeon made the small incision in the chest wall. Had he not been stubborn, had he not continued working around the clock while the pneumonic infection developed into empyema, he would never have had to go under the knife, even for an operation as safe as a thoracotomy. But he was a Stack, and so he lay on the operating table as the rubber tube was inserted into the chest cavity to drain off the pus in the pleural cavity, and he heard someone speak his name.

NATHAN STACK.

He heard it, from far off, across an Arctic vastness; heard it echoing over and over, down an endless corridor; as the knife sliced.

NATHAN STACK.

He remembered Lilith, with hair the color of dark wine. He remembered taking hours to die beneath a rock slide as his hunting companions in the pack ripped apart the remains of the bear and ignored his grunted moans for help. He remembered the impact of the crossbow bolt as it ripped through his hauberk and split his chest and he died at Agincourt. He remembered the icy water of the Ohio as it closed over his head and the flatboat disappearing without his mates’ noticing his loss. He remembered the mustard gas that ate his lungs as he tried to crawl toward a farmhouse near Verdun. He remembered looking directly into the flash of the bomb and feeling the flesh of his face melt away. He remembered Snake coming to him in the board room and husking him like corn from his body. He remembered sleeping in the molten core of the Earth for a quarter of a million years.

Across the dead centuries he heard his mother pleading with him to set her free, to end her pain. Use the needle. Her voice mingled with the voice of the Earth crying out in endless pain at her flesh that had been ripped away, at her rivers turned to arteries of dust, at her rolling hills and green fields slagged to greenglass and ashes. The voices of his mother and the mother that was Earth became one, and mingled to become Snake’s voice telling him he was the one man in the world—the last man in the world—who could end the terminal case the Earth had become.

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