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Harlan Ellison: Deathbird Stories

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Harlan Ellison Deathbird Stories

Deathbird Stories: краткое содержание, описание и аннотация

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Harlan Ellison’s masterwork of myth and terror as he seduces all innocence on a mind-freezing odyssey into the darkest reaches of mortal terror and the most dazzling heights of Olympian hell in his finest collection. Deathbird Stories Unlike some of Ellison’s collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction. His stories will rivet you to the floor and change your heartbeat… as unforgettable a chamber of horror, fantasy and reality as you’ll ever experience. - “Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing.” -

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He dropped to his knees and, recalling the moment months before when he had dropped to his knees to tear at the flesh of his atrophied umbilical cord, he began digging in the green and powdery sand.

The more he dug, the faster the sand ran back into the shallow bowl. He stepped into the middle of the depression and began slinging dirt back between his legs with both hands, a human dog excavating for a bone.

When his fingertips encountered the edge of the box, he yelped with pain as his nails broke.

He dug around the outline of the box, and then forced his bleeding fingers down through the sand to gain purchase under the buried shape. He wrenched at it, and it came loose. Heaving with tensed muscles, he freed it, and it came up.

He took it to the edge of the beach and sat down.

It was just a box. A plain wooden box, very much like an old cigar box, but larger. He turned it over and over and was not at all surprised to find it bore no arcane hieroglyphics or occult symbols. It wasn’t that kind of treasure. Then he turned it right side up and pried open the lid. His soul was inside. It was not what he had expected to find, not at all. But it was what had been missing from the cache.

Holding it tightly in his fist, he walked up past the fast-filling hole in the green sand, toward the bastion on the high ground.

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.

—T. S. Eliot

Once inside the brooding darkness of the fortress—and finding the entrance had been disturbingly easier than he had expected—there was no way to go but down. The wet, black stones of the switchback stairways led inexorably downward into the bowels of the structure, clearly far beneath the level of the pancreatic sea. The stairs were steep, and each step had been worn into smooth curves by the pressure of feet that had descended this way since the dawn of memory. It was dark, but not so dark that Talbot could not see his way. There was no light, however. He did not care to think about how that could be.

When he came to the deepest part of the structure, having passed no rooms or chambers or openings along the way, he saw a doorway across an enormous hall, set into the far wall. He stepped off the last of the stairs, and walked to the door. It was built of crossed iron bars, as black and moist as the stones of the bastion. Through the interstices he saw something pale and still in a far corner of what could have been a cell.

There was no lock on the door.

It swung open at his touch.

Whoever lived in this cell had never tried to open the door; or had tried and decided not to leave.

He moved into deeper darkness.

A long time of silence passed, and finally he stooped to help her to her feet. It was like lifting a sack of dead flowers, brittle and surrounded by dead air incapable of holding even the memory of fragrance.

He took her in his arms and carried her.

“Close your eyes against the light, Martha,” he said, and started back up the long stairway to the golden sky.

Lawrence Talbot sat up on the operating table. He opened his eyes and looked at Victor. He smiled a peculiarly gentle smile. For the first time since they had been friends, Victor saw all torment cleansed from Talbot’s face.

“It went well,” he said. Talbot nodded.

They grinned at each other.

“How’re your cryonic facilities?” Talbot asked. Victor’s brows drew down in bemusement. “You want me to freeze you? I thought you’d want something more permanent…say, in silver.”

“Not necessary.”

Talbot looked around. He saw her standing against the far wall by one of the grasers. She looked back at him with open fear. He slid off the table, wrapping the sheet upon which he had rested around himself, a makeshift toga. It gave him a patrician look.

He went to her and looked down into her ancient face. “Nadja,” he said, softly. After a long moment she looked up at him. He smiled and for an instant she was a girl again. She averted her gaze. He took her hand, and she came with him, to the table, to Victor.

“I’d be deeply grateful for a running account, Larry,” the physicist said. So Talbot told him; all of it.

“My mother, Nadja, Martha Nelson, they’re all the same,” Talbot said, when he came to the end, “all wasted lives.”

“ And what was in the box?” Victor said.

“How well do you do with symbolism and cosmic irony, old friend?”

“Thus far I’m doing well enough with lung and Freud,” Victor said. He could not help but smile.

Talbot held tightly to the old technician’s hand as he said, “It was an old, rusted Howdy Doody button.”

Victor turned around.

When he turned back, Talbot was grinning. “That’s not cosmic irony, Larry…it’s slapstick,” Victor said. He was angry. It showed clearly.

Talbot said nothing, simply let him work it out.

Finally Victor said, “What the hell’s that supposed to signify, innocence?”

Talbot shrugged. “I suppose if I’d known, I wouldn’t have lost it in the first place. That’s what it was, and that’s what it is. A little metal pinback about an inch and a half in diameter, with that cockeyed face on it, the orange hair, the toothy grin, the pug nose, the freckles, all of it, just the way he always was.” He fell silent, then after a moment added, “It seems right.”

“And now that you have it back, you don’t want to die?”

“I don’t need to die.”

“And you want me to freeze you.”

“Both of us. “

Victor stared at him with disbelief. “For God’s sake, Larry!”

Nadja stood quietly, as if she could not hear them.

“Victor, listen: Martha Nelson is in there. A wasted life. Nadja is out here. I don’t know why or how or what did it…but…a wasted life. Another wasted life. I want you to create her mite, the same way you created mine, and send her inside. He’s waiting for her, and he can make it right, Victor. All right, at last. He can be with her as she regains the years that were stolen from her. He can be—I can be—her father when she’s a baby, her playmate when she’s a child, her buddy when she’s maturing, her boy friend when she’s a young girl, her suitor when she’s a young woman, her lover, her husband, her companion as she grows old. Let her be all the women she was never permitted to be, Victor. Don’t steal from her a second time. And when it’s over, it will start again….”

“How, for Christ sake, how the hell how? Talk sense, Larry! What is all this metaphysical crap?”

“I don’t know how; it just is! I’ve been there, Victor, I was there for months, maybe years, and I never changed, never went to the wolf; there’s no Moon there…no night and no day, just golden light and warmth, and I can try to make restitution. I can give back two lives. Please, Victor!”

The physicist looked at him without speaking. Then he looked at the old woman. She smiled up at him, and then, with arthritic fingers, removed her clothing.

When she came through the collapsed lumen, Talbot was waiting for her. She looked very tired, and he knew she would have to rest before they attempted to cross the orange mountains. He helped her down from the ceiling of the cave, and laid her down on soft, pale yellow moss he had carried back from the islets of Langerhans during the long trek with Martha Nelson. Side-by-side, the two old women lay on the moss, and Nadja fell asleep almost immediately. He stood over them, looking at their faces.

They were identical.

Then he went out on the ledge and stood looking toward the spine of the orange mountains. The skeleton held no fear for him now. He felt a sudden sharp chill in the air and knew Victor had begun the cryonic preservation.

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