Harlan Ellison - Deathbird Stories

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Deathbird Stories: краткое содержание, описание и аннотация

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Harlan Ellison’s masterwork of myth and terror as he seduces all innocence on a mind-freezing odyssey into the darkest reaches of mortal terror and the most dazzling heights of Olympian hell in his finest collection.
Deathbird Stories Unlike some of Ellison’s collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two.
One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction. His stories will rivet you to the floor and change your heartbeat… as unforgettable a chamber of horror, fantasy and reality as you’ll ever experience.
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“Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing.”
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Griffin realized it had not leaped from the sea bottom, as his first impression seemed to be, but had gradually grown on the horizon, some moments after the watch in the nest had hallooed its imminent appearance. Yet he had not heard any such gardyloo; he was surfeited with thoughts of this other body, the golden god with the incredibly handsome face.

“Cap’n,” said one of the hands, lumbering with sea legs toward him. “We’re hard on the straits. Most of the men’re shackled a’ready.”

Griffin nodded silently, turned to follow the seaman. They moved back toward the lazzarette, and the seaman opened the hatch, dropped through. Griffin followed close behind him, and in the smallish compartment found the other sea-hands shackled wrist and ankle to the inner keel of the hold. He gagged for a moment with the overpowering stench of salted bully beef and fish, a sickly, bittersweet smell that made his eyes smart with its intensity.

Then he moved to the seaman, who had already fastened his own ankle-shackles and one wrist manacle. He clamped the rusting manacle still undone, and now all hands aboard the wind-vessel were locked immobile.

“Good luck, Cap’n!” The last seaman smiled. And he winked. The other men joined in, in their own ways, with a dozen different accents, some in languages Griffin could not even begin to place. But all well-wishing. Griffin once more nodded in the strong, silent manner of someone other than himself, someone to the rank born.

Then he climbed out of the lazzarette and went aft to the wheel.

Overhead, the sky had darkened to a shining blackness, a patent-leather black that would have sent back inverted reflections had there been anything soaring close enough to the sky to reflect. In the mote-dancing waters of the ocean, a ghost ship sailed along upside-down, hull-to-hull with Griffin’s vessel. And above him the quaint and tittering globes of light ricocheted and multiplied, filling the sudden night with the incense of their vibrancy. Their colors began to blend, to merge, to run down the sky in washes of color that made Griffin smile, and blink and drop his mouth open with awe. It was all the fireworks of another universe, just once hurled into an onyx sky, left to burn away whatever life was possible. Yet that was merely the beginning:

The colors came. As he set his feet squarely, and the deltoids bunched furiously beneath his golden skin, the two men who were Warren Glazer Griffin began the complex water slalom that would send the vessel through the straits, past the shoals, and into the cove that lay beyond. And the colors came. The vessel tacked before the wind, which seemed to gather itself and enter in an arrowed spear-pointed direction of unity, behind the massive golden sails. The wind was with him, sending him straight for the break in the heartless stone barrier. But the colors came.

Softly at first, humming, creeping, boiling up from nowhere at the horizon line; twisting and surging like snake whirlwinds with adolescent intent; building, spiraling, climbing in vague streamers and tendrils of unconsciousness, the colors came.

In a rising, keening spiral of hysteria they came, first pulsing in primaries, then secondaries, then comminglings and off shades, and finally in colors that had no names. Colors like racing, and pungent, and far-seen shadows, and bitterness, and something that hurt, and something that pleasured. Oh, mostly the pleasures, one after another, singing, lulling, hypnotically arresting the eye as the ship sped into the heart of the maelstrom of weird, advancing, sky-eating colors. The siren colors of the straits. The colors that came from the air and the island and the world itself, which hushed and hurried across the world to here, to meet when they were needed, to stop the seamen who slid over the waves to the break in the breakwall. The colors, defense, that sent men to the bottom, their hearts bursting with songs of color and charm. The colors that top-filled a man to the brim and kept him poised there with a surface tension of joy and wonder, colors cascading like waterfalls of flowers in his head, millioncolors, blossomshades, brightnesses, joycrashing every things that made a man hurl back and strain his throat to sing sing, sing chants of amazement and forever—

—as his ship plunged like a cannonball into the reefs and shattered into a billion wooden fragments, tiny splinters of dark wood against the boiling treacherous sea, and the rocks crushed and staved in the sides, and men’s heads went to pulp as they hurtled forward and their vessel was cut out from under them, the colors the colors, the God beautiful colors!

As Griffin sang his song of triumph, the men with eyes clapped tightshut, belowdecks, saved from berserking, depending on this golden giant of a man who was their own personal this-trip God, who would bring them through the hole in the faceless evil rocks.

Griffin, singing!

Griffin, golden god from Manhattan!

Griffin, man of two skins, Chinese puzzle man within man, hands cross-locked over the wood of the wheel, tacking points this way, points that way, playing compass and swashbuckler with the deadly colors that lapped at his senses, filled his eyes with delight, clogged his nostrils with the scents of glory, all the tiny theremin hummings now merged, all the little colormotes now united, running in slippery washes down and down the sky as he hurried the vessel toward the rocks and then in one sweep as he spun spun spun the wheel two-handed across, whip whip whip, and through into the bubbling white water, with rock-teeth screeching old women along the hull of his vessel, and tearing gouged gashes of darker deepness along the planking, but through!

Griffin, who chuckled with merriment at his grandeur, his stature, his chance taking, who had risked the lives of all his men for the moment of forever to be gained on that island. And winning! Making his wager with eternity, and winning—for an instant, before the great ship struck the buried reefs that tore away the bottom of the ship; and the lazzarette filled in an instant; and his men, who trusted him not to gamble them away so cheaply, wailed till their screams became waterlogged, and were gone; and Griffin felt himself lifted, tossed, hurled, flung like a bit of suet and the thought that invaded, consumed, gnawed at him in rage and frustration: that he had defeated the siren colors, had gotten through the treacherous straits, but had lost his men, his ship, even himself, by the treachery of his own self-esteem; that he had gloated over his wondrousness, and vanity had sent him whipping farther inshore, to be dashed on reefs; and the bitterness welled in him as he struck the water with a paralyzing crash, and sank immediately beneath the boiling white-faced waves.

Out on the reefs, the wind-vessel, with its adamantine trim, with its onyx and alabaster fittings, with its silken golden sails, with its marvelous magical swiftness, sank beneath the waters without a murmur

(unless those silent insane shrieggggngggg wails were the sounds of men shackled helplessly to an open coffin)

and all that could be heard was the pounding war drums of the waves, and the gutted, emptying, shrill keen of an animal whose throat had been slashed—the sound of the colors fading back to their million lairs around the universe, till they would be called again. Then, after a while, even the water calmed.

Crickets gossiped shamelessly, close beside his head. He awoke to find his eyes open, staring up into a pale, cadaverous paper-thin cut-out that was the moon. Clouds scudding across its mottled slimness sent strange shadows washing across the night sky, the beach, the jungle, Warren Glazer Griffin.

Well, I certainly messed that up, was his first thought, and in an instant the thought was gone, and the Nordic god-man’s thoughts superimposed more strenuously. Griffin felt his arms out wide on the white sand, and scraped them across the clinging grains till he was able to jack himself up, straining his back heavily. Propped on elbows, legs spread-eagled before him, he stared out to sea, to the great barrier wall that encircled the island, and scanned the dark expanse for some sign of ship or men. There was nothing. He let his mind linger for long moments on the vanity and ego that had cost so many lives.

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