Harlan Ellison - Deathbird Stories

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Deathbird Stories: краткое содержание, описание и аннотация

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Harlan Ellison’s masterwork of myth and terror as he seduces all innocence on a mind-freezing odyssey into the darkest reaches of mortal terror and the most dazzling heights of Olympian hell in his finest collection.
Deathbird Stories Unlike some of Ellison’s collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two.
One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction. His stories will rivet you to the floor and change your heartbeat… as unforgettable a chamber of horror, fantasy and reality as you’ll ever experience.
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“Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing.”
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On the floor.

Dead.

Struck dead.

Liar. All the lies that were her life.

Dead on a floor.

[A moment out of time lights whirling and spinning in a cotton candy universe down a bottomless funnel roundly sectioned like a goat’s horn a cornucopia that rose up cuculiform smooth and slick as a worm belly endless nights that pealed ebony funeral bells out of fog out of weightlessness suddenly total cellular knowledge memory running backward gibbering spastic blindness a soundless owl of frenzy trapped in a cave of prisms sand endlessly draining down billows of forever edges of the world as they splintered foam rising drowning from inside the smell of rust rough green corners that burn memory the gibbering spastic blind memory seven rushing vacuums of nothing yellow pinpoints cast in amber straining and elongating running like live wax chill fevers overhead the odor of stop this is the stopover before hell or heaven this is limbo trapped and doomed alone in a mist-eaten nowhere a soundless screaming a soundless whirring a soundless spinning spinning spinning spinning spinning spinning spinning spinninggggggggggggggg]

Maggie had wanted all the silver in the machine. She had died, willing herself into the machine. Now looking out from within, from inside the limbo that had become her own purgatory. Maggie was trapped, in the oiled and anodized interior of the silver dollar slot machine. The prison of her final desires, where she had wanted to be, completely trapped in that last instant of life between life/death. Maggie, gone inside; all soul now; trapped for eternity in the cage soul of the soulless machine. Limbo. Trapped.

“I hope you don’t mind if I call over one of the slot men,” the Slot Machine Floor Manager was saying, from a far distance. He was in his late fifties, a velvet-voiced man whose eyes held nothing of light and certainly nothing of kindness. He had stopped the Pit Boss as the stocky man had turned in mid-step to return to Kostner and the jackpot ted machine; he had taken the walk himself. “We have to make sure, you know how it is: somebody didn’t fool the slot, you know, maybe it’s outta whack or something, you know.”

He lifted his left hand and there was a clicker in it, the kind children use at Halloween. He clicked half a dozen times, like a rabid cricket, and there was a scurrying in the pit between the tables.

Kostner was only faintly aware of what was happening. Instead of being totally awake, feeling the surge of adrenaline through his veins, the feeling any gambler gets when he is ahead of the game, a kind of desperate urgency when he has hit it for a boodle, he was numb, partaking of the action around him only as much as a drinking glass involves itself in the alcoholic’s drunken binge.

All color and sound had been leached out of him.

A tired-looking, resigned-weary man wearing a gray porter’s jacket, as gray as his hair, as gray as his indoor skin, came to them, carrying a leather wrap-up of tools. The slot repairman studied the machine, turning the pressed steel body around on its stand, studying the back. He used a key on the back door and for an instant Kostner had a view of gears, springs, armatures and the clock that ran the slot mechanism. The repairman nodded silently over it, closed and relocked it, turned it around again and studied the face of the machine.

“Nobody’s been spooning it,” he said, and went away.

Kostner stared at the Floor Manager.

“Gaffing. That’s what he meant. Spooning’s another word for it. Some guys use a little piece of plastic, or a wire, shove it down through the escalator, it kicks the machine. Nobody thought that’s what happened here, but you know, we have to make sure, two grand is a big payoff, and twice…well, you know, I’m sure you’ll understand. If a guy was doing it with a boomerang—”

Kostner raised an eyebrow.

“—uh, yeah, a boomerang, it’s another way to spoon the machine. But we just wanted to make a little check, and now everybody’s satisfied, so if you’ll just come back to the casino cashier with me—”

And they paid him off again.

So he went back to the slot machine, and stood before it for a long time, staring at it. The change girls and the dealers going off-duty; the little old ladies with their canvas work gloves worn to avoid calluses when pulling the slot handles, the men ‘s room attendant on his way up front to get more matchbooks, the floral tourists, the idle observers, the hard drinkers, the sweepers, the busboys, the gamblers with poached-egg eyes who had been up all night, the showgirls with massive breasts and diminutive sugar daddies, all of them conjectured mentally about the beat-up walker who was staring at the silver dollar Chief. He did not move, merely stared at the machine…and they wondered.

The machine was staring back at Kostner.

Three blue eyes.

The electric current had sparked through him again, as the machine had clocked down and the eyes turned up a second time, as he had won a second time. But this time he knew there was something more than luck involved, for no one else had seen those three blue eyes.

So now he stood before the machine, waiting. It spoke to him. Inside his skull, where no one had ever lived but himself, now someone else moved and spoke to him. A girl. A beautiful girl. Her name was Maggie, and she spoke to him.

I’ve been waiting for you. A long time. I’ve been waiting for you. Kostner. Why do you think you hit the jackpot? Because I’ve been waiting for you. and I want you. You‘ll win all the jackpots. Because I want you. I need you. Love me. I’m Maggie, I’m so alone, love me.

Kostner had been staring at the slot machine for a very long time, and his weary brown eyes had seemed to be locked to the blue eyes on the jackpot bars. But he knew no one else could see the blue eyes, and no one else could hear the voice, and no one else knew about Maggie.

He was the universe to her. Everything to her.

He thumbed in another silver dollar, and the Pit Boss watched, the slot machine repairman watched, the Slot Machine Floor Manager watched. three change girls watched, and a pack of unidentified players watched, some from their seats.

The reels whirled, the handle snapped back, and in a second they flipped down to a halt, twenty silver dollars tokened themselves into the payoff trough and a woman at one of the crap tables belched a fragment of hysterical laughter.

And the gong went insane again.

The Floor Manager came over and said, very softly, “Mr. Kostner, it’ll take us about fifteen minutes to pull this machine and check it out. I’m sure you understand.” As two slot repairmen came out of the back, hauled the Chief off its stand, and took it into the repair room at the rear of the casino.

While they waited, the Floor Manager regaled Kostner with stories of spooners who had used intricate magnets inside their clothes, of boomerang men who had attached their plastic implements under their sleeves so they could be extended on spring-loaded clips, of cheaters who had come equipped with tiny electric drills in their hands and wires that slipped into the tiny drilled holes. And he kept saying he knew Kostner would understand.

But Kostner knew the Floor Manager would not understand.

When they brought the Chief back, one of the repairmen nodded assuredly. “Nothing wrong with it. Works perfectly. Nobody’s been boomin’ it.”

But the blue eyes were gone on the jackpot bars.

Kostner knew they would return.

They paid him off again.

He returned and played again. And again. And again. They put a “spotter” on him. He won again. And again. And again. The crowd had grown to massive proportions. Word had spread like the silent communications of the telegraph vine, up and down the Strip, all the way to downtown Vegas and the sidewalk casinos where they played night and day every day of the year, and the crowd surged in a tide toward the hotel, and the casino, and the seedy-looking walker with his weary brown eyes. The crowd moved to him inexorably, drawn like lemmings by the odor of the luck that rose from him like musky electrical cracklings. And he won. Again and again. Thirty-eight thousand dollars. And the three blue eyes continued to stare up at him. Her lover was winning. Maggie and her Moneyeyes.

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