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Douglas Adams: The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

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Douglas Adams The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

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On Friday, May 11, 2001, the world mourned the untimely passing of Douglas Adams, beloved creator of The Hitchhiker’s Guide to the Galaxy, dead of a heart attack at age forty-nine. Thankfully, in addition to a magnificent literary legacy—which includes seven novels and three co-authored works of nonfiction—Douglas left us something more. The book you are about to enjoy was rescued from his four computers, culled from an archive of chapters from his long-awaited novel-in-progress, as well as his short stories, speeches, articles, interviews, and letters. In a way that none of his previous books could,The Salmon of Doubt provides the full, dazzling, laugh-out-loud experience of a journey through the galaxy as perceived by Douglas Adams. From a boy’s first love letter (to his favorite science fiction magazine) to the distinction of possessing a nose of heroic proportions; from climbing Kilimanjaro in a rhino costume to explaining why Americans can’t make a decent cup of tea; from lyrical tributes to the sublime pleasures found in music by Procol Harum, the Beatles, and Bach to the follies of his hopeless infatuation with technology; from fantastic, fictional forays into the private life of Genghis Khan to extended visits with Dirk Gently and Zaphod Beeblebrox: this is the vista from the elevated perch of one of the tallest, funniest, most brilliant, and most penetrating social critics and thinkers of our time. Welcome to the wonderful mind of Douglas Adams.

Douglas Adams: другие книги автора


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So, by now I am pretty well resigned to the fact that my nose is decorative rather than functional. Like the Hubble Space Telescope, it represents a massive feat of engineering, but is not actually any good for anything, except perhaps a few cheap laughs.

Esquire, SUMMER 1991

The Book That Changed Me

1. Title: The Blind Watchmaker.

2. Author: Richard Dawkins.

3. When did you first read it?

Whenever it was published. About 1990, I think.

4. Why did it strike you so much?

It’s like throwing open the doors and windows in a dark and stuffy room. You realise what a jumble of half-digested ideas we normally live with, particularly those of us with an arts education. We “sort of”

understand evolution, though we secretly think there’s probably a bit more to it than that. Some of us even think that there’s some “sort of” god, which takes care of the bits that sound a little bit improbable.

Dawkins brings a flood of light and fresh air, and shows us that there is a dazzling clarity to the structure of evolution that is breathtaking when we suddenly see it. And if we don’t see it, then, quite literally, we don’t know the first thing about who we are and where we come from.

5. 5.

Yes, once or twice. But I also dip into it a lot.

6. Does it feel the same as when you first read it?

Yes. The workings of evolution run so contrary to our normal intuitive assumptions about the world that there’s always a fresh shock of understanding.

7. Do you recommend it, or is it a private passion?

I’d recommend it to anybody and everybody.

Maggie and Trudie I am not, I should say at once, in any formal relationship with a dog. I don’t feed a dog, give it a bed, groom it, find kennels for it when I’m away, delouse it, or suddenly arrange for any of its internal organs to be removed when they displease me. I do not, in short, own a dog.

On the other hand, I do have a kind of furtive, illicit relationship with a dog, or rather two dogs. And in consequence I think I know a little of what it must be like to be a mistress.

The dogs do not live next door. They don’t even live in the same—well, I was going to say street and tease it out a bit, but let’s cut straight to the truth. They live in Santa Fe, New Mexico, which is a hell of a place for a dog, or indeed anyone else, to live. If you’ve never visited or spent time in Santa Fe, New Mexico, then let me say this: you’re a complete idiot. I was myself a complete idiot till about a year ago when a combination of circumstances that I can’t be bothered to explain led me to borrow somebody’s house way out in the desert just north of Santa Fe to write a screenplay in. To give you an idea of the sort of place that Santa Fe is, I could bang on about the desert and the altitude and the light and the silver and turquoise jewelry, but the best thing is just to mention a traffic sign on the freeway from Albuquerque.

It says, in large letters, GUSTY WINDS, and in smaller letters MAY EXIST. I never met my neighbours. They lived half a mile away on top of the next sand ridge, but as soon as I started going out for my morning run, jog, gentle stroll, I met their dogs, who were so instantly and deliriously pleased to see me that I wondered if they thought we’d met in a previous life (Shirley MacLaine lived nearby and they might have picked up all kinds of weird ideas from just being near her).

Their names were Maggie and Trudie. Trudie was an exceptionally silly-looking dog, a large, black French poodle who moved exactly as if she had been animated by Walt Disney: a kind of lollop that was emphasised by her large floppy ears at the front end and a short stubby tail with a bit of topiary-work on the end. Her coat consisted of a matting of tight black curls, which added to the general Disney effect by making it seem that she was completely devoid of naughty bits. The way in which she signified, every morning, that she was deliriously pleased to see me was to do a thing that I always thought was called

“prinking” but is in fact called “stotting.” (I’ve only just discovered my error, and I’m going to have to replay whole sections of my life through my mind to see what confusions I may have caused or fallen afoul of.) “Stotting” is jumping upward with all four legs simultaneously. My advice: do not die until you’ve seen a large black poodle stotting in the snow.

The way in which Maggie would signify, every morning, that she was deliriously pleased to see me was to bite Trudie on the neck. This was also her way of signifying that she was deliriously excited at the prospect of going for a walk, it was her way of signifying that she was having a walk and really enjoying it, it was her way of signifying she wanted to be let into the house, it was her way of signifying she wanted to be let out of the house. Continuously and playfully biting Trudie on the neck was, in short, her way of life.

“Maggie,” he said, in his slow, serious Texan drawl, “is a mutt.” So every morning the three of us would set out: me, the large English writer, Trudie the poodle, and Maggie the mutt. I would run-jog-stroll along the wide dirt track that ran through the dry red dunes, Trudie would gambol friskily along, this way and that, ears flapping, and Maggie would bowl along cheerily biting her neck. Trudie was extraordinarily good-natured and long-suffering about this, but every now and then she would suddenly get monumentally fed up. At that moment she would execute a sudden midair about-turn, land squarely on her feet facing Maggie, and give her an extremely pointed look, whereupon Maggie would suddenly sit and start gently gnawing her own rear right foot as if she were bored with Trudie anyway.

Then they’d start up again and go running and rolling and tumbling, chasing and biting, out through the dunes, through the scrubby grass and undergrowth, and then every now and then would suddenly and inexplicably come to a halt as if they had both, simultaneously, run out of moves. They would then stare into the middle distance in embarrassment for a bit before starting up again. So what part did I play in all this? Well, none really. They completely ignored me for the whole twenty or thirty minutes.

Which was perfectly fine, of course, I didn’t mind. But it did puzzle me, because early every morning they would come yelping and scratching around the doors and windows of my house until I got up and took them for their walk. If anything disturbed the daily ritual, like I had to drive into town, or have a meeting, or fly to England or something, they would get thoroughly miserable and simply not know what to do. Despite the fact that they would always completely ignore me whenever we went on our walks together, they couldn’t just go and have a walk without me. This revealed a profoundly philosophical bent in these dogs that were not mine, because they had worked out that I had to be there in order for them to be able to ignore me properly. You can’t ignore someone who isn’t there, because that’s not what

“ignore” means.

Further depths to their thinking were revealed when Michael’s girlfriend Victoria told me that once, when coming to visit me, she had tried to throw a ball for Maggie and Trudie to chase. The dogs had sat and watched stony-faced as the ball climbed up into the sky, dropped, and at last dribbled along the ground to a halt. She said that the message she was picking up from them was “We don’t do that. We hang out with writers.”

Which was true. They hung out with me all day, every day. But, exactly like writers, dogs who hang out with writers don’t like the actual writing bit. So they would moon around at my feet all day and keep nudging my elbow out of the way while I was typing so that they could rest their chins on my lap and gaze mournfully up at me in the hope that I would see reason and go for a walk so that they could ignore me properly.

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