Adam Baker - Terminus

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Terminus: краткое содержание, описание и аннотация

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The world has been overrun by a lethal infection. Humanity ravaged by a pathogen that leaves victims demented, mutated, locked half-way between life and death. Major cities have been bombed. Manhattan has been reduced to radioactive rubble.
A rescue squad enters the subway tunnels beneath New York. The squad are searching for Dr Conrad Ekks, head of a research team charged with synthesising an antidote to the lethal virus. Ekks and his team took refuge in Fenwick Street, an abandoned subway station, hours before a tactical nuclear weapon levelled Manhattan.
The squad battle floodwaters and lethal radiation as they search the tunnels for Ekks and his team. They confront infected, irradiated survivors as they struggle to locate a cure to the disease that threatens to extinguish the human race.

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Galloway was infected. A talking corpse.

She stitched the stump with suture, and lashed bandage in place with micropore tape.

‘We’ll give you regular shots,’ she said. ‘Should dull the pain.’

She gathered up bloody swabs and scraps of suture, balled them ready to be hurled into the flood water.

‘You have to amputate my arm,’ said Galloway. ‘You guys are trained EMTs. You have medical gear. Drugs. Scalpels. You’ve got to cut my arm at the elbow. Before the disease spreads.’

Donahue shook her head.

‘Sorry, bro. You know the score. One bite. That’s all it takes. You’re infected. No antidote. No cure.’

He looked up at her like a frightened child.

‘There must be something you can do.’

Lupe joined them. She stood over Galloway. She held out an axe.

‘Tie a tourniquet, if you want, and bring down the blade. But we both know you’re done. Best decide how you want to spend your last hours.’

‘Congratulations,’ said Wade with a grim smile. ‘You just joined the cyanide club.’

‘It’ll be all right,’ said Sicknote, looking up from the elaborate artwork slowly metastasising across the ticket hall floor. ‘It’s a blessing, in a way. No more thought. No more you. It’ll be beautiful.’

Galloway scuffed the mural with his boot.

‘Fuck the lot of you. Talking like I’m already dead. Fuck you all.’

He crossed the ticket hall and sat on the platform stairwell steps. He contemplated the subterranean blackness below.

28

Trinity Church. A sombre gothic-revival structure built from massive blocks of limestone. The spire had toppled. The nave was open to the sky. Rain dripped from shattered arch spans, danced on pews and marble tiles.

Lightning flash.

The dead sat in rows. A succession of suicides. Scattered pill pots. Skulls vaporised by shotguns. Throats gouged by strop razors.

The dead faced a rubble-strewn altar and toppled cross. Congregants at a macabre Eucharist.

Thunder crack.

A priest lay sprawled on the altar steps. He slowly climbed to his feet. Cassock streaked with pus. One arm gone.

He looked up, mesmerised by roiling cloud and forked lightning. Rain splashed his rotted skull-face.

Movement among the congregation. Infected among the dead. Those that were too sick to die; already infected when they opened their veins.

They climbed to their feet and stumbled along the pews, kicked cadavers aside, until they reached the aisle.

Some kind of unspoken command jerked revenants to their feet and propelled them towards the doorway at the back of the nave.

The priest hobbled down the centre aisle, dragging a useless leg behind him. Other infected fell in line.

The great bronze doors hung off their hinges. The rotted horde filed out of the church and stumbled down stone steps into the street.

Lightning flash.

A garbage truck lay on its side, driver still buckled in his seat. He vomited maggots.

The crowd shuffled through the rain-lashed street, squeezed between the hulks of burned out cars.

They filed past Zuccotti Park and headed east down Liberty towards Fenwick Station.

29 Nariko drifted in black silence Twin helmet lights shafted through - фото 6

29

Nariko drifted in black silence. Twin helmet lights shafted through swirling sediment. Bone-chilling cold. She kicked against the velvet dark with a series of muscular leg strokes.

Cloke and Tombes swam behind her. Lights danced in the dark. They carried a stretcher between them. A fibreglass backboard loaded with equipment.

She reached a wall of rubble. She gripped the tumbled blocks and manoeuvred hand over hand. She clipped a karabiner to the rivet hole of a girder and spooled safety line.

She sank to the tunnel floor.

Her helmet lamps lit the buckled yellow hull of the school bus sitting on the track-bed, part-buried beneath masonry.

She inspected the bus.

‘The rubble has shifted. I think the roof is starting to fold.’

‘We can’t abort, Captain,’ said Cloke. ‘We have to press on.’

‘I’m heading inside. You guys stay here.’

She pulled herself through the windshield

The driver. Hands fused to the wheel. The corpse leaned right, like he was taking a hard corner.

She used the dash and driver’s seat to haul herself inside.

She touched down in the passenger compartment. A double row of seats. The bus listed forty-five degrees. She gripped a seatback to keep her balance.

‘Tombes? You got the breaching gear?’

‘Right behind you, Cap.’

Nariko glanced around at buckled window pillars, the bulging, ridged metal of the roof.

‘Let’s hurry it up, guys. This thing could implode any moment.’

Light shafting through the vacant windshield. Twin helmet beams. Tombes floated into view.

‘Here.’

He leaned into the bus. He shouldered the dead driver further aside, and passed Nariko a black cylinder lashed with webbing.

Nariko hugged the cylinder under her arm and manoeuvred down the centre aisle in a series of slow lunar strides. She spooled braided paracord tether behind her. She tied the line to the rear seat frame.

‘Need a hand, boss?’

‘Hang back. Place is a death trap. Less time we spend in here, the better.’

She rested the steel cylinder on the back seat of the bus. She unwound hose, checked regulator pressure and unsheathed the cutting head: a red pistol grip tipped with an exothermic heat rod.

She positioned herself in front of the rear door, braced her legs, and pulled the trigger. The unit vented a jet of high-pressure oxygen/hydrogen, and simultaneously popped an igniter spark.

An incandescent flame, hot as the sun. Water surrounding the exothermic head fizzed and boiled. Nariko felt spreading convection warmth through the trilaminate of her suit.

She pressed the cutting head to the door panel. Steel turned angry red and began to sweat. The burn hole widened and dripped metal. Steel tears fell and scattered like ball bearings.

‘How’s it going?’ asked Cloke.

‘Good. An easy cut.’

‘We’ve been submerged nine minutes.’

‘Just shut up and let me work, all right?’

The cutting head burned at ten thousand Fahrenheit. She could feel the steel of her helmet radiate heat like a hot plate. She cooked in her suit. She shook her head, blinked to clear perspiration from her eyes. She licked sweat from her upper lip.

She completed the cut. She shut off the plasma torch and took a step back into cooler waters.

A vein of super-hot metal glowed red like neon. She kicked the door. It fell open.

‘That’s it. I’m through.’

She stood in the rear doorway and surveyed the debris beyond.

A crevice between two massive chunks of concrete.

‘It’s a tight traverse, but we can make it to the other side.’

She returned to the front of the bus. Tombes fed her the spinal injury backboard piled with equipment. She laid the plasma cylinder alongside EMT kit and lashed it down with nylon rope.

They wrestled the stretcher down the aisle towards the rear door.

Cloke crouched on the hood of the bus. He looked through the windshield into the dark interior. He watched the dancing helmet lights of Nariko and Tombes as they struggled to manoeuvre the bier to the rear door.

He looked up. Rubble and girders. A precarious Jenga-stack. A massive tonnage of stone piled above the bus roof.

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