Peter Hamilton - If at First...

Marcus Orthew was standing inside the central chamber. Sort of. He was becoming translucent. I yelled at the others to get out, and ran for the chamber. I reached it as he faded from sight. Then I was inside. My memories started to unwind, playing back my life. Very fast. I only recognized tiny sections amid the blur of color and emotion: the high-speed chase that nearly killed me, the birth of my son, Dad’s funeral, the church where I got married, university. Then the playback started to slow, and I remembered that day when I was about eleven, in the park, when Kenny Mattox, our local bully, sat on my chest and made me eat the grass cuttings.

I spluttered as the soggy mass was pushed down past my teeth, crying out in shock and fear. Kenny laughed and stuffed some more grass in. I gagged and started to puke violently. Then he was scrambling off in disgust. I lay there for a while, getting my breath back and spitting out grass. I was eleven years old, and it was 1968. It wasn’t the way I would’ve chosen to arrive in the past, but in a few months Neil Armstrong would set foot on the moon, then the Beatles would break up.

What I should have done, of course, was patented something. But what? I wasn’t a scientist or even an engineer, I can’t tell you the chemical formula for Viagra, I didn’t know the mechanical details of an air bag. There were everyday things I knew about, icons that we can’t survive without, the kind that rake in millions; but would you like to try selling a venture capitalist the idea of Lara Croft five years before the first pocket calculator hits the shops? I did that. I was actually banned from some banks in the City.

So I fell back on the easiest thing in the world. I became a singer-songwriter. Songs are ridiculously easy to remember even if you can’t recall the exact lyrics. Remember my first big hit in ’78, “Shiny Happy People”? I always was a big REM fan. You’ve never heard of them? Ah well, sometimes I wonder what the band members are doing this time around. “Pretty in Pink,” “Teenage Kicks,” “The Unforgettable Fire,” “Solsbury Hill”? They’re all the same; that fabulous oeuvre of mine isn’t quite as original as I make out. And I’m afraid Live Aid wasn’t actually the flash of inspiration I always said, either. But the music biz has given me a bloody good life. Every album I’ve released has been number one on both sides of the Atlantic. That brings in money. A lot of money. It also attracts girls, I mean I never really believed the talk about backstage excess in the time I had before, but trust me here, the public never gets to hear the half of it. I thought it was the perfect cover. I’ve been employing private agencies to keep an eye on Marcus Orthew since the mid-’70s, several of his senior management team are actually on my payroll. Hell, I even bought shares in Orthogene, I knew it was going to make money, though I didn’t expect quite so much money. I can afford to do whatever the hell I want; and the beauty of that is nobody pays any attention to rock stars or how we blow our cash, everyone thinks we’re talentless junked-up kids heading for a fall. That’s what you think has happened now, isn’t it? The fall. Well, you’re wrong about that.

See, I made exactly the same mistake as poor old Toby Jenson: I underestimated Marcus. I didn’t think it through. My music made ripples, big ripples. Everyone knows me, I’m famous right across the globe as a one-off supertalent. There’s only one other person in this time who knows those songs aren’t original: Marcus. He knew I came after him. And he hasn’t quite cracked the rejuvenation treatment yet. It’s time for him to move on, to make his fresh start again in another parallel universe.

That’s why he framed me. Next time around he’s going to become our god. It’s not something he’s going to share with anyone else.

I LOOKED ’ROUND the interview room, which had an identical layout to the grubby cube just down the hall where I had interviewed Toby Jenson last time around. Paul Mathews and Carmen Galloway were giving me blank-faced looks, buttoning back their anger at being dragged into the statement. I couldn’t quite get used to Paul with a full head of hair, but Orthogene’s follicle treatment is a big earner for the company; everyone in this universe uses it.

I tried to bring my hands up to them, an emphasis to the appeal I was making, but the handcuffs were chained to the table. I glanced down as the metal pulled at my wrists. After the samples had been taken the forensics team had washed the blood off my hands, but I couldn’t forget it, there’d been so much; the image was actually stronger than the one I kept of Toby Jenson. Yet I’d never seen those girls until I woke up to find their bodies in the hotel bed with me. The paramedics didn’t even try to revive them.

“Please,” I implored. “Paul, Carmen, you have to believe me.” And I couldn’t even say for old times’ sake .

Meteorites fell through the night sky like a gentle sleet of icefire, their sharp scintillations slashing ebony overload streaks across the image Greg Mandel’s photon amp was feeding into his optic nerves.

He was hanging below a Westland ghost wing, five hundred metres above the Purser’s Hills, due west of Kettering. Spiralling down. Wind strummed the membrane, producing near-subliminal bass harmonics.

Ground zero was a small crofter’s cottage; walls of badly laid raw stone swamped with some olive-green creeper, big scarlet flowers. It had a thatched roof, reeds rotting and congealing, caked in tidemark ripples of blue-green fungal growths. A two-metre-square solar-cell strip had been pinned on top.

Greg landed a hundred metres downslope from the cottage, propeller spinning furiously to kill his forward speed. He stopped inside three metres. The Westland was one of the best military microlights ever built – lightweight, highly manoeuvrable, silent, with a low radar-visibility profile. Greg had flown them on fifteen missions in Turkey, and their reliability had been one hundred per cent. All British Army covert tactical squads had been equipped with them. He’d hate to use anything else. They’d gone out of production when the People’s Socialism Party came to power, twelve years previously. A victim of the demilitarization realignment programme, the Credit Crash, the Warming, nationalization, industrial collapse. This one was fifteen years old, and still functioned like a dream.

A time display flashed in the bottom right corner of the photon amp image, spectral yellow digits: 21:17:08. Greg twisted the Westland’s retraction catch, and the translucent wing folded with a graceful rustle. He anchored it with a skewer harpoon. There’d be no danger of it blowing away now. The hills suffered frequent twister-gusts, and this was March, England’s rainy season: squalls abounded. Gabriel hadn’t cautioned him about the wing in her briefing: but Greg always followed routine, engrained by sergeant majors, and way too much experience.

He studied the terrain, the amp image grey and blue, smoky. There were no surprises; the Earth-resource satellite pictures Royan had pirated for him were three months old, but nothing had changed. The area was isolated, grazing land, marginally viable. Nobody spent money on barns and roads up here. It was perfect for someone who wanted to drop out of sight, a nonentity wasteland.