On the Sabbath, Franklin stands beside Spear at the pulpit, whispering into Spear’s ears, sending his words out Spear’s mouth. There are tears in Spear’s eyes, brought on by the great hope the Electricizers have given him. The reborn America the New Motor will bring, it is the most beautiful thing Spear has ever imagined. The abolition of slavery, the suffrage of women and negros, the institution of free love and free sex and free everything, the destruction of capitalism, of war and greed. Spear tells his congregation that, with their support, the New Motor will make all these advancements possible.
Franklin whispers something else, something meant for Spear alone. The medium nods, looks out at the congregation. One of these women must be the New Mary, and so Spear waits for Franklin to say a name, hesitating too long when the specter fails to reveal the correct choice. He considers the women in the audience, searches his heart for their qualifications. He thinks of the first Mary, of what he understands as her beauty, her innocence, her virginity. The girl he selects to replace her must be young, and she must be unmarried.
Spear does not know the women of his congregation well.
He can recognize them by sight, but remembers their names only when he sees them beside their husbands or fathers or brothers.
There is only one he has known for a long time, one he has watched grow from a child into a young woman, all under the tutelage of the spiritualist movement. He has always felt discomfited by the attention he paid her, but at last he sees the reasons for his lingering gazes, his wanting thoughts. From the pulpit, he says her name: Abigail Dermot.
He says, Abigail Dermot, please step forward.
He doesn’t watch her stand, confused, doesn’t watch her walk up the aisle. He averts his eyes, both from her and from the front pew, where his wife and children sit.
The thoughts in his head, he does not want to share them with his wife.
He turns to Franklin, but the specter is gone. What he does next, he does on his own.
THE SEVENTEETH REVEALMENT
Among you there will be a NEW MARY, one who has inherited at the outset an unusually sensitive nature, refined by suffering. To her will be revealed the true meaning of the CROSS, as the intersection of heaven and earth, as positive and negative, as both male and female. She will become a MOTHER, but in a new sense: the MARY OF A NEW DISPENSATION. She will feel a maternal feeling toward not just the NEW MOTOR but also to all individuals, who, through her instrumentality, will one day be instructed in the truth of the new philosophy.
After the services are over, Spear takes Abigail into his office in the meetinghouse and motions for her to sit down before taking his own seat behind the desk. He believes she is sixteen or seventeen, but when he asks, she says, Fifteen, Reverend. She has not looked at him once since he called her up to the front of the congregation, since he told the others that she was the chosen one who would give birth to the revelation they all awaited.
Spear says, Abigail, you are marked, by God and by his agents and by me. You are special, set apart from the others.
He says, Abigail. Look at me.
She raises her eyes, and he can see how scared she is of what she’s been called to do. He stands and walks around the desk to kneel before her. She smells of lavender, jasmine, the first dust off a fresh blossom. His hands clasped in front of himself, he says, Can you accept what’s being offered to you?
He rises, touches her shoulder, then lifts her chin so that their faces are aligned, so that her blonde hair falls away from her eyes.
He says, It is God that calls you, not me, and it is him you must answer.
But Spear wonders. It is only he and her, alone, and without the Electricizers he can only trust what he himself feels in the hollows of his own imperfect heart.
THE THIRTY-SECOND REVEALMENT
The MEDIUM is rough, coarse, lacking culture and hospitality, but with the elements deemed essential for the engineering of the NEW MOTOR, for this important branch of labor. At times he must be in the objective position [not in a TRANCE] while at other times he must be erratic, must ignore his family and friends so that he might hear our many voices. Acting upon impulse, this person will be made to say and do things of an extraordinary character. He will not be held accountable for his actions during the MONTHS OF CREATION. Treading on ground so delicate, he cannot be expected to comprehend the purposes aimed at. Do not hold him as a sinner during this time, for all will be forgiven, every secret action necessarily enjoined.
The services of many persons must be secured to the carrying forth of a work so novel, so important. The NEW MOTOR will be the BEACON-FIRE, the BLOOD-RED CROSS, the GENERAL ORDER OF THE NEW DAY. Whatever must be sacrificed must be sacrificed, whatever must be cast aside must be cast aside. Trust the MEDIUM, for through him we speak great speech.
That night, Rush shows Spear the next stages of the New Motor, detailing the flywheel that will have to be cast at great cost. Spear is given ideas, designs, structures, scientific laws and principles, all of which he writes as quickly as he can, his hand moving faster than his mind can follow. When he reads over what he has written, he recognizes that the blueprint is something that could not have originated from within him. He can barely comprehend it as it is now, fully formed upon the paper, much less conceive how he would have arrived at this grand design without the help of the Electricizers.
Rush says, The motor will cause great floods of spiritual light to descend from the heavens. It will reveal the earth to be a limitless trove of motion, life, and freedom.
Spear dutifully inks the diagram and annotates each of its intricacies, then asks, Did I choose the right girl?
Rush points to the diagram and says, That should be copper, not zinc.
Spear makes the correction, then presses his issue. She’s only fifteen, from a good family. Surely she’s a virgin.
He says, I have seen her pray, and I believe she is as pure of heart as any in the congregation.
Rush says, We want to reveal more, but only if you can concentrate. It isn’t easy for us to be here. Don’t waste our time.
Spear apologizes, swallows his doubts. He silences his heart and opens his ears. He writes what he needs to write, draws what he needs to draw.
A week later, Spear sends Randall down into the village to fetch Abigail. When the boy returns with the girl, her mother and father also walk beside her. Spear tries to ignore the parents as he takes the girl by the arm, but her father steps around him, blocking the path to the shed.
The father says, Reverend, if God needs my daughter, then so be it. But I want to see where you’re taking her.
Spear shakes his head, keeps his hand on the girl. Says, Mr. Dermot, I assure you that your daughter is safe with me. We go with God.
What is in there that a child needs to see but a man cannot?
You will see it, Mr. Dermot. Everyone will, when the time comes. When my task—your daughter’s task—is complete, then you will see it. But not before.
Spear holds the father’s gaze for a long time. He wants to look at Abigail, to assure her that there is nothing to be afraid of, but he knows it is the father he must convince. Behind them, her mother is crying quietly, her sobs barely louder than the slight wind blowing across the hill. Spear waits with a prayer on his lips, with a call for help reserved farther down his throat. Randall is nearby, and the Russians and the metalworker will come if he calls.
Eventually the father steps aside. Spear breaks his gaze but says nothing as he moves forward with the girl in tow. Out of the corner of his eye, he sees the curtain of his cabin parted, sees his wife’s face obscured by the cheap glass of the window. He does not look more closely, does not acknowledge the expression he knows is there.
Читать дальше