Spear says, Am I dying?
The ghost shakes his head, suddenly sadder than Spear has ever seen him. Franklin says, There is no longer such a thing as death. Now write.
February and March pass quietly, the work slowing then halting altogether as supplies take longer and longer to reach High Rock through the snow-choked woods. Spear spends the idlest days pacing alone in the snow atop the hill, watching the road from Randolph obsessively. There is so much left to do, and always less time to do it in.
In June, the nine months will be over. The Motor must be ready. God waits for no man, and Spear does not want to disappoint.
Spear spends the short winter days in the shed, checking and rechecking the construction of the Motor, but the long evenings are another matter. Being trapped in the cabin with his wife and children is unbearable, and being trapped there with Abigail is a torture of another kind. From his chair in the sitting room, he finds his eyes drawn to her flat belly, to the lack of sign or signal. From there he wanders to her covered breasts, and then to the lines of pale skin that escape the neckline of her dress, the hems at the wrists of her long sleeves. He watches her while she plays with his own children on the floor, watches for the kindness and grace he expects to find in his New Mary.
Mostly, what he sees is boredom, the same emotion that has overwhelmed him all winter, trapped by snow and waiting for the coming thaw that feels too far off to count on. While they wait, he expects some sign, something to show her development into what she must become. He knows she will not give birth to the Motor, not exactly, but she must give it life somehow.
Spear wishes he could ask the Electricizers for reassurance, but he knows they will not answer. Despite their long-winded exposition on every facet of the Motor’s construction, they have been silent on the subject of Abigail since he first plucked her from the flock.
Spear decides nothing. He stops touching his wife, stops holding his children. He tells himself he is too tired, too cold. Food tastes like ash, so he stops eating. The Electricizers keep him up all night with their diagrams and their inscriptions and their persistent pushing for speed, for completion.
Jefferson tells Spear that by the end of the month he will know everything he needs to know to finish the New Motor. The revelation will be complete.
By the end of the month, Spear replies, I will be a ghost. He spits toward the ancient glimmer, sneers.
The specters ignore his doubt. They press him, and when he resists, they press harder, until eventually he goes back to work. He writes the words they speak. He draws the images they describe. He does whatever they ask, but in his worst moments he does it only because he believes that by giving in he might one day reach the moment where they will at last leave him alone.
THE ONE HUNDRED SEVENTY-SIXTH REVEALMENT
The PSYCHIC BATTERY must be cylindrical in shape, constructed of lead and filled with two channels of liquid, one containing a copper sulfate and the other zinc. Copper wires will be run from the GRAND REVOLVER into each channel, with great care taken to ensure that none of the wires touch each other as they ascend into the NEW MOTOR. There is a danger of electrocution, of acid burns, of the loss of life and the destruction of the machine. From the moment of CONCEPTION to the moment of BIRTH, always the NEW MOTOR has been in danger, and in these stages there is no safety except for the careful, the diligent, the righteous. When the PSYCHIC BATTERY has been successfully installed, the NEW MOTOR will be complete in one part of its nature, as complete as the MEDIUM alone can make it. Men have done their work, and now it is the women’s turn.
In the morning, the other leaders of the congregation are waiting for Spear when he steps out of the cabin. On his porch are other preachers, mediums, the newspapermen who months before published excited articles in support of the project. The men stand in a half-circle in front of his house, smoking their pipes and chatting. Their voices drop into silence as Spear descends the steps from his porch onto the lawn.
One of the preachers speaks, saying, John, this has to stop. Whatever you’re doing in that shed, it’s bankrupting the community.
The newspaperman nods and says, We thought this was a gift from God, that his spirit spoke through you, but—
He breaks off, looks to the others for support. He says, John, what if what you’re making is an abomination instead of a revelation?
And what about the girl, John? What are you doing with the girl?
The others mutter their assent, close ranks against him. Spear doesn’t move. They aren’t physically threatening him, despite their new proximity. He closes his eyes, and waits a long minute before responding. He holds out his small hands, displays the creases of grease and dirt that for the first time in his life cross his palms.
Spear says, I am a person destitute of creative genius, bereft of scientific knowledge in the fields of magnetism and engineering and electricity. I cannot even accomplish the simplest of handy mechanics. Everything I tell you is true, as I do not have the predisposition to make any suggestions of my own for how this device might function or how to build what we have built.
He says, This gift I bring you, it could not have come from me, but it does come through me.
It comes through me, or not at all.
The men say nothing. They tap their pipe ash into the snow, or shuffle their feet and stare down the hill. There is no sound coming from the shed, even though Spear knows the workers have all arrived. They’re listening too, waiting to hear what happens next.
Spear says, Four more months. All I need is four more months. The Motor will be alive by the end of June.
He promises, and then he waits for the men to each take his hand and agree, which they eventually do, although it costs him the rest of his credibility, what little is left of the goodwill earned through a lifetime of service. It does not matter that their grips are reluctant, that their eyes flash new warnings. Whatever doubts he might have when he is alone, they disappear when he is questioned by others, as they always have. The Electricizers will not disappoint, nor the God who directs them.
While he is shaking hands with the last of the men, he hears the cabin door open again. Thinking it is Abigail coming to join him in the shed, Spear turns around with a smile on his face, then loses it when he sees his wife instead, standing on the porch, holding his oldest child by the hand. Their other child is balanced in the crook of her arm, and all are dressed for travel. He looks from his wife to the men in his yard—his friends—and then back again. While the men help his wife with the two chests she has packed, Spear stands still and watches without a word. Even when his family stands before him, he has no words.
He blinks, blinks again, then he looks at this woman. He looks at her children. He turns, puts his back to them, waits until they are far enough that they could be anyone’s family before he looks once more.
He watches until they disappear into the town, and then he goes into the shed and begins the day’s work, already much delayed. He sets his valise down on the work table at the back of the shed, unpacks his papers detailing the newest revealments. While the men gather to look at the blueprints, he wanders off to stare at the Motor itself. It gleams in the windowless shed, the lamplight reflecting off the copper and zinc, off the multitudes of burnished magnetic spheres. He puts his hand to the inscriptions in the table, runs his fingers down the central shaft, what the Electricizers call the grand revolver. It towers over the table, vaguely forming the shape of a cross. There are holes punctured through the tubing, where more spheres will be hung before the outer casing is cast and installed. It is this casing that he has brought the plans for today.
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