Frank Schätzing - Limit

‘Any more questions?’ Lynn let a mysterious smile play around the corners of her mouth. ‘Then let’s go.’

A collage of sounds enveloped them, all apparently of natural origin. There were clicks, echoes, whispers and drips, and orchestral surfaces created a timeless atmosphere. Lynn’s idea of turning the emotional screw without slipping into the Disneyesque was taking effect: sounds on the boundary edge of perception, as a subtle way of creating moods, which had required the building of a complicated technical installation, but the result exceeded all expectations. The two sides of the door closed behind them, and cut them off from the airy, comfortable atmosphere of the lobby.

‘We laid out this section ourselves,’ Lynn explained. ‘The natural part begins just past the bend. The cave system extends through the whole of the eastern flank of the volcano. You could walk around in it for hours, but we preferred to close the passageways. Otherwise there might be a danger of you getting lost in the heart of the Isla de las Estrellas.’

Past the bend, the corridor stretched out considerably. It grew darker. Shadows flitted over pitted basalt, like the shadows of strange and startled animals escaping to safety from the horde of tourists. The echoes of their footsteps seemed to the group to precede and follow them at the same time.

‘How are caves like this formed?’ Bernard Tautou threw his head back. ‘I’ve seen a few, but every time I’ve forgotten to ask.’

‘They can have all kinds of possible causes. Tensions in the rock, pockets of water, landslips. Volcanoes are porous structures; when they cool down they often leave cavities. In this case it’s most probably lava drainage channels.’

‘Oh great,’ blustered Donoghue. ‘We’ve landed in the gutter.’

The corridor turned in a curve, narrowed and debouched into an almost circular room. The walls were lined with motifs from the dawn of humanity, some painted, some carved into the rock. Bizarre life-forms stared at the visitors from the penumbra, with fathomlessly dark eyes, horns and tails and helmets with aerial-shaped growths sprouting from them. Some of the clothes looked like spacesuits. They saw creatures that seemed to have merged with complicated machines. A huge, rectangular relief showed a humanoid creature in a foetal position operating levers and switches. The sound changed, becoming eerie.

‘Horrible,’ Miranda Winter sighed with relish.

‘I hope so,’ grinned Lynn. ‘After all, we’ve brought together the most mysterious testimonies of human creativity. Reproductions, obviously. The figures in the striped suits, for example, were discovered in Australia, and according to tradition they represent the two lightning brothers Yagjagbula and Tabiringl. Some researchers think they are astronauts. Next to them, the so-called Martian God, originally a six-metre cave drawing from the Sahara. The creatures there on the left, the ones who seem to be holding their hands up in greeting, were found in Italy.’

‘And this one?’ Eva Borelius had stopped in front of the relief and was looking at it with interest.

‘The gem of our collection! A Mayan artefact. The gravestone of King Pakal of Palenque, an ancient pyramid city in Chiapas in Mexico. It’s supposed to depict the ruler’s descent to the underworld, symbolised by the open jaws of a giant snake.’ Lynn walked over to it. ‘What do you recognise?’

‘Hard to say, but it looks as if he’s sitting in a rocket.’

‘Exactly!’ cried Ögi, rushing over. ‘And you know what? It was a Swiss man who was responsible for that interpretation!’

‘Oh?’

‘You don’t know of Erich von Däniken?’

‘Wasn’t he a sort of fantasist?’ Borelius smiled coldly. ‘Someone who saw extraterrestrials everywhere?’

‘He was a visionary!’ Ögi corrected her. ‘A very great one!’

‘I’m sorry.’ Karla Kramp gave a little cough. ‘But your visionary has been regularly contradicted.’

‘So?’

‘In that case I’d just like to understand what makes him so great.’

‘How often do you think, my dear, that the Bible has been contradicted,’ Ögi bellowed again. ‘Without fantasists the world would be more boring, more average, more stale. Who cares whether he was right? Do you always have to be right to be great?’

‘I’m sorry, I’m a doctor. If I’m wrong, my patients don’t generally reach the conclusion that I’m great.’

‘Lynn, could you come over here for a moment?’ Evelyn Chambers called. ‘Where does that come from? It looks as if they’re flying.’

Conversations sprouted, a little knowledge blossomed. The motifs were admired and discussed. Lynn provided explanations and hypotheses. This was the first time that a group of visitors had been inside the cave. Her plan to use prehistoric drawings and sculptures to get people in the mood for the mystery to come was a success. At length she drummed the group together and led them from the cave-room to the next stretch of passageway, which grew even steeper, even darker—

And warmer.

‘What’s that noise?’ Miranda Winter wondered. ‘Voom, voom! Is that normal?’

And true enough, a dull rumble mingled with the soundtrack, coming from the depths of the mountain, and creating a menacing atmosphere. Reddish wisps of smoke drifted over the rock.

‘There’s something there,’ Aileen Donoghue whispered. ‘Some sort of light.’

‘God, Lynn,’ laughed Marc Edwards. ‘Where are you taking us?’

‘We must be quite deep already, aren’t we?’ It was the first time Rebecca Hsu had spoken. Since her arrival she had been constantly on the phone, and nobody had been able to engage her.

‘Just over eighty metres,’ said Lynn. She stepped briskly on, towards another turn, bathed in flickering firelight.

‘Exciting,’ O’Keefe observed.

‘Oh, come on, it’s just theatre,’ Warren Locatelli announced from above. ‘We’re entering a strange world, is what they’re trying to suggest. The inside of the Earth, the interior of a strange planet, some waffle like that.’

‘Just wait,’ said Lynn.

‘What’s she got for us this time?’ Momoka Omura said, striving for disenchantment, while the tone of her voice revealed that streams of lava were starting to flow in her head again. ‘A cave, another cave. Brilliant.’

The rumbling and roaring rose in a crescendo.

‘So, I think it’s—’ Evelyn Chambers began, stopped in the middle of the sentence and said, ‘Oh, my!’

They had passed the bend. Monstrous heat came roaring at them. The passageway widened, suffused with a pulsating glow. Some of the guests came to an abrupt standstill, others ventured hesitantly forwards. On the right-hand side the rock opened up, providing a glimpse into a huge, adjacent vault, from which the thundering and roaring emanated, drowning out their conversation. A glowing lake half filled the chamber, boiling and bubbling, spitting red and yellow fountains. Basalt spikes jutted from the sluggish surge towards the domed ceiling, which flickered spectrally in the glow. With quiet delight, Lynn studied fear, fascination, astonishment; she saw Heidrun Ögi shielding herself against the heat with her raised hands. Her white hair, her skin seemed to be blazing. As she uncertainly approached, she looked for a moment as if she had just emerged from some inferno.

‘What on earth is that?’ she asked in disbelief.

‘A magma chamber,’ Lynn explained calmly. ‘A store that keeps the volcano fed with lava and gases. Such chambers form when liquid rock rises from a great depth to the weak areas of the Earth’s crust. As soon as pressure in the chamber gets out of control, the lava forces its way up, and the eruption occurs.’