Kiini Salaam - Ancient, Ancient

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WINNER OF THE 2012 JAMES TIPTREE, JR. AWARD.
Ancient, Ancient Indeed, Ms. Salaam’s stories are so permeated with sensuality that in her introduction to
, Nisi Shawl, author of the award-winning
, writes, “Sexuality-cum-sensuality is the experiential link between mind and matter, the vivid and eternal refutation of the alleged dichotomy between them. This understanding is the foundation of my 2004 pronouncement on the burgeoning sexuality implicit in sf’s Afro-diasporization. It is the core of many African-based philosophies. And it is the throbbing, glistening heart of Kiini’s body of work. This book is alive. Be not afraid.”

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During the bike ride, Elisa neither asks questions nor offers information. In the absence of chatter, a cotton-soft stillness envelops the bicycle. WaLiLa’s message-center is overcome with surprise. Serenity rarely visits in the presence of human beings. WaLiLa welcomes it as it reminds her of the deep peace of floating in a cocoon surrounded by the dark matter of space.

The quiet embrace of silence is abruptly broken when Elisa skids to a sudden stop. WaLiLa feels the imbalance instantly and slides to her feet. A thick crowd blocks the sidewalk and the street. Elisa pushes through the crowd with repeated permiso ’s. WaLiLa follows. When they finally reach the front of the crowd, Elisa gasps. Her hands spread in shock; the bicycle tilts, then clatters to the ground.

Changó! ” Elisa whispers.

“What is?” asks WaLiLa as she feels her skin bend under sharp jabs of burning air. A ferocious being of concentrated heat leaps through the small courtyard in front of them. Its multiple fingers of light dance in the windows and on the roofs of the courtyard’s houses. The crowd is frozen in awe as fear spirals through the air.

Changó! ” Elisa yells a second time. The terror in her voice shoots over the crowd and bounces against eardrums that had been formed in her womb. Her children rest their buckets of water on the ground and turn to scan the crowd for their mother. When they see Elisa, they run across the courtyard, dodging neighbors, and grab a tight hold of her.

“I’m sorry, Mamá, the fire cannot be stopped.”

So this is the great being’s full fury, WaLiLa thinks as she instinctively backs away from the fire. She fixes her vision on the houses again. She watches as the little structures weakly bow and yield before the fire’s will. I have seen tales of your destructive powers , she quickly motions to the fire before returning her focus to the humans next to her. As the boys speak to their mother in soothing tones, WaLiLa examines them.

◊ Modesto Alonzo, 24, 6′1″, 160, Cuban ◊

◊ Pedro Alonzo, 38, 5′7″, 135, Cuban ◊

As Pedro’s slight body fills WaLiLa’s vision-center, the Assignment signal blinks immediately. It is the elder , WaLiLa thinks, who must provide the nectar . She crosses her arms and studies his mannerisms as he attempts to quiet his mother’s mumbling. WaLiLa can’t discern if Elisa is mumbling curses or prayers. She looks back to the fiery courtyard, watching as the fire, perhaps bored with toying with human emotions, burns down to a simmer, then finally extinguishes itself.

3.

The day after the fire, Elisa, Modesto, Pedro, and WaLiLa stand in front of Elisa’s fire-buckled front door. A smoky scent hovers in the morning air. With worried fingers, WaLiLa twists the hem of the dress Elisa’s sister-in-law loaned her. Smoke is a bad omen.

Quietly, as if arming herself for battle, Elisa clutches the colorful beads that hang from her neck and begins to pray. Surrounded by the soft light of dawn, she begs for protection and salvation. She asks Obatalá, the ancient, for his wisdom. Observing Elisa’s prayer, WaLiLa sees a world of difference between the tightly-clenched body next to her and the whirling image in white who introduced her to this island. If there is ever a time for bodyspeak, for exalting arms and passionate wrists, WaLiLa thinks, this is the time.

Elisa’s plum-black lips move mechanically, pushing out prayers without passion. The gravity of her plea is communicated by the tremble of her lower lip. After the prayer, she inhales deeply and lumbers to the door. When she twists the doorknob, the door refuses to budge. Leaning her shoulder against the crumpled piece of wood her front door has become, she uses her heft to force it open.

The first things to greet her when she crosses the threshold are concrete shards, they crackle underfoot and grind into the floor. She sinks to her knees. Her body tenses as she realizes it is the fifteen-year-old concrete head of Elegua, the watcher, shattered before her. Elisa draws in her breath sharply and wonders if Elegua’s destruction was the result of the fire or the cause of it. She drops a small prayer of apology like a rainshower from the dark clouds of her lips.

Elisa stands and leads her sons into the house. WaLiLa watches as the blackness of the house swallows their bodies. She does not enter. The sun batiks patterns of heat on her bare neck as it rises in the sky. The scent of dew resting on thick flower petals slowly drips across her face. Her being-center leaps. You have not fueled since your arrival, her message-center notes.

WaLiLa curses herself for allowing the ceremony to distract her from collecting flowers. When her fuel banks are empty, she will no longer be able to transform human air into a breathable substance. One of the ancestors’ admonitions rushes into her consciousness like a clap of thunder. WaLiLa , she imagines them motioning, you never follow the rules . Upon arrival to Earth, the first order of business is fuel-collecting. But most times motion is not married to my arrival. I come alone, in quiet night. This time I plunged into a dark sea. A dark sea not empty, but full of beings. And they gathered tightly around me. And I swam with them. She pushes her fingers against her lips and wonders how she could have forgotten.

Her message-center announces that she has five hours of fuel remaining. She slumps into a body sigh. She must separate from Elisa and her sons, locate fuel, and return once she is rejuvenated. WaLiLa approaches the threshold and peers into the dark house. Inside, nothing is left standing. Each of Elisa’s possessions has betrayed her, turned their backs on her ownership, willfully destroying form and usefulness to welcome fire’s full embrace.

Surrounded by the ravages of her life, an uneasiness settles in Elisa’s bones. She turns her back on the wreckage and clasps her fat hands on top of her head. She walks down the hall and sees the silhouette of WaLiLa’s body swaying in the doorway. She smiles bitterly at the irony of a house guest and no home. She steps to the doorway and stops when her body is a few breaths away from WaLiLa’s. The two bodies mirror each other. With the sunlight radiating behind her, WaLiLa stares into Elisa’s eyes. With the shadows of the house swirling behind her, Elisa gazes back.

“Have you ever had a fire?” Elisa asks WaLiLa.

WaLiLa shakes her head no. Hot fingers of light do not exist on her planet. Here on Earth she has been fascinated by the little fires that heat human fuel and light dark spaces, but they are nothing like the fire she experienced last night. Smoke, too, is a stranger to her systems. A toxic intruder, it creeps into the being-center and fans out through the body, triggering malfunctions of thought and action.

“I can’t…” Elisa starts to speak. She looks up at the sky with a wrinkled brow, then fixes her glance on WaLiLa. “I can’t continue. Would you go in and see if there’s anything salvageable in there?”

WaLiLa’s belly shoots arrows of warning through her body while her message-center reminds her that Elisa is her bridge to Pedro. Her message-center also reviews the Human Decency Laws, which dictate that by accepting Elisa’s offer of shelter, she has placed herself in Elisa’s debt. Human codes state that WaLiLa owes Elisa gratitude in the form of courtesy or kindness.

Against her belly’s urgings, she turns and clears a passageway for Elisa to squeeze out of the narrow door frame. They pass each other as WaLiLa enters the house. As the sunlight recedes, she rotates her shoulders back and forth—each two shoulder movements a small prayer engaged to shake off the doom pressing against her scalp.

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