Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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And friends? What friends ever come around when good old Dad is boozing and belting the living crap out of everybody he can get his hands on?

I read. That’s what I do. The Prince and the Pauper. Connecticut Yankee. Pride and Prejudice. Worlds within worlds within worlds, all so pretty and polite and funny as hell.

Friends of the Family. Worth a shot, anyway.

Hiram went to the elevator and descended eighteen floors to the Fun Floor. Friends of the Family were in quite a large room with alcohol at one end and soda pop at the other. Hiram was surprised to discover that the term soda pop had been revived. He walked to the cola sign and asked the woman for a Coke.

“How many cups of coffee have you had today?” she asked.

“Three.”

“Then I’m so sorry, but I can’t give you a soda pop with caffeine in it. May I suggest Sprite?”

“You may not,” Hiram said, clenching his teeth. “We’re too damn overprotected.”

“Exactly how I feel,” said a woman standing beside him, Sprite in hand. “They protect and protect and protect, and what good does it do? People still die, you know.”

“I suspected as much,” Hiram said, struggling for a smile, wondering if his humor sounded funny or merely sarcastic. Apparently funny. The woman laughed.

“Oh, you’re a gem, you are,” she said. “What do you do?”

“I’m a detached professor of literature at Princeton.”

“But how can you live here and work there?”

He shrugged. “I don’t work there. I said detached. When the new television teaching came in, my PQ was too low. I’m not a screen personality.”

“So few of us are,” she said sagely, nodding and smiling. “Oh, how I long for the good old days. When ugly men like David Brinkley could deliver the news.”

“You remember Brinkley?”

“Actually, no,” she said, laughing. “I just remember my mother talking about him.” Hiram looked at her appreciatively. Nose not very straight, of course—but that seemed to be the only thing keeping her off TV. Nice voice. Nice nice face. Body.

She put her hand on his thigh.

“What are you doing tonight?” she asked.

“Watching television,” he grimaced.

“Really? What do you have?”

“Sarah Wynn.”

She squealed in delight. “Oh, how wonderful! We must be kindred spirits then! I have Sarah Wynn, too!”

Hiram tried to smile.

“Can I come up to your apartment?”

Danger signal. Hand moving up thigh. Invitation to apartment. Sex.

“No.”

“Why not?”

And Hiram remembered that the only way he could ever get rid of the television was to prove that he wasn’t solitary. And fixing up his sex life— i.e., having one—would go a long way toward changing their damn profiles. “Come on,” he said, and they left the Friends of the Family without further ado.

Inside the apartment she immediately took off her shoes and blouse and sat down on the old-fashioned sofa in front of the TV. “Oh,” she said, “so many books. You really are a professor, aren’t you?”

“Yeah,” he said, vaguely sensing that the next move was up to him, and not having the faintest idea of that the next move was. He thought back to his only fumbling attempt at sex when he was (what?) thirteen? (no) fourteen and the girl was fifteen and was doing it on a lark. She had walked with him up the creekbed (back when there were creeks and open country) and suddenly she had stopped and unzipped his pants (back when there were zippers) but he was finished before she had hardly started and gave up in disgust and took his pants and ran away. Her name was Diana. He went home without his pants and had no rational explanation and his mother had treated him with loathing and brought it up again and again for years afterward, how a man is a man no matter how you treat him and he’ll still get it when he can, who cares about the poor girl. But Hiram was used to that kind of talk. It rolled off him. What haunted him was the uncontrolled shivering of his body, the ecstacy of it, and then the look of disgust on the girl’s face. He had thought it was because—well, never mind. Never mind, he thought. I don’t think of this anymore.

“Come on,” said the woman.

“What’s your name?” Hiram asked.

She looked at the ceiling. “Agnes, for heaven’s sake, come on.”

He decided that taking off his shirt might be a good idea. She watched, then decided to help.

“No,” he said.

“What?”

“Don’t touch me.”

“Oh, for pete’s sake. What’s wrong? Impotent?”

Not at all. Not at all. Just uninterested. Is that all right?

“Look, I don’t want to play around with a psycho case, all right? I’ve got better things to do. I make a hundred a whack, that’s what I charge, that’s standard, right?”

Standard what? Hiram nodded because he didn’t dare ask what she was talking about.

“But you obviously, heaven knows how, buddy, you sure as hell obviously don’t know what’s going on in the world. Twenty bucks. Enough for the ten minutes you’ve screwed up for me. Right?”

“I don’t have twenty,” Hiram said.

Her eyes got tight. “A fairy and a deadbeat. What a pick. Look, buddy, next time you try a pickup, figure out what you want to do with her first, right?”

She picked up her shoes and blouse and left. Hiram stood there.

“Teddy, no,” said Sarah Wynn.

“But I need you. I need you so desperately,” said Teddy on the screen.

“It’s only been a few days. How can I sleep with another man only a few days after George was killed? Only four days ago we—oh, no, Teddy. Please.”

“Then when? How soon? I love you so much.”

Drivel, George thought in his analytical mind. But nevertheless obviously based on the Penelope story. No doubt her George, her Odysseus, would return, miraculously alive, ready to sweep her back into wedded bliss. But in the meantime, the suitors: enough suitors to sell fifteen thousand cars and a hundred thousand boxes of tampax and four hundred thousand packages of Cap’n Crunch.

The nonanalytical part of his mind, however, was not the least bit concerned with Penelope. For some reason he was clasping and unclasping his hands in front of him. For some reason he was shaking. For some reason he fell to his knees at the couch, his hands clasping and unclasping around Crime and Punishment, as his eyes strained to cry but could not.

Sarah Wynn wept.

But she can cry easily, Hiram thought. It’s not fair, that she should cry so easily. Spin flax, Penelope.

The alarm went off, but Hiram was already awake. In front of him the television was singing about Dove with lanolin. The products haven’t changed, Hiram thought. Never change. They were advertising Dove with lanolin in the little market carts around the base of the cross while Jesus bled to death, no doubt. For softer skin.

He got up, got dressed, tried to read, couldn’t, tried to remember what had happened last night to leave him so upset and nervous, but couldn’t, and at last he decided to go back to the Aryan at the Bell Television offices.

“Mr. Cloward,” said the Aryan.

“You’re a psychiatrist, aren’t you?” Hiram asked.

“Why, Mr. Cloward, I’m an A-6 complaint representative from Bell Television. What can I do for you?”

“I can’t stand Sarah Wynn anymore,” Hiram said.

“That’s a shame. Things are finally going to work out for her starting in about two weeks.”

And in spite of himself, Hiram wanted to ask what was going to happen. It isn’t fair for this nordic uberman to know what sweet little Sarah is going to be doing weeks before I do. But he fought down the feeling, ashamed that he was getting caught up in the damn soap.

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