Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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I was not the only one rejoicing. The nurses made a great fuss over her, and the administrator promised to write up a glowing report. “Publish,” he said.

“It’s too personal,” I said. But in the back of my mind I was already trying to figure out a way to get the case into print, to gain something for my career. I was ashamed of myself for twisting what had been an honest, heartfelt commitment into personal advancement. But I couldn’t ignore the sudden respect I was receiving from people to whom, only hours before, I had been merely ordinary.

“It’s too personal,” I repeated firmly. “I have no intention of publishing.”

And to my disgust I found myself relishing the administrator’s respect for that decision. There was no escape from my swelling self-satisfaction. Not as long as I stayed around those determined to give me cheap payoffs. Ever the wise psychologist, I returned to the only person who would give me gratitude instead of admiration. The gratitude I had earned, I thought. I went back to Elaine.

“Hi,” she said. “I wondered where you had gone.”

“Not far,” I said. “Just visiting with the Nobel Prize committee.”

“They want to reward you for bringing me here?”

“Oh, no. They had been planning to give me the award for having contacted a genuine alien being from outer space. Instead, I blew it and brought you back. They’re quite upset.”

She looked flustered. It wasn’t like her to look flustered—usually she came back with another quip. “But what will they do to you?”

“Probably boil me in oil. That’s the usual thing. Though, maybe they’ve found a way to boil me in solar energy. It’s cheaper.” A feeble joke. But she didn’t get it.

“This isn’t the way she said it was—she said it was—”

She. I tried to ignore the dull fear that suddenly churned in my stomach. Be analytical, I thought. She could be anyone.

“She said? Who said?” I asked.

Elaine fell silent. I reached out and touched her forehead. She was perspiring.

“What’s wrong?” I asked. “You’re upset.”

“I should have known.”

“Known what?”

She shook her head and turned away from me.

I knew what it was, I thought. I knew what it was, but we could surely cope. “Elaine,” I said, “you aren’t completely cured, are you? You haven’t got rid of Anansa, have you? You don’t have to hide it from me. Sure, I would have loved to think you’d been completely cured, but that would have been too much of a miracle. Do I look like a miracle worker? We’ve just made progress, that’s all. Brought you back from catalepsy. We’ll free you of Anansa eventually.”

Still she was silent, staring at the rain-gray window.

“You don’t have to be embarrassed about pretending to be completely cured. It was very kind of you. It made me feel very good for a little while. But I’m a grown-up. I can cope with a little disappointment. Besides, you’re awake, you’re back, and that’s all that matters.” Grown-up, hell! I was terribly disappointed, and ashamed that I wasn’t more sincere in what I was saying. No cure after all. No hero. No magic. No great achievement. Just a psychologist who was, after all, not extraordinary.

But I refused to pay too much attention to those feelings. Be a professional, I told myself. She needs your help.

“So don’t go feeling guilty about it.”

She turned back to face me, her eyes full. “Guilty?” She almost smiled. “Guilty.” Her eyes did not leave my face, though I doubted she could see me well through the tears brimming her lashes.

“You tried to do the right thing,” I said.

“Did I? Did I really?” She smiled bitterly. It was a strange smile for her, and for a terrible moment she no longer looked like my Elaine, my bright young patient. “I meant to stay with her,” she said. “I wanted her with me, she was so alive, and when she finally joined herself to the ship, she sang and danced and swung her arms, and I said, This is what I’ve needed; this is what I’ve craved all my centuries lost in the songs.’ But then I heard you.”

“Anansa,” I said, realizing at that moment who was with me.

“I heard you, crying out to her. Do you think I made up my mind quickly? She heard you, but she wouldn’t come. She wouldn’t trade her new arms and legs for anything. They were so new. But I’d had them for long enough. What I’d never had was—you.”

“Where is she?” I asked.

“Out there,” she said. “She sings better than I ever did.” She looked wistful for a moment, then smiled ruefully. “And I’m here. Only I made a bad bargain, didn’t I? Because I didn’t fool you. You won’t want me, now. It’s Elaine you want, and she’s gone. I left her alone out there. She won’t mind, not for a long time. But then—then she will. Then she’ll know I cheated her.”

The voice was Elaine’s voice, the tragic little body her body. But now I knew I had not succeeded at all. Elaine was gone, in the infinite outer space where the mind hides to escape from itself. And in her place—Anansa. A stranger.

“You cheated her?” I said. “How did you cheat her?”

“It never changes. In a while you learn all the songs, and they never change. Nothing moves. You go on forever until all the stars fail, and yet nothing ever moves.”

I moved my hand and put it to my hair. I was startled at my own trembling touch on my head.

“Oh, God,” I said. They were just words, not a supplication.

“You hate me.” she said.

Hate her? Hate my little, mad Elaine? Oh, no. I had another object for my hate. I hated the rain that had cut her off from all that kept her sane. I hated her parents for not leaving her home the day they let their car drive them on to death. But most of all I remembered my days of hiding from Elaine, my days of resisting her need, of pretending that I didn’t remember her or think of her or need her, too. She must have wondered why I was so long in coming. Wondered and finally given up hope, finally realized that there was no one who would hold her. And so she left, and when I finally came, the only person waiting inside her body was Anansa, the imaginary friend who had come, terrifyingly, to life. I knew whom to hate. I thought I would cry. I even buried my face in the sheet where her leg would have been. But I did not cry. I just sat there, the sheet harsh against my face, hating myself.

Her voice was like a gentle hand, a pleading hand touching me. “I’d undo it if I could,” she said. “But I can’t. She’s gone, and I’m here. I came because of you. I came to see the trees and the grass and the birds and your smile. The happily ever after. That was what she had lived for, you know, all she lived for. Please smile at me.”

I felt warmth on my hair. I lifted my head. There was no rain in the window. Sunlight rose and fell on the wrinkles of the sheet.

“Let’s go outside,” I said.

“It stopped raining,” she said.

“A bit late, isn’t it?” I answered. But I smiled at her.

“You can call me Elaine,” she said. “You won’t tell, will you?”

I shook my head. No, I wouldn’t tell. She was safe enough. I wouldn’t tell because then they would take her away to a place where psychiatrists reigned but did not know enough to rule. I imagined her confined among others who had also made their escape from reality and I knew that I couldn’t tell anyone. I also knew I couldn’t confess failure, not now.

Besides, I hadn’t really completely failed. There was still hope. Elaine wasn’t really gone. She was still there, hidden in her own mind, looking out through this imaginary person she had created to take her place. Someday I would find her and bring her home. After all, even Grunty the ice pig had melted.

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