Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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When it was all cleaned up, Alan said, “Well, I guess my lesson’s over. Thanks for helping.”

“It was a good lesson, son,” Dad said. “And if we could keep from yelling about the way this family room looked a few minutes ago, I think we can keep from being upset about anything.”

“It was a good lesson,” Ryan said, “but I hope you never make the family room look like that again.”

“You must be kidding!” Alan replied. “I’ll never make a mess like that again in my whole life. It took hours! You guys may think being a messy kid is easy, but I can tell you it is really hard work!”

BICICLETA

Amauri pushed the bicycle up the long hill. At the top was a small Catholic church with a little building behind where the padres lived. In back of this building was a little shack that Amauri’s family called home. “Mamae (Mother)!” he called out when he neared his house, and his mother appeared at the door.

“Where have you been, Amauri?” she asked, her back still bent from the day’s work of cleaning in the tall office building downtown. Then she saw the bicycle. “What do you have there, Amauri?” she asked, and her eyes looked worried.

“A bicicleta (bicycle), Mamae,” Amauri answered.

“Where did you get it?” his mother questioned again, and Amauri knew that she was afraid he had stolen it, because many of the poor people in their neighborhood sometimes stole things to get money to buy food. Amauri’s mother was grateful that her five children didn’t steal.

“A man gave it to me, Mother,” Amauri answered proudly. “I’m going to be a delivery boy! I’ll ride the bicycle from place to place, delivering lunches to the businessmen and groceries to the ladies in fine houses!”

“You mean you have a job?” And Amauri’s mother smiled with joy.

Amauri told her about how he had walked up to a man and said, “Do you need a boy to work for you?” The man had thought for a few moments and then invited him inside his store. They talked for a while, and he told Amauri that he would pay him fifty centavos an hour.

“How many hours will you work?” his mother asked.

“Eight hours every day,” Amauri answered. “That means I will get four cruzeiros a day or more than twenty cruzeiros a week. I can buy food for the family!”

Amauri hugged his mother and she hugged him back. “What a good nine-year-old son I have,” she said gratefully. “Now you are truly the man of the family. Ever since your father died I have been the only one earning money. Now you will help me buy beans and rice for our breakfast and dinner. Enough talking for now, son. Remember, the elders are coming tonight, and we must get the house ready.”

Amauri got water from the well, and his little sister Cecilia cooked the beans and rice for dinner. The other children made the two beds they all slept on, while Mother carefully swept the cold, hard-packed dirt floor.

When the missionaries came, they stood outside the door and clapped their hands together, because that is the way people announce themselves in Brazil. Cecilia ran to open the door.

“Boa noite, elderes (Good evening, elders),” she said. “Come in.”

The tall elders shook hands with everybody. Elder Samson was blond and showed many teeth when he smiled. Elder Bonner had red hair and freckles all over, even on his arms. Although they were Americans, they spoke Portuguese, but sometimes it was hard to understand them.

The elders and Amauri and his family sat on boxes around the table, and then the elders told them all about the commandments of God, including one that asked them to give the Church one-tenth of all the money they earned. Mother was thoughtful when the elders told her this, because she barely made enough money to feed the family. But then she smiled. “Of course,” she said. “That is why little Amauri got a job today. We can pay tithing to the Lord and still have enough to eat.”

Amauri felt very proud to tell the missionaries about his job. “Who knows?” Amauri said, “maybe someday I will deliver a lunch right to the building where my mother works.”

“But what about school?” asked Elder Samson.

“School is not for poor people,” said Amauri’s mother sadly. “We do not have the money to buy books.”

And then Amauri remembered something awful. His face turned white. “What’s wrong, Amauri?” the elders asked.

“I just remembered,” Amauri said. “I only have three days to learn how to ride the bicycle.”

“What?” asked Elder Bonner, surprised. “Nine years old and you don’t know how to ride a bicycle?”

Amauri shook his head. “We are too poor to have a bicycle. Now I will have to learn before Thursday. How can I learn that fast?”

Everyone looked worried now. Learning to ride a bicycle wasn’t easy.

Then Elder Bonner said he had an idea. “We will teach you how to ride!” he shouted, and Elder Samson nodded in agreement.

The next morning the missionaries came back. They could hardly wait to get Amauri out of bed and onto his bicycle.

It was harder than Amauri had thought it would be. He fell down again and again. Even on a grassy field it hurt to fall, but he kept thinking: The Lord got me this job so that my family can pay tithing. And I’m going to get back on that bicycle.

The next day Amauri rode for ten meters all by himself before the bicycle started to tip over, then he stopped it from falling by sticking out his foot. At the end of the riding lesson he told the elders, “It’s time for me to go home. And you’ll have to hurry—I’m going to ride this bicycle all the way back home. And I’m going to ride it very fast.”

Amauri got on the bicycle and pedaled as fast as his legs would go, the elders behind him shouting and cheering him on. When he arrived home, Cecilia and the other children ran out of the house laughing and clapping their hands.

Como Deus me abencoe (How God is blessing me)!” he shouted to the elders when they came into the house. “First a job, and now you have helped me learn to ride a bicycle so I can do it well!”

The elders just laughed and shook his hand. And then the children hugged him in their excitement.

The next day was Thursday, and Amauri rode the bicycle all alone downtown to the store. He took the lunches and delivered them, and later took fresh meat to housewives and cabbages to restaurants. He was exhausted when nighttime came.

When he got home he tied the bicycle to a tree. Then he knelt beside it and said a prayer, thanking Heavenly Father for his help. When he was through he patted the bicycle seat.

“Oi, bicicleta (Hey, bicycle), que amigo voce e (you and I are going to be good friends)!”

I THINK MOM AND DAD ARE GOING CRAZY, JERRY

I was only forty-five minutes late getting home with the Ford, and that was only because Darrell, who is my best friend, wanted to be dropped off at his girlfriend’s house in Cupertino. If I had known what was going on at home, I would have hurried. What was going on at home was the end of my peace and happiness.

“Shhh,” said Anne, my younger sister who is sixteen and had been driving for three wonderful months of parking tickets and running out of gas in odd places.

“What’s up? Somebody having a surprise party?” I asked.

“No,” said my brother Todd. “At least, we’re not. But Mom and Dad seem to be having some kind of party.”

“What’s wrong? Everybody looks so serious.”

“What’s wrong?” asked my older sister Val in tones of righteous indignation. “What’s wrong?”

“Yeah. I mean, what’s wrong?”

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