Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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“Tactician enough,” said Mikal. “We’ll go back to the palace now. Do you have anyone you can trust to make the arrest? I don’t want him harmed.”

But it didn’t do any good to give orders to that effect. When the Captain of the Guard was arrested, he raged and stormed and then a half-hour later, before there was time to examine him with the probe and taster, one of the guards slipped him some poison and he drifted off into death. The Chamberlain rashly had the offending guard impaled with nails until he bled to death.

Ansset was confused as he watched Mikal rage at the Chamberlain. It was obviously a sham, or half a sham, and Ansset was certain that the Chamberlain knew it. “Only a fool would have killed that soldier! How did the poison get into the palace past the detectors? How did the soldier get it to the Captain? None of the questions will ever be answered now!”

The Chamberlain made the mandatory ritual resignation. “My Lord Imperator, I was a fool. I deserve to die. I resign my position and ask for you to have me killed.”

Following the ritual, but obviously annoyed by having it thrust at him before he was through raging, Mikal lifted his hand and said, “Damn right you’re a fool.” Then, in proper form, he said, “I grant you your life because of your infinitely valuable services to me in apprehending the traitor in the first place.” Mikal cocked his head to one side. “So, Chamberlain, who do you think I should make the next Captain of the Guard?”

Ansset almost laughed out loud. It was an impossible question to answer. The safest answer (and the Chamberlain liked to do safe things) would be to say he had never given the matter any thought at all, and wouldn’t presume to advise the emperor on such a vital matter. But even so, the moment would be tense for the Chamberlain.

And Ansset was shocked to hear the Chamberlain answer, “Riktors Ashen, of course, my Lord.”

The “of course” was insolent. The naming of the man was ridiculous. At first Ansset looked at Mikal to see fury there. But instead Mikal was smiling. “Why of course,” he said blandly. “Riktors Ashen is the obvious choice. Tell him in my name that he’s appointed.”

Even the Chamberlain, who had mastered the art of blandness at will, looked surprised for a moment. Again Ansset almost laughed. He saw Mikal’s victory: the Chamberlain had probably named the one man in the palace guard that the Chamberlain had no control over, assuming that Mikal would never pick the man the Chamberlain recommended. And so Mikal had picked him: Riktors Ashen, the victor of the battle of Mantrynn, a planet that had revolted only three years before. He was known to be incorruptible, brilliant, and reliable. Well, now he’d have a chance to prove his reputation, Ansset thought.

Then he was startled out of his reverie by Mikal’s voice. “Do you know what his last words were to me?”

By the instant understanding that needed no referents for Mikal’s pronouns Ansset knew he was talking about the now-dead Captain of the Guard.

“He said, Tell Mikal that my death frees more plotters than it kills.’ And then he said that he loved me. Imagine, that cagey old bastard saying he loved me. I remembered him twenty years ago when he killed his closest friend in a squabble over a promotion. The bloodiest men get most sentimental in their old age, I suppose.”

Ansset asked a question—it seemed a safe time. “My Lord, why was the Captain arrested?”

“Hmmm?” Mikal looked surprised. “Oh, I suppose no one told you, then. He visited that house regularly throughout your captivity. He said he visited a woman there. But the neighbors all testified under the probe that a woman never lived there. And the Captain was a master at establishing mental blocks.”

“Then the conspiracy is broken!” Ansset said, joyfully assuming that the guards would stop harassing him and the questions would finally end.

“The conspiracy is barely dented. Someone was able to get poison to the Captain. Therefore plotters still exist within the palace. And therefore Riktors Ashen will be instructed to keep a close watch on you.”

Ansset tried to keep the smile on his face. He failed.

“I know, I know,” Mikal said wearily. “But it’s still locked in your mind.”

It was unlocked the next day. The court was gathered in the Great Hall, and Ansset resigned himself to a morning of wandering through the halls—or else standing near Mikal as he received the boring procession of dignitaries paying their respects to the emperor (and then going home to report how soon they thought Mikal the Terrible would die, and who might succeed him, and what the chances were for grabbing a piece of the empire). Because the palace bored him and he wanted to be near Mikal, and because the Chamberlain smiled at him and asked, “Are you coming to court?” Ansset decided to attend.

The order of dignitaries had been carefully worked out to honor loyal friends and humiliate upstarts whose dignity needed deflating. A minor official from a distant star cluster was officially honored, the first business of the day, and then the rituals began: princes and presidents and satraps and governors, depending on what title survived the conquest a decade or a score or fourscore years ago, all proceeding forward with their retinue, bowing (how low they bowed showed how afraid they were of Mikal, or how much they wanted to flatter him), uttering a few words, asking for private audience, being put off or being invited, in an endless array.

Ansset was startled to see a group of Black Kinshasans attired in their bizarre old Earth costumes. Kinshasa insisted it was an independent nation, a pathetic nose-thumbing claim when empires of planets had been swallowed up by Mikal Conqueror. Why were they being allowed to wear their native regalia and have an audience? Ansset raised an eyebrow at the Chamberlain, who also stood near the throne.

“It was Mikal’s idea,” the Chamberlain said voicelessly. “He’s letting them come and present a petition right before the president of Stuss. Those toads from Stuss’ll be madder than hell.”

At that moment Mikal raised his hand for some wine. Obviously he was as bored as anyone else.

The Chamberlain poured the wine, tasted it, as was the routine, and then took a step toward Mikal’s throne. Then he stopped, and beckoned to Ansset, who was already moving back to Mikal’s side. Surprised at the summons, Ansset came over.

“Why don’t you take the wine to Mikal, Sweet Songbird?” the Chamberlain said. The surprise fell away from Ansset’s eyes, and he took the wine and headed purposefully back to Mikal’s throne.

At that moment, however, pandemonium broke loose. The Kinshasan envoys reached into their elaborate curly-haired headdresses and withdrew wooden knives—which could pass every test given by machines at the doors of the palace. They rushed toward the throne. The guards fired quickly, their lasers dropping five of the Kinshasans, but all had aimed at the foremost assassins, and three continued unharmed. They rushed toward the throne, arms extended so the knives were already aimed directly at Mikal’s heart.

Mikal, old and unarmed, rose to meet them. A guard managed to shift his aim and get off a shot, but it was wild, and the others were hurriedly recharging their lasers—which only took a moment, but that was a moment too long.

Mikal looked death in the eye and did not seem disappointed.

But at that moment Ansset threw the wine goblet at one of the attackers and then leaped out in front of the emperor. He jumped easily into the air, and kicked the jaw of the first of the attackers. The angle of the kick was perfect, the force sharp and incredibly hard, and the Kinshasan’s head flew fifty feet away into the crowd, as his body slid forward until the wooden knife touched Mikal’s foot. Ansset came down from the jump in time to bring his hand upward into the abdomen of another attacker so sharply that his arm was buried to the elbow in bowels, and his fingers crushed the man’s heart.

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