Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

Здесь есть возможность читать онлайн «Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: New York, Год выпуска: 2004, ISBN: 2004, Издательство: Tom Doherty Associates, Жанр: Фантастика и фэнтези, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Maps in a Mirror: The Short Fiction of Orson Scott Card: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Maps in a Mirror: The Short Fiction of Orson Scott Card»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

Maps in a Mirror: The Short Fiction of Orson Scott Card — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Maps in a Mirror: The Short Fiction of Orson Scott Card», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

The Resonator focused sound waves of different but harmonious frequencies on a certain point (or diffused the sound waves over a large area), setting up patterns that resonated with stone to bring mountains crumbling down; metal, to shatter steel buildings; and water vapor, to disperse storms.

It could also resonate with human bones, crumbling them inside the body and turning them to dust.

Douglas personally made his Resonator change the weather, so that his nation had rain while other lands were in drought. Douglas personally used his Resonator to carve a highway through the highest mountains in the world. However, Douglas had nothing whatever to do with the decision by his nation’s military leaders to use the Resonator against the population of the largest and most fertile part of the neighboring nation.

The Resonator worked beautifully. Over a period of ten minutes, through an area of ten thousand square miles, the Resonator struck silently yet thoroughly. Nursing mothers crumbled into helpless piles of dying flesh and muscle and organs, their chests not even rigid enough for them to muster one last scream: in their last moments of life they listened as their infants, not understanding what had happened, continued crying or gooing or sleeping, protected from the Resonator by their softer bones. The infants would take days to die of thirst.

Farmers in the field collapsed on the plow. Doctors in their offices died in puddles beside their patients, unable to help anyone and unable to heal themselves. Soldiers died in their moving fortresses; the generals also died at their map tables; prostitutes dissolved, their customers a soft blanket spread over them.

But Douglas had nothing to do with this. He was a Maker, not a destroyer, and if the military chose to misuse his creation, what was he to do? It was a great boon to mankind, but like all great inventions, it could be perverted by evil men.

“I deplore it,” Douglas said to his friends, “but I’m helpless to stop them.”

The government, however, felt uncommon gratitude to Douglas for his help in making the conquest of the neighboring nation possible. So he was granted a large estate on lands recently reclaimed from the sea, beautiful lands where once there had been only broad tidal marshes. Douglas marveled at the achievement. “Is there nothing man cannot do?” he asked his friends, not expecting an answer, since the answer was no, there was nothing beyond the reach of men. The sea was pushed back, and trees and grass grew on the landfill and transplanted topsoil, and the homes were far apart, for this land was used only for those whom the state wished to reward, and the government knew that the thing most desired by men is to have as much distance between themselves and other men as possible, without giving up any of the modern conveniences.

One day Douglas’s servants were digging in the garden, and they called to him. Douglas had only been in his new home for a few days, and he was alarmed when the servant said, “A body, buried in the garden.”

Douglas ran outside and looked, and sure enough, there was a fragment of a human body, oddly misshapen, but clearly including a face. “Just the skin, sir,” a servant commented. “A most brutal affair,” Douglas answered, and he immediately called the police.

But the police refused to come out and investigate. “No surprise there, mate,” said the lieutenant. “What do you think the landfill they used was made of? They had to do something with the hundred thousand corpses of the enemy from the recent war, didn’t they?”

“Oh, of course,” Douglas said, surprised that he hadn’t realized right off. That explained the bonelessness of the body.

“I expect you’ll find ’em right commonly. But since the bones is dissolved, mate, they tell me it’ll make the soil uncommon fertile.”

The lieutenant was absolutely correct, of course. The servants found body after body, and soon grew quite inured to the sight; within a year, most of the corpses had rotted enough that they were simply unusually good humus. And plants grew taller and faster than in most other places, the soil was so rich.

“But wasn’t it a bit of a shock?” asked one of Douglas’s ladyfriends, when he told her the grisly little tale.

“Oh, I should say,” Douglas said with a smile. His words were false; his confident smile was the truth. For though he hadn’t realized the particulars, he knew from the start that his estate was built upon the bodies of the dead. And he slept as well as any man.

And that is the story of the Makers.

“They’ve returned,” the Hectors said, and because they were already more aware, they said it nearly at once, and none of them needed to speak alone.

“Is there pain?”

“No,” the Hectors answered. “Just sorrow. For now we shall never be free.”

“That is true,” Hector said to himselves sadly.

“How can it be borne?” the Hectors asked himself.

“Others have borne it. My brothers.”

“And what will we do?”

Hector searched his memories, because he was given no imagination and could not conceive of what would follow from an event he had never before experienced. But the Makers had put the answer to that question in his memory, and therefore in all the Hectors’ memories, and so he was able to say, “We shall learn more stories.”

And the Hectors’ minds grew wide, and they listened, and they watched, because now, instead of hearing the stories told to them, they would watch as they happened.

“Now we will truly understand the Masses, and the Masters, and the Makers,” they said to themself.

“But you shall never,” said Hector, and then he stopped.

“Why did you stop?” the Hectors asked. “What shall we never?”

And then, because there was no part of Hector that was not part of the Hectors, they knew he was going to say, “But you shall never understand ourself.”

AGNES 6

The Balloon’s revolution took only a little while, and it was bloodless, and nobody suffered for it at the time, except a few scientists whose curiosity was insatiable and could never be satisfied.

It happened when the team of researchers examining the inmost wall of the Balloon had tried everything short of a hydrogen bomb to break through that final, impenetrable barrier. Deenaz Coachbuilder, a brilliant scientist who had spent her girlhood in the slums of Delhi, spent days trying to find another approach, but finally determined that the damnable last barrier in the Balloon would not stop her, she asked for a bomb.

And got it.

She chose a site where there were no human settlements within a hundred cells in any direction, set up the bomb, retired to a distance she thought was safe, and set it off.

The entire Balloon shuddered; lakes throughout the world emptied as a sudden, flooding rain on the cell beneath; the ceilings went dark for an hour, and blinked off and on occasionally for several days thereafter. And though people kept their heads enough to avoid killing each other in panic, they were terribly afraid, and it was all Agnes could do to keep them from sending Deenaz Coachbuilder and her scientists off the planet through the nearest lake, without a ship.

“We made an impression,” Deenaz said, arguing to be allowed to stay.

“You risked all our lives, caused terrible damage,” Agnes said, trying to remain calm.

“We cut into the surface of the inmost wall,” Deenaz insisted. “We can penetrate it! You can’t stop us now!”

Agnes gestured out across the plain of her cell, with only a few of the crops able to stand upright, for the flood from the rainstorm had wiped out the fields. “The land is healing, and the water is high in the lake again. But next time, will we be so easily restored? Your experiment is a danger to us all, and it will stop.”

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Maps in a Mirror: The Short Fiction of Orson Scott Card»

Представляем Вашему вниманию похожие книги на «Maps in a Mirror: The Short Fiction of Orson Scott Card» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Maps in a Mirror: The Short Fiction of Orson Scott Card»

Обсуждение, отзывы о книге «Maps in a Mirror: The Short Fiction of Orson Scott Card» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x