Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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She didn’t realize that the prince was not the same man she loved before until she married him three months after her father died.

On the day of their wedding she proudly crowned him king herself, and led him to the throne, where he sat.

“I love you,” she said proudly, “and you look like a king.”

“I am a king,” he said. “I am King Edward the first.”

“Edward?” she said. “Why Edward? That’s not your name.”

“That’s a king’s name,” he said, “and I am a king. Do I not have power to change my name?”

“Of course,” she said. “But I liked your own name better.”

“But you will call me Edward,” he said, and she did.

When she saw him. For he didn’t come to her very often. As soon as he wore the crown he began to keep her out of the court, and conducted the business of the kingdom where she couldn’t hear. She didn’t understand this, because her father had always let her attend everything and hear everything in the government, so she could be a good queen.

“A good queen,” said King Edward, her husband, “is a quiet woman who has babies, one of whom will be king.”

And so the princess, who was now the queen, had babies, and one of them was a boy, and she tried to help him grow up to be a king.

But as the years passed by she realized that King Edward was not the lovely boy she had loved in the garden. He was a cruel and greedy man. And she didn’t like him very much.

He raised the taxes, and the people became poor.

He built up the army, so it became very strong.

He used the army to take over the land of Count Edred, who had been her godfather.

He also took over the land of Duke Adlow, who had once let her pet one of his tame swans.

He also took over the land of Earl Thlaffway, who had wept openly at her father’s funeral, and said that her father was the only man he had ever worshipped, because he was such a good king.

And Edred and Adlow and Thlaffway all disappeared, and were never heard of again.

“He’s even against the common people,” the nurse grumbled one day as she did up the queen’s hair. “Some shepherds came to court yesterday to tell him a marvel, which is their duty, isn’t it, to tell the king of anything strange that happens in the land?”

“Yes,” said the queen, remembering how as a child she and the prince had run to their father often to tell him a marvel—how grass springs up all at once in the spring, how water just disappeared on a hot day, how a butterfly comes all awkward from the cocoon.

“Well,” said the nurse, “they told him that there was a bear along the edge of the forest, a bear that doesn’t eat meat, but only berries and roots. And this bear, they said, killed wolves. Every year they lose dozens of sheep to the wolves, but this year they had lost not one lamb, because the bear killed the wolves. Now that’s a marvel, I’d say,” said the nurse.

“Oh yes,” said the princess who was now a queen.

“But what did the king do,” said the nurse, “but order his knights to hunt down that bear and kill it. Kill it!”

“Why?” asked the queen.

“Why, why, why?” asked the nurse. “The best question in the world. The shepherds asked it, and the king said, ‘can’t have a bear loose around here. He might kill children.’

“‘Oh no,’ says the shepherds, ‘the bear don’t eat meat.’

“‘Then, it’ll wind up stealing grain,’ the king says in reply, and there it is, my lady—the hunters are out after a perfectly harmless bear! You can bet the shepherds don’t like it. A perfectly harmless bear!”

The queen nodded. “A magic bear.”

“Why, yes,” said the nurse. “Now you mention it, it does seem like the bear that saved you that day—”

“Nurse,” said the queen, “there was no bear that day. I was dreaming I was mad with despair. There wasn’t a wolf chasing me. And there was definitely no magic bear.”

The nurse bit her lip. Of course there had been a bear, she thought. And a wolf. But the queen, her princess, was determined not to believe in any kind thing.

“Sure there was a bear,” said the nurse.

“No, there was no bear,” said the queen, “and now I know who put the idea of a magic bear into the children’s head.”

“They’ve heard of him?”

“They came to me with a silly tale of a bear that climbs over the wall into the garden when no one else is around, and who plays with them and lets him ride on his back. Obviously you told them your silly tale about the magic bear who supposedly saved me. So I told them that magic bears were a full tall-tale and that even grownups liked to tell them, but that they must be careful to remember the difference between truth and falsehood, and they should wink if they’re fibbing.”

“What did they say?” the nurse said.

“I made them all wink about the bear,” said the queen, “of course. But I would appreciate it if you wouldn’t fill their heads with silly stories. You did tell them your stupid story, didn’t you?”

“Yes,” said the nurse sadly.

“What a trouble your wagging tongue can cause,” said the queen, and the nurse burst into tears and left the room.

They made it up later but there was no talk of bears. The nurse understood well enough, though. The thought of bears reminded the queen of the Bear, and everyone knew that she was the one who drove that wise counselor away. If only the Bear were still here, thought the nurse—and hundreds of other people in the kingdom—if he were still here we wouldn’t have these troubles in the kingdom.

And there were troubles. The soldiers patrolled the streets of the cities and locked people up for saying things about King Edward. And when a servant in the palace did anything wrong he would bellow and storm, and even throw things and beat them with a rod.

One day when King Edward didn’t like the soup he threw the whole tureen at the cook. The cook promptly took his leave, saying for anyone to hear, “I’ve served kings and queens, lords and ladies, soldiers, and servants, and in all that time this is the first time I’ve ever been called upon to serve a pig.”

The day after he left he was back, at swordpoint—not cooking in the kitchen, of course, since cooks are too close to the king’s food. No, the cook was sweeping the stables. And the servants were told in no uncertain terms that none of them was free to leave. If they didn’t like their jobs, they could be given another one to do. And they all looked at the work the cook was doing, and kept their tongues.

Except the nurse, who talked to the queen about everything.

“We might as well be slaves,” said the nurse. “Right down to the wages. He’s cut us all in half, some even more, and we’ve got barely enough to feed ourselves. I’m all right, mind you, my lady, for I have no one but me to feed, but there’s some who’s hard put to get a stick of wood for the fire and a morsel of bread for a hungry mouth or six.”

The queen thought of pleading with her husband, but then she realized that King Edward would only punish the servants for complaining. So she began giving her nurse jewels to sell. Then the nurse quietly gave the money to the servants who had the least, or who had the largest families, and whispered to them, even though the queen had told her not to give a hint, “This money’s from the queen, you know. She remembers us servants, even if her husband’s a lout and a pimple.” And the servants remembered that the queen was kind.

The people didn’t hate King Edward quite as much as the servants did, of course, because even though taxes were high, there are always silly people who are proud fit to bust when their army has a victory. And of course King Edward had quite a few victories at first. He would pick a fight with a neighboring king or lord and then march in and take over. People had thought old King Boris’ army of five thousand was bad, back in the old days. But because of his high taxes, King Edward was able to hire an army of fifty thousand men, and war was a different thing then. They lived off the land in enemy country, and killed and plundered where they liked. Most of the soldiers weren’t local men, anyway—they were the riffraff of the highways, men who begged or stole, and now were being paid for stealing.

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