Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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And if the princess was marvelously beautiful, so was the prince. He was the kind of boy that every mother wants to hug, the kind of boy who gets his hair tousled by every man that meets him.

He and the princess grew up together. They took lessons together from the teachers in the palace, and when the princess was slow, the prince would help her, and when the prince was slow, the princess would help him. They had no secrets from each other, but they had a million secrets that they two kept from the rest of the world. Secrets like where the bluebirds’ nest was this year, and what color underwear the cook wore, and that if you duck under the stairway to the armory there’s a little underground path that comes up in the wine cellar. They speculated endlessly about which of the princess’ ancestors had used that path for surreptitious imbibing.

After not too many years the princess stopped being just a little girl and the prince stopped being just a little boy, and then they fell in love. All at once all their million secrets became just one secret, and they told that secret every time they looked at each other, and everyone who saw them said, “Ah, if I were only young again.” That is because so many people think that love belongs to the young: sometime during their lives they stopped loving people, and they think it was just because they got old.

The prince and the princess decided one day to get married.

But the very next morning, the prince got a letter from the far-off country where his father lived. The letter told him that his father no longer lived at all, and that the boy was now a man; and not just a man, but a king.

So the prince got up the next morning, and the servants put his favorite books in a parcel, and his favorite clothes were packed in a trunk, and the trunk, and the parcel, and the prince were all put on a coach with bright red wheels and gold tassels at the corner and the prince was taken away.

The princess did not cry until after he was out of sight. Then she went into her room and cried for a long time, and only her nurse could come in with food and chatter and cheerfulness. At last the chatter brought smiles to the princess, and she went into her father’s study where he sat by the fire at night and said, “He promised he would write, every day, and I must write every day as well.”

She did, and the prince did, and once a month a parcel of thirty letters would arrive for her, and the postrider would take away a parcel of thirty letters (heavily perfumed) from her.

And one day the Bear came to the palace. Now he wasn’t a bear, of course, he was the Bear, with a capital B. He was probably only thirty-five or so, because his hair was still golden brown and his face was only lined around the eyes. But he was massive and grizzly, with great thick arms that looked like he could lift a horse, and great thick legs that looked like he could carry that horse a hundred miles. His eyes were deep, and they looked brightly out from under his bushy eyebrows, and the first time the nurse saw him she squealed and said, “Oh, my, he looks like a bear.”

He came to the door of the palace and the doorman refused to let him in, because he didn’t have an appointment. But he scribbled a note on a piece of paper that looked like it had held a sandwich for a few days, and the doorman—with grave misgivings—carried the paper to the king.

The paper said, “If Boris and 5,000 stood on the highway from Rimperdell, would you like to know which way they were going?”

King Ethelred wanted to know.

The doorman let the stranger into the palace, and the king brought him into his study and they talked for many hours.

In the morning the king arose early and went to his captains of cavalry and captains of infantry, and he sent a lord to the knights and their squires, and by dawn all of Ethelred’s little army was gathered on the highway, the one that leads to Rimperdell. They marched for three hours that morning, and then they came to a place and the stranger with golden brown hair spoke to the king and King Ethelred commanded the army to stop. They stopped, and the infantry was sent into the forest on one side of the road, and the cavalry was sent into the tall cornfields on the other side of the road, where they dismounted. Then the king, and the stranger, and the knights waited in the road.

Soon they saw a dust cloud in the distance, and then the dust cloud grew near, and they saw that it was an army coming down the road. And at the head of the army was King Boris of Rimperdell. And behind him the army seemed to be five thousand men.

“Hail,” King Ethelred said, looking more than a little irritated, since King Boris’ army was well inside our country’s boundaries.

“Hail,” King Boris said, looking more than a little irritated, since no one was supposed to know that he was coming.

“What do you think you’re doing?” asked King Ethelred.

“You’re blocking the road,” said King Boris.

“It’s my road,” said King Ethelred.

“Not anymore,” said King Boris.

“I and my knights say that this road belongs to me,” said King Ethelred.

King Boris looked at Ethelred’s fifty knights, and then he looked back at his own five thousand men, and he said, “I say you and your knights are dead men unless you move aside.”

“Then you want to be at war with me?” asked King Ethelred.

“War?” said King Boris. “Can we really call it a war? It will be like stepping on a nasty cockroach.”

“I wouldn’t know,” said King Ethelred, “because we haven’t ever had cockroaches in our kingdom.”

Then he added, “Until now, of course.”

Then King Ethelred lifted his arm, and the infantry shot arrows and threw lances from the wood, and many of Boris’ men were slain. And the moment all of his troops were ready to fight the army in the forest, the cavalry came from the field and attacked from the rear, and soon Boris’ army, what was left of it, surrendered, and Boris himself lay mortally wounded in the road.

“If you had won this battle,” King Ethelred said, “what would you have done to me?”

King Boris gasped for breath and said, “I would have had you beheaded.”

“Ah,” said King Ethelred. “We are very different men. For I will let you live.”

But the stranger stood beside King Ethelred, and he said, “No, King Ethelred, that is not in your power, for Boris is about to die. And if he were not, I would have killed him myself, for as long as a man like him is alive, no one is safe in all the world.”

Then Boris died, and he was buried in the road with no marker, and his men were sent home without their swords.

And King Ethelred came back home to crowds of people cheering the great victory, and shouting, “Long live King Ethelred the conqueror.”

King Ethelred only smiled at them. Then he took the stranger into the palace, and gave him a room where he could sleep, and made him the chief counselor to the king, because the stranger had proved that he was wise, and that he was loyal, and that he loved the king better than the king loved himself, for the king would have let Boris live.

No one knew what to call the man, because when a few brave souls asked him his name, he only frowned and said, “I will wear the name you pick for me.”

Many names were tried, like George, and Fred, and even Rocky and Todd. But none of the names seemed right. For a long time, everyone called him Sir, because when somebody is that big and that strong and that wise and that quiet, you feel like calling him sir and offering him your chair when he comes in the room.

And then after a while everyone called him the name the nurse had chosen for him just by accident: they called him the Bear. At first they only called him that behind his back, but eventually someone slipped and called him that at the dinner table, and he smiled, and answered to the name, and so everyone called him that.

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