Herbert Wells - The Stolen Bacillus and Other Incidents

Towards sunset next day Mr Watkins, virgin canvas, easel, and a very considerable case of other appliances in hand, strolled up the pleasant pathway through the beech-woods to Hammerpond Park, and pitched his apparatus in a strategic position commanding the house. Here he was observed by Mr Raphael Sant, who was returning across the park from a study of the chalk-pits. His curiosity having been fired by Person's account of the new arrival, he turned aside with the idea of discussing nocturnal art.

Mr Watkins was apparently unaware of his approach. A friendly conversation with Lady Hammerpond's butler had just terminated, and that individual, surrounded by the three pet dogs which it was his duty to take for an airing after dinner had been served, was receding in the distance. Mr Watkins was mixing colour with an air of great industry. Sant, approaching more nearly, was surprised to see the colour in question was as harsh and brilliant an emerald green as it is possible to imagine. Having cultivated an extreme sensibility to colour from his earliest years, he drew the air in sharply between his teeth at the very first glimpse of this brew. Mr Watkins turned round. He looked annoyed.

"What on earth are you going to do with that beastly green?" said Sant.

Mr Watkins realised that his zeal to appear busy in the eyes of the butler had evidently betrayed him into some technical error. He looked at Sant and hesitated.

"Pardon my rudeness," said Sant; "but really, that green is altogether too amazing. It came as a shock. What do you mean to do with it?"

Mr Watkins was collecting his resources. Nothing could save the situation but decision. "If you come here interrupting my work," he said, "I'm a-goin' to paint your face with it."

Sant retired, for he was a humourist and a peaceful man. Going down the hill he met Porson and Wainwright. "Either that man is a genius or he is a dangerous lunatic," said he. "Just go up and look at his green." And he continued his way, his countenance brightened by a pleasant anticipation of a cheerful affray round an easel in the gloaming, and the shedding of much green paint.

But to Person and Wainwright Mr Watkins was less aggressive, and explained that the green was intended to be the first coating of his picture. It was, he admitted in response to a remark, an absolutely new method, invented by himself. But subsequently he became more reticent; he explained he was not going to tell every passer-by the secret of his own particular style, and added some scathing remarks upon the meanness of people "hanging about" to pick up such tricks of the masters as they could, which immediately relieved him of their company.

Twilight deepened, first one then another star appeared. The rooks amid the tall trees to the left of the house had long since lapsed into slumbrous silence, the house itself lost all the details of its architecture and became a dark grey outline, and then the windows of the salon shone out brilliantly, the conservatory was lighted up, and here and there a bedroom window burnt yellow. Had anyone approached the easel in the park it would have been found deserted. One brief uncivil word in brilliant green sullied the purity of its canvas. Mr Watkins was busy in the shrubbery with his assistant, who had discreetly joined him from the carriage-drive.

Mr Watkins was inclined to be self-congratulatory upon the ingenious device by which he had carried all his apparatus boldly, and in the sight of all men, right up to the scene of operations. "That's the dressing-room," he said to his assistant, "and, as soon as the maid takes the candle away and goes down to supper, we'll call in. My! how nice the house do look, to be sure, against the starlight, and with all its windows and lights! Swopme, Jim, I almost wish I was a painter-chap. Have you fixed that there wire across the path from the laundry?"

He cautiously approached the house until he stood below the dressing-room window, and began to put together his folding ladder. He was much too experienced a practitioner to feel any unusual excitement. Jim was reconnoitring the smoking-room. Suddenly, close beside Mr Watkins in the bushes, there was a violent crash and a stifled curse. Someone had tumbled over the wire which his assistant had just arranged. He heard feet running on the gravel pathway beyond. Mr Watkins, like all true artists, was a singularly shy man, and he incontinently dropped his folding ladder and began running circumspectly through the shrubbery. He was indistinctly aware of two people hot upon his heels, and he fancied that he distinguished the outline of his assistant in front of him. In another moment he had vaulted the low stone wall bounding the shrubbery, and was in the open park. Two thuds on the turf followed his own leap.

It was a close chase in the darkness through the trees. Mr Watkins was a loosely-built man and in good training, and he gained hand-over-hand upon the hoarsely panting figure in front. Neither spoke, but, as Mr Watkins pulled up alongside, a qualm of awful doubt came over him. The other man turned his head at the same moment and gave an exclamation of surprise. "It's not Jim," thought Mr Watkins, and simultaneously the stranger flung himself, as it were, at Watkin's knees, and they were forthwith grappling on the ground together. "Lend a hand, Bill," cried the stranger as the third man came up. And Bill did—two hands in fact, and some accentuated feet. The fourth man, presumably Jim, had apparently turned aside and made off in a different direction. At any rate, he did not join the trio.

Mr Watkins' memory of the incidents of the next two minutes is extremely vague. He has a dim recollection of having his thumb in the corner of the mouth of the first man, and feeling anxious about its safety, and for some seconds at least he held the head of the gentleman answering to the name of Bill, to the ground by the hair. He was also kicked in a great number of different places, apparently by a vast multitude of people. Then the gentleman who was not Bill got his knee below Mr Watkins' diaphragm, and tried to curl him up upon it.

When his sensations became less entangled he was sitting upon the turf, and eight or ten men—the night was dark, and he was rather too confused to count—standing round him, apparently waiting for him to recover. He mournfully assumed that he was captured, and would probably have made some philosophical reflections on the fickleness of fortune, had not his internal sensations disinclined him for speech.

He noticed very quickly that his wrists were not handcuffed, and then a flask of brandy was put in his hands. This touched him a little—it was such unexpected kindness.

"He's a-comin' round," said a voice which he fancied he recognised as belonging to the Hammerpond second footman.

"We've got 'em, sir, both of 'em," said the Hammerpond butler, the man who had handed him the flask. "Thanks to you ."

No one answered this remark. Yet he failed to see how it applied to him.

"He's fair dazed," said a strange voice; "the villains half-murdered him."

Mr Teddy Watkins decided to remain fair dazed until he had a better grasp of the situation. He perceived that two of the black figures round him stood side-by-side with a dejected air, and there was something in the carriage of their shoulders that suggested to his experienced eye hands that were bound together. Two! In a flash he rose to his position. He emptied the little flask and staggered—obsequious hands assisting him—to his feet. There was a sympathetic murmur.

"Shake hands, sir, shake hands," said one of the figures near him. "Permit me to introduce myself. I am very greatly indebted to you. It was the jewels of my wife, Lady Aveling, which attracted these scoundrels to the house."

"Very glad to make your lordship's acquaintance," said Teddy Watkins.