Herbert Wells - The War in the Air

The disintegrating truce gave place to a definite general breach with the assassination of the Wetterhorn—for that is the only possible word for the act—above Union Square, and not a mile away from the exemplary ruins of City Hall. This occurred late in the afternoon, between five and six. By that time the weather had changed very much for the worse, and the operations of the airships were embarrassed by the necessity they were under of keeping head on to the gusts. A series of squalls, with hail and thunder, followed one another from the south by south-east, and in order to avoid these as much as possible, the air-fleet came low over the houses, diminishing its range of observation and exposing itself to a rifle attack.

Overnight there had been a gun placed in Union Square. It had never been mounted, much less fired, and in the darkness after the surrender it was taken with its supplies and put out of the way under the arches of the great Dexter building. Here late in the morning it was remarked by a number of patriotic spirits. They set to work to hoist and mount it inside the upper floors of the place. They made, in fact, a masked battery behind the decorous office blinds, and there lay in wait as simply excited as children until at last the stem of the luckless Wetterhorn appeared, beating and rolling at quarter speed over the recently reconstructed pinnacles of Tiffany's. Promptly that one-gun battery unmasked. The airship's look-out man must have seen the whole of the tenth story of the Dexter building crumble out and smash in the street below to discover the black muzzle looking out from the shadows behind. Then perhaps the shell hit him.

The gun fired two shells before the frame of the Dexter building collapsed, and each shell raked the Wetterhorn from stem to stern. They smashed her exhaustively. She crumpled up like a can that has been kicked by a heavy boot, her forepart came down in the square, and the rest of her length, with a great snapping and twisting of shafts and stays, descended, collapsing athwart Tammany Hall and the streets towards Second Avenue. Her gas escaped to mix with air, and the air of her rent balloonette poured into her deflating gas-chambers. Then with an immense impact she exploded....

The Vaterland at that time was beating up to the south of City Hall from over the ruins of the Brooklyn Bridge, and the reports of the gun, followed by the first crashes of the collapsing Dexter building, brought Kurt and, Smallways to the cabin porthole. They were in time to see the flash of the exploding gun, and then they were first flattened against the window and then rolled head over heels across the floor of the cabin by the air wave of the explosion. The Vaterland bounded like a football some one has kicked and when they looked out again, Union Square was small and remote and shattered, as though some cosmically vast giant had rolled over it. The buildings to the east of it were ablaze at a dozen points, under the flaming tatters and warping skeleton of the airship, and all the roofs and walls were ridiculously askew and crumbling as one looked. "Gaw!" said Bert. "What's happened? Look at the people!"

But before Kurt could produce an explanation, the shrill bells of the airship were ringing to quarters, and he had to go. Bert hesitated and stepped thoughtfully into the passage, looking back at the window as he did so. He was knocked off his feet at once by the Prince, who was rushing headlong from his cabin to the central magazine.

Bert had a momentary impression of the great figure of the Prince, white with rage, bristling with gigantic anger, his huge fist swinging. "Blut und Eisen!" cried the Prince, as one who swears. "Oh! Blut und Eisen!"

Some one fell over Bert—something in the manner of falling suggested Von Winterfeld—and some one else paused and kicked him spitefully and hard. Then he was sitting up in the passage, rubbing a freshly bruised cheek and readjusting the bandage he still wore on his head. "Dem that Prince," said Bert, indignant beyond measure. "'E 'asn't the menners of a 'og!"

He stood up, collected his wits for a minute, and then went slowly towards the gangway of the little gallery. As he did so he heard noises suggestive of the return of the Prince. The lot of them were coming back again. He shot into his cabin like a rabbit into its burrow, just in time to escape that shouting terror.

He shut the door, waited until the passage was still, then went across to the window and looked out. A drift of cloud made the prospect of the streets and squares hazy, and the rolling of the airship swung the picture up and down. A few people were running to and fro, but for the most part the aspect of the district was desertion. The streets seemed to broaden out, they became clearer, and the little dots that were people larger as the Vaterland came down again. Presently she was swaying along above the lower end of Broadway. The dots below, Bert saw, were not running now, but standing and looking up. Then suddenly they were all running again.

Something had dropped from the aeroplane, something that looked small and flimsy. It hit the pavement near a big archway just underneath Bert. A little man was sprinting along the sidewalk within half a dozen yards, and two or three others and one woman were bolting across the roadway. They were odd little figures, so very small were they about the heads, so very active about the elbows and legs. It was really funny to see their legs going. Foreshortened, humanity has no dignity. The little man on the pavement jumped comically—no doubt with terror, as the bomb fell beside him.

Then blinding flames squirted out in all directions from the point of impact, and the little man who had jumped became, for an instant, a flash of fire and vanished—vanished absolutely. The people running out into the road took preposterous clumsy leaps, then flopped down and lay still, with their torn clothes smouldering into flame. Then pieces of the archway began to drop, and the lower masonry of the building to fall in with the rumbling sound of coals being shot into a cellar. A faint screaming reached Bert, and then a crowd of people ran out into the street, one man limping and gesticulating awkwardly. He halted, and went back towards the building. A falling mass of brick-work hit him and sent him sprawling to lie still and crumpled where he fell. Dust and black smoke came pouring into the street, and were presently shot with red flame....

In this manner the massacre of New York began. She was the first of the great cities of the Scientific Age to suffer by the enormous powers and grotesque limitations of aerial warfare. She was wrecked as in the previous century endless barbaric cities had been bombarded, because she was at once too strong to be occupied and too undisciplined and proud to surrender in order to escape destruction. Given the circumstances, the thing had to be done. It was impossible for the Prince to desist, and own himself defeated, and it was impossible to subdue the city except by largely destroying it. The catastrophe was the logical outcome of the situation, created by the application of science to warfare. It was unavoidable that great cities should be destroyed. In spite of his intense exasperation with his dilemma, the Prince sought to be moderate even in massacre. He tried to give a memorable lesson with the minimum waste of life and the minimum expenditure of explosives. For that night he proposed only the wrecking of Broadway. He directed the air-fleet to move in column over the route of this thoroughfare, dropping bombs, the Vaterland leading. And so our Bert Smallways became a participant in one of the most cold-blooded slaughters in the world's history, in which men who were neither excited nor, except for the remotest chance of a bullet, in any danger, poured death and destruction upon homes and crowds below.