Herbert Wells - Twelve Stories and a Dream

The stoppage for the night was brightened by the appearance of the young man, and his manners were all that could be desired and his French quite serviceable. His coupons availed for the same hotel as theirs, and by chance as it seemed he sat next Miss Winchelsea at the table d'hote. In spite of her enthusiasm for Rome, she had thought out some such possibility very thoroughly, and when he ventured to make a remark upon the tediousness of travelling—he let the soup and fish go by before he did this—she did not simply assent to his proposition, but responded with another. They were soon comparing their journeys, and Helen and Fanny were cruelly overlooked in the conversation. It was to be the same journey, they found; one day for the galleries at Florence—"from what I hear," said the young man, "it is barely enough,"—and the rest at Rome. He talked of Rome very pleasantly; he was evidently quite well read, and he quoted Horace about Soracte. Miss Winchelsea had "done" that book of Horace for her matriculation, and was delighted to cap his quotation. It gave a sort of tone to things, this incident—a touch of refinement to mere chatting. Fanny expressed a few emotions, and Helen interpolated a few sensible remarks, but the bulk of the talk on the girls' side naturally fell to Miss Winchelsea.

Before they reached Rome this young man was tacitly of their party. They did not know his name nor what he was, but it seemed he taught, and Miss Winchelsea had a shrewd idea he was an extension lecturer. At any rate he was something of that sort, something gentlemanly and refined without being opulent and impossible. She tried once or twice to ascertain whether he came from Oxford or Cambridge, but he missed her timid importunities. She tried to get him to make remarks about those places to see if he would say "come up" to them instead of "go down"—she knew that was how you told a 'Varsity man. He used the word "'Varsity"—not university—in quite the proper way.

They saw as much of Mr. Ruskin's Florence as the brief time permitted; he met them in the Pitti Gallery and went round with them, chatting brightly, and evidently very grateful for their recognition. He knew a great deal about art, and all four enjoyed the morning immensely. It was fine to go round recognising old favourites and finding new beauties, especially while so many people fumbled helplessly with Baedeker. Nor was he a bit of a prig, Miss Winchelsea said, and indeed she detested prigs. He had a distinct undertone of humour, and was funny, for example, without being vulgar, at the expense of the quaint work of Beato Angelico. He had a grave seriousness beneath it all, and was quick to seize the moral lessons of the pictures. Fanny went softly among these masterpieces; she admitted "she knew so little about them," and she confessed that to her they were "all beautiful." Fanny's "beautiful" inclined to be a little monotonous, Miss Winchelsea thought. She had been quite glad when the last sunny Alp had vanished, because of the staccato of Fanny's admiration. Helen said little, but Miss Winchelsea had found her a little wanting on the aesthetic side in the old days and was not surprised; sometimes she laughed at the young man's hesitating delicate little jests and sometimes she didn't, and sometimes she seemed quite lost to the art about them in the contemplation of the dresses of the other visitors.

At Rome the young man was with them intermittently. A rather "touristy" friend of his took him away at times. He complained comically to Miss Winchelsea. "I have only two short weeks in Rome," he said, "and my friend Leonard wants to spend a whole day at Tivoli, looking at a waterfall."

"What is your friend Leonard?" asked Miss Winchelsea abruptly.

"He's the most enthusiastic pedestrian I ever met," the young man replied, amusingly, but a little unsatisfactorily, Miss Winchelsea thought. They had some glorious times, and Fanny could not think what they would have done without him. Miss Winchelsea's interest and Fanny's enormous capacity for admiration were insatiable. They never flagged—through pictures and sculpture galleries, immense crowded churches, ruins and museums, Judas trees and prickly pears, wine carts and palaces, they admired their way unflinchingly. They never saw a stone pine or a eucalyptus but they named and admired it; they never glimpsed Soracte but they exclaimed. Their common ways were made wonderful by imaginative play. "Here Caesar may have walked," they would say. "Raphael may have seen Soracte from this very point." They happened on the tomb of Bibulus. "Old Bibulus," said the young man. "The oldest monument of Republican Rome!" said Miss Winchelsea.

"I'm dreadfully stupid," said Fanny, "but who WAS Bibulus?"

There was a curious little pause.

"Wasn't he the person who built the wall?" said Helen.

The young man glanced quickly at her and laughed. "That was Balbus," he said. Helen reddened, but neither he nor Miss Winchelsea threw any light upon Fanny's ignorance about Bibulus.

Helen was more taciturn than the other three, but then she was always taciturn, and usually she took care of the tram tickets and things like that, or kept her eye on them if the young man took them, and told him where they were when he wanted them. Glorious times they had, these young people, in that pale brown cleanly city of memories that was once the world. Their only sorrow was the shortness of the time. They said indeed that the electric trams and the '70 buildings, and that criminal advertisement that glares upon the Forum, outraged their aesthetic feelings unspeakably; but that was only part of the fun. And indeed Rome is such a wonderful place that it made Miss Winchelsea forget some of her most carefully prepared enthusiasms at times, and Helen, taken unawares, would suddenly admit the beauty of unexpected things. Yet Fanny and Helen would have liked a shop window or so in the English quarter if Miss Winchelsea's uncompromising hostility to all other English visitors had not rendered that district impossible.

The intellectual and aesthetic fellowship of Miss Winchelsea and the scholarly young man passed insensibly towards a deeper feeling. The exuberant Fanny did her best to keep pace with their recondite admiration by playing her "beautiful," with vigour, and saying "Oh! LET'S go," with enormous appetite whenever a new place of interest was mentioned. But Helen developed a certain want of sympathy towards the end, that disappointed Miss Winchelsea a little. She refused to "see anything" in the face of Beatrice Cenci—Shelley's Beatrice Cenci!—in the Barberini gallery; and one day, when they were deploring the electric trams, she said rather snappishly that "people must get about somehow, and it's better than torturing horses up these horrid little hills." She spoke of the Seven Hills of Rome as "horrid little hills!"

And the day they went on the Palatine—though Miss Winchelsea did not know of this—she remarked suddenly to Fanny, "Don't hurry like that, my dear; THEY don't want us to overtake them. And we don't say the right things for them when we DO get near."

"I wasn't trying to overtake them," said Fanny, slackening her excessive pace; "I wasn't indeed." And for a minute she was short of breath.

But Miss Winchelsea had come upon happiness. It was only when she came to look back across an intervening tragedy that she quite realised how happy she had been, pacing among the cypress-shadowed ruins, and exchanging the very highest class of information the human mind can possess, the most refined impressions it is possible to convey. Insensibly emotion crept into their intercourse, sunning itself openly and pleasantly at last when Helen's modernity was not too near. Insensibly their interest drifted from the wonderful associations about them to their more intimate and personal feelings. In a tentative way information was supplied; she spoke allusively of her school, of her examination successes, of her gladness that the days of "Cram" were over. He made it quite clear that he also was a teacher. They spoke of the greatness of their calling, of the necessity of sympathy to face its irksome details, of a certain loneliness they sometimes felt.