Robert Sawyer - Foreigner

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The
trilogy depicts an Earth-like world on a moon which orbits a gas giant, inhabited by a species of highly evolved, sentient Tyrannosaurs called Quintaglios, among various other creatures from the late cretaceous period, imported to this moon by aliens 65 million years prior to the story.

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It was a chart of the solar system, Novato realized, grateful at last to have something else she recognized, something her mind could grasp. The big circle was the sun. The three small dots close to it represented the inner rocky worlds of Carpel, Patpel, and Davpel. The string of big dots were the three gas-giant worlds, Kevpel, the Face of God, and Bripel. And the final sequence of two small dots was the outer rocky world of… well, Gefpel, of course, and… and… a hitherto unknown eighth planet. The single white point next to the Face of God represented the location this window was looking in on—the Quintaglio moon.

She looked at the other windows, and her mind made the glorious leap. All of them were solar system maps—but of other solar systems, alien solar systems, solar systems never even dreamed of before this moment.

There were the strange bipedal reptiles again: the string of dots indicated that they lived on the fourth planet of a system of eleven worlds. And the beings with the seven pairs of stilt legs: the second planet of five. Novato was shocked to see that almost all of these creatures lived on small planets, rather than on the moons of giant worlds. The upper right monitor switched back to the world of the bizarre red globs that seemed to work in cooperation with other lifeforms. Incredible: that world had two large circles at the top of its display—two suns.

Although the view in the central zero window changed periodically, sometimes showing the black bipeds, sometimes the yellow, and sometimes a third variety that was beige, the little system map always remained the same: a sun circle, four small worlds—the third of which was illuminated—four large worlds, and a final small one.

Novato’s mind was still reeling, still trying to deal with the onslaught of images and information. She realized that the central window never changed to show a different world, but, judging by the system map, simply showed different views of the same third planet. Yet that particular window was connected to all the others by thick black lines. No other connections were drawn between any of the other windows.

She stared at the windows and the interconnecting lines, her brain aching.

And then it hit her.

What she was seeing.

What it meant.

Home.

The world in the center.

It was the home world. The original home world.

The ark-makers had brought life from there to here. That’s what the black line connecting the central window to the one that sometimes showed Dybo’s ruling room indicated.

But the ark-makers had also brought life from the home world to that fourth planet in the system of eleven, to that second planet in the system of five, to the single planet that somehow orbited a double sun, to…

Novato’s whole body was shaking. Floating in the air, she hugged herself tightly. The home world.

Life scattered from there to stars across the firmament.

It was incredible.

Eyes wide, she watched the windows change, cycling from world to world.

Sometimes, the windows came up black.

Not just night, but solid black.

Novato’s heart fluttered.

Black.

Windows onto nothingness.

Maybe the magic had failed after all this time. These windows were new, of course, but surely at the other end there were eyes of some sort that sent back these pictures. It had been a long time since the ark had crashed here. Maybe some of the eyes had failed in that time.

Or maybe whole worlds had died in the interim.

Novato’s head pounded. She turned her attention again to the glowing white numbers overlapping the upper left corner of each window. The number that showed when the window looked in on the Quintaglio moon was 27. When showing the other bipedal reptile, the number 26 was displayed. Ah, there were the stilt-legged aquatic creatures again; number 9. The red globs with their city of coral was number 1. She saw four numbers higher than 27, and all them showed bipedal lifeforms covered with brown shag. And the central window always showed the horizontal mark of zero.

Slowly, it began to make sense. Her overloaded mind cleared, the fog lifting.

She’d seen the Quintaglios removed from prominence twice in her own lifetime. First, Afsan had taken them from the center of the universe. Then Toroca had shown they weren’t divinely created from the hands of God. And now—this.

A total of thirty-one different worlds had been seeded with life from the home planet. And, if the numbering was in the order in which the life was transplanted, then the Quintaglios had been moved not first, nor last, but twenty-seventh—twenty-seventh out of thirty-one. No pride of place, just one of many.

Floating there in the vast chamber, she watched, fascinated, as the strange lifeforms were paraded by her. Red globs. Stilt-legged creatures. Intelligent reptiles. Tailless bipeds. Flying things. Crawling things. Things that had twenty arms. Things that had none.

Windows cycling from world to world, the light of alien suns raying across her face.

She tried to absorb as much of it as she could.

But eventually she was left numb by it all, unable to take in anything further. The windows became a blur again, just nine colored squares.

She needed to take a break, needed to let her mind sort it all out. She decided to explore, to look at other parts of the vast structure at the top of the tower. And that presented a problem.

She was too far away from any wall or from the floor or ceiling to reach out and touch it, and so she just floated there in the middle of the cube-shaped room. She tried flapping her arms, like a wingfinger, but that didn’t seem to do any good. She soon realized she was in quite a predicament: she could starve to death floating here in midair, unable to make it back to the lifeboat, which held her food supplies.

But, after a moment, she calmed down, undid the chain that helped hold her sash in place and bit through the leather of the sash so that she had one long piece of green and black material. Cracking it like a whip against the wall containing the bank of windows, she was able to start herself tumbling slowly across the room. She made her way out into a corridor and continued along, kicking gently off walls. Most of what she saw was baffling, but at last she came to something she recognized: one of the ark-maker’s doors, just like the one on the outside of the ark itself. It was a panel twice as tall as it was wide, with an incised orange rectangle with bold black markings on it set into the door’s center. Novato floated toward it—

—and the door opened. Of its own volition, the door slid aside. Incredible. She’d long suspected this was how such doors were supposed to work, having seen the gears and other equipment inside the ones down below. But they were all dead; the Quintaglios had had to remove orange faceplates from the center of the ark’s door panels, exposing metal handles that could be cranked around by hand. Novato was sure now that those manual handles were for emergencies, when no power was available. That’s why they were kept out of the way behind the orange panels.

Novato’s inertia had carried her right through the door, but to her surprise she found herself hitting a wall almost at once. No… it wasn’t a wall. It was a second door. This was another one of those confounded double-doored rooms.

But surely this door should have opened on its own, too. Oh, well; she’d operated enough of these things manually down below. She extended her claws and flicked back the little clips that held the orange panel in place. It popped forward, revealing the handle.

Novato reached for the handle and began to crank it around—

Suddenly, the door behind her began to slide shut, but her tail was sticking out through it. The door pushed against her tail, but before the pressure got too great it reversed itself and slid open again.

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