John Miller - Death Draws Five

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Death Draws Five: краткое содержание, описание и аннотация

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An original novel set in the widely popular Wild Cards world created by science fiction scion George R.R. Martin. Edited by Hugo award winning and New York times bestselling author, George R.R. Martin. It's really quite simple. Mr. Nobody wants to do his job. The Midnight Angel wants to serve her Lord. Billy Ray, dying from boredom, wants some action. John Nighthawk wants to uncover the awful secret behind his mysterious power. Fortunato wants to rescue his son from the clutches of a cryptic Vatican office. John Fortune just wants to catch Siegfried and Ralph's famous Vegas review. The problem is that all roads, whether they start in Turin, Italy, Las Vegas, Hokkaido, Japan, Jokertown, Snake Hill, the Short Cut, or Yazoo City, Mississippi, lead to Leo Barnett's Peaceable Kingdon where the difference between the Apocalypse and Peace on Earth is as thin as a razor's edge and where Death himself awaits the final terrible turn of the card. Wild Cards: Death Draws Five is an original novel set in this shared world utilizing characters from other Wild Card adventures. John J. Miller Splitting his life between the Empire State and The Land of Enchantment, John J. Miller currently resides in Albuquerque, NM, with his wife Gail, five cats, two dogs, two goldfish, and too many books to count, approximately ten of which he's written. He's contemplating getting more goldfish, and, probably, books. George R. R. Martin was born in 1948 in Bayonne, NJ. Four-time winner of the Hugo Award, two-time winner of the Nebula and editor of over two dozen novels and anthologies, and the writer of numerous short stories. His New York Times bestselling novel, A Storm of Swords (the third volume in his epicfantasy series "A Song of Ice and Fire" (was published in 2000. Martin lives in Sante Fe, New Mexico.

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“Christ,” he said in a low voice.

It didn’t look good. He stripped his off shirt, ripped it to rags and applied pressure bandages as best he could to what seemed to be Peregrine’s worst wounds. Her only response was to moan feebly. There wasn’t anything else he could do for her, and he realized that Peregrine didn’t have much time left if she didn’t receive immediate medical attention. He turned his attention to John Fortune, thinking that Peregrine really needed his new-found ace abilities. But the kid was still out cold.

What a time to get knocked senseless, Jerry thought. He tried to revive the boy, but the best he could get from him was an unintelligible groan. He could feel a knot on the back of the kid’s skull the size of a golf ball. He must have really slammed his head hard on the floor when the sofa had tipped over on them.

Jerry felt as useless as Rock Hudson in the opening scenes of one of his screwball comedies. He didn’t want to mess around with the kid, in case he had a real head injury. And Peregrine needed expert attention, fast. Someone would have to help. Angel, he thought. Or Ray...

Jerry stood and went swiftly to the edge of the stage, shielded his eyes from the light and looked out just in time to see Ray go mano a mano with a chubby little guy who looked like someone’s favorite older uncle until the guy suddenly turned into something that wasn’t so avuncular. Jerry recognized the transformed man. He was the British killer ace called Butcher Dagon.

Eerily, it seemed as if the world had stopped to watch their breathtaking exhibition of violence. He saw Angel, some stiff who was much too good-looking for his own good, and even a few of the goons with guns as well as some of the crazy-scared onlookers pause to take a breath as Ray and Dagon tore at each other like gladiators from another, much more savage age.

For a moment John Fortune was forgotten. Even Peregrine slipped from his mind until the epic battle ended with the brilliant one-two punch of Angel and Ray cold-cocking the British ace.

Jerry saw the handsome guy climb onto the stage. Some of the surviving gunmen followed him. Fortunately none were near Jerry. He knew that he had only a few moments in which to make the right move. Peregrine was now beyond any help he could give her. There was only the kid, his sacred charge, to consider. He suddenly knew what to do.

He ripped off his clothes and the lights went out as he took on mass.

The auditorium fell into utter darkness. It was all very much like that night back in ‘65 when he’d turned into the Big Ape and sucked enough energy out of his surroundings to start a chain reaction that blacked out New York City and ultimately most of the eastern seaboard.

Energy to mass, as the equation went. This time around, he needed a lot less mass, so he siphoned off a lot less energy. Enough, probably, to blow most of the electric circuits in the auditorium, maybe in all of the Mirage. He welcomed the darkness. It made his task easier.

Jerry knew that he had to work fast. He added pounds of flab to his transformed frame. He didn’t have time to get his features exactly right, so he puffed them up into a pulpy mess. His hands were already bloody, so he smeared them on his face and torso, blurring more detail. He groaned realistically and threw himself down, huddling on his side, his hands over his still-changing face. Someone kneeled next to him.

“Dagon?” an unfamiliar voice asked.

Jerry squinted upwards.

“Wh—who?” he quavered.

“It’s the Witness,” said the handsome guy in a voice decidedly lacking pity. He leaned closer. “I’m surprised you’re already conscious. Man, you got your ass kicked.” The Witness looked up. “Juan—Sam—let the others grab the kid. Come over here and give Dagon a hand,” he said with open contempt. “And for God’s sake, get something to cover him up with. He’s fat and bloody and naked. Come on. Move. Move!”

The last was a general order shouted to everyone as the two men Witness singled out came to Jerry’s side.

“Here you are,” one of them said, slipping a cloak around Jerry with surprisingly gentle hands. “Up you go. Come on, before that asshole Ray finds us hanging around here on the stage.”

Jerry moaned convincingly. They hustled him away, right behind another pair of gunmen who were dragging a limp John Fortune into the wings.

“What about the others?” one of the men supporting Jerry asked as they passed Witness, who was waiting impatiently.

“They knew what they were getting into,” he said shortly. “Let’s get the Hell out of here.”

Jerry kept his face burrowed in the cloak as best he could. He was sure he hadn’t copied Dagon’s features perfectly, but the bruising and swelling and blood that he’d smeared on his face seemed to be an adequate disguise.

The kidnappers, with Jerry and John Fortune in tow, burst out into the sunny parking lot where a van was waiting for them. The two thugs hustled Jerry into the back with six or seven other gunmen, as well as John Fortune, who was only now starting to come around.

The Witness hustled to the front of the van. Its engine was already racing and it started to move before he could slam the passenger-side door shut. They pulled away from the Mirage quickly and immediately headed for the side streets off the strip.

Jerry couldn’t see out of the van’s windows. He didn’t know this part of Vegas —no tourist did—and he was immediately lost. The muscles joked and kidded with macho toughness now that the fight was over, except for the one who cradled his broken arm and endlessly cursed Ray.

They drove for perhaps twenty minutes. Jerry’s mind raced in high gear the entire time, but he was unable to construct a workable plan to escape from the gang. John Fortune groaned awake halfway through the trip. One of the gunmen told him to sit down and shut up, and the kid wisely took his advice. Jerry tried to catch his eye, but Fortune wouldn’t look at him.

Finally they stopped before an abandoned, boarded-up 7-11. The asphalt parking lot shimmered in the summer heat, drooping weeds poking up through the aimless cracks in its surface like dying flowers on the floor of Hell.

“Let’s go, let’s go,” Witness ordered.

This guy clearly, Jerry thought, lacked patience. Mystified, Jerry allowed himself to be half-dragged to the convenience store’s front door, which proved to be unlocked. Three men were waiting inside. One had a gun, another held a leash, and the third one wore it.

This last unfortunate was obviously a joker. His body was twisted so that his legs were thick hindquarters, his arms scrawny forelegs. His face had a vaguely canine look, with a snout underslung by a long jaw, no chin, and drooping ears that could have belonged to a hound dog. His skin was unfurred, but sallow, blotchy, and unhealthy-looking. His expression was not intelligent.

“Let’s go, Blood,” his handler said.

The joker looked at him, snuffling eagerly.

“Home, boy. Let’s go home. There’s a nice steak waiting for you. Nice and raw and dripping.”

Blood drooled, grinning idiotically, and walked on four limbs toward the store’s back wall, and then through it in a tunnel that suddenly appeared the instant before his nose would have touched the wall. They all followed him. Jerry was totally mystified, wondering what the Hell was going on.

It was cool and quiet on the other side of the tunnel, which opened into a small room built of naked stone. The room had no windows to the outside and was lit by a single unreachable bulb dangling from a naked fixture in the ceiling. The only door leading out of it was iron, with a tiny barred window. The small chamber smelled of ancient sickness that seemed to have soaked into the very stones of its walls and floor. Jerry didn’t know where they were, but suddenly he was afraid.

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