Ian McDonald - Cyberabad Days

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Cyberabad Days: краткое содержание, описание и аннотация

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A collection of eight stories, “Cyberabad Days” is a triumphant return to the India of 2047 (the India of
); a new, muscular superpower in an age of artificial intelligences, climate-change induced drought, strange new genders, and genetically improved children.

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My life changed that day. My father knew that something between us had been taken apart like the artificial life of the steel monkey. But I had seen beyond the walls of my life so I was allowed out from the palace a little way into the world. With Heer, and guards, in armoured German cars to bazaars and malls; by tilt-jet to family relatives in Jaisalmer and Delhi; to festivals and melas and pujas in the Govind temple. I was still schooled in the palace by tutors and aeai artificial intelligences, but I was presented with my new friends, all the daughters of high-ranking, high-caste company executives, carefully vetted and groomed. They wore all the latest fashions and make-up and jewellery and shoes and tech. They dressed me and styled me and wove brass and amber beads into my hair; they took me to shops and pool parties – in the heart of a drought – and cool summer houses up the mountains but they were never comfortable like friends, never free, never friends at all. They were afraid of me. But there were clothes and trips and Star Asia tunes and celebrity gupshup and so I forgot about the steel monkey that I once pretended was my friend and was taken to pieces by its brothers.

Others had not forgotten

They remembered the night after my fourteenth birthday. There had been a puja by the Govind priest in the diwan. It was a special age, fourteen, the age I became a woman. I was blessed with fire and ash and light and water and given a sari, the dress of a woman. My friends wound it around me and decorated my hands with mehndi, intricate patterns in dark henna. They set the red bindi of the kshatriya caste over my third eye and led me out through the rows of applauding company executives and then to a great party. There were gifts and kisses, the food was laid out the length of the courtyard and there were press reporters and proper French champagne that I was allowed to drink because I was now a woman. My father had arranged a music set by MTV-star Anila – real, not artificial intelligence – and in my new woman’s finery I jumped and down and screamed like any other of my teenage girlfriends. At the very end of the night, when the staff took the empty silver plates away and Anila’s roadies folded up the sound system, my father’s jawans brought out the great kite of the Jodhras, the winged man-bird the colour of fire, and sent him up, shining, into the night above Jaipur, up towards the hazy stars. Then I went to my new room, in the zenana, the women’s quarter, and old disgusting ayah Harpal locked the carved wooden door to my nursery.

It was that that saved me, when the Azads struck.

I woke an instant before Heer burst through the door but in that split-second was all the confusion of waking in an unfamiliar bed, in a strange room, in an alien house, in a body you do not fully know as your own.

Heer. Here. Not Heer. Dressed in street clothes. Men’s clothes. Heer, with a gun in yts hand. The big gun with the two barrels, the one that killed people and the one that killed machines.

‘Memsahib, get up and come with me. You must come with me.’

‘Heer…’

Now, memsahib.’

Mouth working for words, I reached for clothes, bag, shoes, things. Heer threw me across the room to crash painfully against the Rajput chest.

‘How dare…’ I started and, as if in slow motion, I saw the gun fly up. A flash, like lightning in the room. A metallic squeal, a stench of burning and the smoking steel shell of a defence robot went spinning across the marble floor like a burning spider. Its tail was raised, its stinger erect. Not knowing if this was some mad reality or I was still in a dream, I reached my hand toward the dead machine. Heer snatched me away.

‘Do you want to die? It may still be operational.’

Yt pushed me roughly into the corridor, then turned to fire a final e-m charge into the room. I heard a long keening wail like a cork being turned in a bottle that faded into silence. In that silence I heard for the first time the sounds. Gunfire, men shouting, men roaring, engines revving, aircraft overhead, women crying. Women wailing. And everywhere, above and below, the clicking scamper of small plastic feet.

‘What’s going on?’ Suddenly I was chilled and trembling with dread. ‘What’s happened?’

‘The House of Jodhra is under attack,’ Heer said.

I pulled away from yts soft grip.

‘Then I have to go, I have to fight, I have to defend us. I am a weapon.’

Heer shook yts head in exasperation and with yts gun hand struck me a ringing blow on the side of my head.

‘Stupid stupid! Understand! The Azads, they are killing everything! Your father, your brothers, they are killing everyone. They would have killed you, but they forgot you moved to a new room.’

‘Dadaji? Arvind, Kiran?’

Heer tugged me along, still reeling, still dizzy from the blow but more dazed, more stunned by what the nute had told me. My father, my brothers…

‘Mamaji?’ My voice was three years old.

‘Only the gene-line.’

We rounded a corner. Two things happened at the same time. Heer shouted ‘Down!’ and as I dived for the smooth marble I glimpsed a swarm of monkey-machines bounding towards me, clinging to walls and ceiling. I covered my head and cried out with every shot as Heer fired and fired and fired until the gas-cell canister clanged to the floor.

‘They hacked into them and reprogrammed them. Faithless, betraying things. Come on .’ The smooth, manicured hand reached for me and I remember only shards of noise and light and dark and bodies until I found myself in the back seat of a fast German car, Heer beside me, gun cradled like a baby. I could smell hot electricity from the warm weapon. Doors slammed. Locks sealed. Engine roared.

‘Where to?’

‘The Hijra Mahal.’

As we accelerated through the gate more monkey-robots dropped from the naqqar khana. I heard their steel lives crack and burst beneath our wheels. One clung to the door, clawing at the window frame until the driver veered and scraped it off on a streetlight.

‘Heer…’

Inside it was all starting to burst, to disintegrate into the colours and visions and sounds and glances of the night. My father my head my brothers my head my mother my family my head my head my head.

‘It’s all right,’ the nute said, taking my hand in yts. ‘You’re safe. You’re with us now.’

The house of Jodhra, which had endured for a thousand years, fell, and I came to the house of the nutes. It was pink, as all the great buildings of Jaipur were pink, and very discreet. In my life before , as I now thought of it, I must have driven past its alleyway a hundred times without ever knowing the secret it concealed; cool marble rooms and corridors behind a façade of orioles and turrets and intricately carved windows, courts and tanks and water-gardens open only to the sky and the birds. But then the Hijra Mahal had always been a building apart. In another age it had been the palace of the hijras, the eunuchs. The un-men, shunned yet essential to the ritual life of Rajput Jaipur, living in the very heart of the old city, yet apart.

There were six of them: Sul the janampatri seer, astrologer to celebs as far away as the movie boulevards of Mumbai; Dahin the plastic surgeon, who worked on faces on the far side of the planet through remote machines accurate to the width of an atom; Leel the ritual dancer, who performed the ancient Nautch traditions and festival dances; Janda the writer, whom half of India knew as Queen Bitch of gupshup columnists; Suleyra, whose parties and events were the talk of society from Srinagar to Madurai; and Heer, once khidmutgar to the House of Jodhra. My six guardians bundled me from the car wrapped in a heavy chador like a Muslim woman and took me to a domed room of a hundred thousand mirror fragments. Their warm, dry hands gently held me on the divan – I was thrashing, raving as the shock hit me – and Dahin the face surgeon deftly pressed an efuser to my arm.

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