Robert Silverberg - How it Was When the Past Went Away

When the Amazing Montini woke Thursday morning, he did not at once realize that anything had changed. His memory, like a good servant, was always there when he needed to call on it, but the array of perfectly fixed facts he carried in his mind remained submerged until required. A librarian might scan shelves and see books missing; Montini could not detect similar vacancies of his synapses. He had been up for half an hour, had stepped under the molecular bath and had punched for his breakfast and had awakened Nadia to tell her to confirm the pod reservations to Vegas, and finally, like a concert pianist running off a few arpeggios to limber his fingers for the day’s chores, Montini reached into his memory bank for a little Shakespeare and no Shakespeare came.

He stood quite still, gripping the astrolabe that ornamented his picture window, and peered out at the bridge in sudden bewilderment. It had never been necessary for him to make a conscious effort to recover data. He merely looked and it was there; but where was Shakespeare? Where was the left hand column of page 136, and the right hand column of page 654, and the right hand column of page 806, sixteen lines down? Gone? He drew blanks. The screen of his mind showed him only empty pages.

Easy. This is unusual, but it isn’t catastrophic. You must be tense, for some reason, and you’re forcing it, that’s all. Relax, pull something else out of storage—

The New York Times, Wednesday, October 3, 1973. Yes, there it was, the front page, beautifully clear, the story on the baseball game down in the lower right-hand corner, the headline about the jet accident big and black, even the photo credit visible. Fine. Now let’s try—

The St. Louis Post-Dispatch, Sunday, April 19, 1987. Montini shivered. He saw the top four inches of the page, nothing else. Wiped clean.

He ran through the files of other newspapers he had memorized for his act. Some were there. Some were not. Some, like the Post-Dispatch, were obliterated in part. Color rose to his cheeks. Who had tampered with his memory?

He tried Shakespeare again. Nothing.

He tried the 1997 Chicago data-net directory. It was there.

He tried his third-grade geography textbook. It was there, the big red book with smeary print.

He tried last Friday’s five-o’clock xerofax bulletin. Gone.

He stumbled and sank down on the divan he had purchased in Istanbul, he recalled, on the nineteenth of May, 1985, for 4,200 Turkish pounds. “Nadia!” he cried. “Nadia!” His voice was little more than a croak. She came running, her eyes only half frosted, her morning face askew.

“How do I look?” he demanded. “My mouth—is my mouth right? My eyes?”

“Your face is all flushed.”

“Aside from that!”

“I don’t know,” she gasped. “You seem all upset, but—”

“Half my mind is gone,” Montini said. “I must have had a stroke. Is there any facial paralysis? That’s a symptom. Call my doctor, Nadia! A stroke, a stroke! It’s the end for Montini!”

Paul Mueller, awakening at midnight on Wednesday and feeling strangely refreshed, attempted to get his bearings. Why was he fully dressed, and why had he been asleep? A nap, perhaps, that had stretched on too long? He tried to remember what he had been doing earlier in the day, but he was unable to find a clue. He was baffled but not disturbed; mainly he felt a tremendous urge to get to work. The images of five sculptures, fully planned and begging to be constructed, jostled in his mind. Might as well start right now, he thought. Work through till morning. That small twittering silvery one—that’s a good one to start with. I’ll block out the schematics, maybe even do some of the armature—

“Carole?” he called. “Carole, are you around?”

His voice echoed through the oddly empty apartment.

For the first time Mueller noticed how little furniture there was. A bed—a cot, really, not their double bed—and a table, and a tiny insulator unit for food, and a few dishes. No carpeting. Where were his sculptures, his private collection of his own best work? He walked into his studio and found it bare from wall to wall, all of his tools mysteriously swept away, just a few discarded sketches on the floor. And his wife? “Carole? Carole?”

He could not understand any of this. While he dozed, it seemed, someone had cleaned the place out, stolen his furniture, his sculptures, even the carpet. Mueller had heard of such thefts. They came with a van, brazenly, posing as moving men. Perhaps they had given him some sort of drug while they worked. He could not bear the thought that they had taken his sculptures; the rest didn’t matter, but he had cherished those dozen pieces dearly. I’d better call the police, he decided, and rushed toward the handset of the data unit, but it wasn’t there either. Would burglars take that too?

Searching for some answers, he scurried from wall to wall, and saw a note in his own handwriting. Call Freddy Munson in the morning and borrow three bigs. Buy ticket to Caracas. Buy sculpting stuff.

Caracas? A vacation, maybe? And why buy sculpting stuff? Obviously the tools had been gone before he fell asleep, then. Why? And where was his wife? What was going on? He wondered if he ought to call Freddy right now, instead of waiting until morning. Freddy might know. Freddy was always home by midnight, too. He’d have one of his damn girls with him and wouldn’t want to be interrupted, but to hell with that; what good was having friends if you couldn’t bother them in a time of crisis?

Heading for the nearest public communicator booth, he rushed out of his apartment and nearly collided with a sleek dunning robot in the hallway. The things show no mercy, Mueller thought. They plague you at all hours. No doubt this one was on its way to bother the deadbeat Nicholson family down the hall.

The robot said, “Mr. Paul Mueller? I am a properly qualified representative of International Fabrication Cartel, Amalgamated. I am here to serve notice that there is an unpaid balance in your account to the extent of $9,150.55, which as of 0900 hours tomorrow morning will accrue compounded penalty interest at a rate of 5 percent per month. since Since you have not responded to our three previous requests for payment. I must further inform you—”

“You’re off your neutrinos,” Mueller snapped. “I don’t owe a dime to IFC. For once in my life I’m in the black, and don’t try to make me believe otherwise.”

The robot replied patiently, “Shall I give you a printout of the transactions? On the fifth of January, 2003, you ordered the following metal products from us: three 4-meter tubes of antiqued iridium, six 10-centimeter spheres of—”

“The fifth of January, 2003, happens to be three months from now,” Mueller said “and I don’t have time to listen to crazy robots. I’ve got an important call to make. Can I trust you to patch me into the datanet without garbling things?”

“I’m not authorized to permit you to make use of my facilities.”

“Emergency override,” said Mueller. “Human being in trouble. Go argue with that one!”

The robot’s conditioning was sound. It yielded at once to his assertion of an emergency and set up a relay to the main communications net. Mueller supplied Freddy Munson’s number. “I can provide audio only,” the robot said, putting the call through. Nearly a minute passed. Then Freddy Munson’s familiar deep voice snarled from the speaker grille in the robot’s chest, “Who is it and what do you want?”

“It’s Paul. I’m sorry to bust in on you, Freddy, but I’m in big trouble. I think I’m losing my mind, or else everybody else is.”

“Maybe everybody else is. What’s the problem?”