Robert Silverberg: The Reality Trip

In a minute we will have the manager in here. With the police.

“Am I so hideous? I love you, David, do you know what that word means? Love. Love.” Sits up. Turns to me. Imploring. “Don’t reject me,” she whispers. “I couldn’t take that. You know, I just wanted to make you happy, I figured I could be the one, only I didn’t realize how unhappy you’d make me. And you just stand there. And you don’t say anything. What are you, some kind of machine?”

“I’ll tell you what I am,” I said.

That was when I went sliding into the abyss. All control lost; all prudence gone. My mind so slathered with raw emotion that survival itself means nothing. I must make things clear to her, is all. I must show her. At whatever expense. I strip off my shirt. She glows, no doubt thinking I will let myself be seduced. My hands slide up and down my bare chest, seeking the catches and snaps. I go through the intricate, cumbersome process of opening my body. Deep within myself something is shouting NO NO NO NO NO, but I pay no attention. The heart has its reasons.

Hoarsely: “Look, Elizabeth. Look at me. This is what I am. Look at me and freak out. The reality trip.”

My chest opens wide.

I push myself forward, stepping between the levers and struts, emerging halfway from the human shell I wear. I have not been this far out of it since the day they sealed me in, on Homeworld. I let her see my gleaming carapace. I wave my eyestalks around. I allow some of my claws to show. “See? See? Big black crab from outer space. That’s what you love, Elizabeth. That’s what I am. David Knecht’s just a costume, and this is what’s inside it.” I have gone insane. “You want reality? Here’s reality, Elizabeth. What good is the Knecht body to you? It’s a fraud. It’s a machine. Come on, come closer. Do you want to kiss me? Should I get on you and make love?”

During this episode her face has displayed an amazing range of reactions. Open-mouthed disbelief at first, of course. And frozen horror: gagging sounds in throat, jaws agape, eyes wide and rigid. Hands fanned across breasts. Sudden modesty in front of the alien monster? But then, as the familiar Knecht-voice, now bitter and impassioned, continues to flow from the black thing within the sundered chest, a softening of her response. Curiosity. The poetic sensibility taking over. Nothing human is alien to me: Terence, quoted by Cicero. Nothing alien is alien to me. Eh? She will accept the evidence of her eyes. “What are you? Where did you come from?” And I say, “I’ve violated the Fundamental Rule. I deserve to be plucked and thinned. We’re not supposed to reveal ourselves. If we get into some kind of accident that might lead to exposure, we’re supposed to blow ourselves up. The switch is right here.” She comes close and peers around me, into the cavern of David Knecht’s chest. “From some other planet? Living here in disguise?” She understands the picture. Her shock is fading. She even laughs. “I’ve seen worse than you on acid,” she says. “You don’t frighten me now, David. David? Shall I go on calling you David?”

This is unreal and dreamlike to me. I have revealed myself, thinking to drive her away in terror; she is no longer aghast, and smiles at my strangeness. She kneels to get a better look. I move back a short way. Eyestalks fluttering: I am uneasy, I have somehow lost the upper hand in this encounter.

She says, “I knew you were unusual, but not like this. But it’s all right. I can cope. I mean, the essential personality, that’s what I fell in love with. Who cares that you’re a crab-man from the Green Galaxy? Who cares that we can’t ever be real lovers? I can make that sacrifice. It’s your soul I dig, David. Go on. Close yourself up again. You don’t look comfortable this way.” The triumph of love. She will not abandon me, even now. Disaster. I crawl back into Knecht and lift his arms to his chest to seal it. Shock is glazing my consciousness: the enormity, the audacity. What have I done? Elizabeth watches, awed, even delighted. At last I am together again. She nods. “Listen,” she tells me. “You can trust me. I mean, if you’re some kind of spy, checking out the Earth, I don’t care. I don’t care. I won’t tell anybody. Pour it all out, David. Tell me about yourself. Don’t you see, this is the biggest thing that ever happened to me. A chance to show that love isn’t just physical, isn’t just chemistry, that it’s a soul trip, that it crosses not just racial lines but the lines of the whole damned species, the planet itself—”

It took several hours to get rid of her. A soaring, intense conversation, Elizabeth doing most of the talking. She putting forth theories of why I had come to Earth, me nodding, denying, amplifying, mostly lost in horror at my own perfidy and barely listening to her monologue. And the humidity turning me into rotting rags. Finally: “I’m down from the pot, David. And all wound up. I’m going out for a walk. Then back to my room to write for a while. To put this night into a poem before I lose the power of it. But I’ll come to you again by dawn, all right? That’s maybe five hours from now. You’ll be here? You won’t do anything foolish? Oh, I love you so much, David! Do you believe me? Do you?”

When she was gone I stood a long while by the window, trying to reassemble myself. Shattered. Drained. Remembering her kisses, her lips running along the ridge marking the place where my chest opens. The fascination of the abomination. She will love me even if I am crustaceous beneath.

I had to have help.

I went to Swanson’s room. He was slow to respond to my knock; busy transmitting, no doubt. I could hear him within, but he didn’t answer. “Swanson?” I called. “Swanson?” Then I added the distress signal in the Homeworld tongue. He rushed to the door. Blinking, suspicious. “It’s all right,” I said. “Look, let me in. I’m in big trouble.” Speaking English, but I gave him the distress signal again.

“How did you know about me?” he asked.

“The day the maid blundered into your room while you were eating, I was going by. I saw.”

“But you aren’t supposed to—”

“Except in emergencies. This is an emergency.” He shut off his ultrawave and listened intently to my story. Scowling. He didn’t approve. But he wouldn’t spurn me. I had been criminally foolish, but I was of his kind, prey to the same pains, the same lonelinesses, and he would help me.

“What do you plan to do now?” he asked. “You can’t harm her. It isn’t allowed.”

“I don’t want to harm her. Just to get free of her. To make her fall out of love with me.”

“How? If showing yourself to her didn’t—”

“Infidelity,” I said. “Making her see that I love someone else. No room in my life for her. That’ll drive her away. Afterwards it won’t matter that she knows: who’d believe her story? The FBI would laugh and tell her to lay off the LSD. But if I don’t break her attachment to me I’m finished.”

“Love someone else? Who?”

“When she comes back to my room at dawn,” I said, “she’ll find the two of us together, dividing and abstracting. I think that’ll do it, don’t you?”

So I deceived Elizabeth with Swanson.

The fact that we both wore male human identities was irrelevant, of course. We went to my room and stepped out of our disguises—a bold, dizzying sensation!—and suddenly we were just two Homeworlders again, receptive to one another’s needs. I left the door unlocked. Swanson and I crawled up on my bed and began the chanting. How strange it was, after these years of solitude, to feel those vibrations again! And how beautiful. Swanson’s vibrissae touching mine. The interplay of harmonies. An underlying sternness to his technique—he was contemptuous of me for my idiocy, and rightly so—but once we passed from the chanting to the dividing all was forgiven, and as we moved into the abstracting it was truly sublime. We climbed through an infinity of climactic emptyings. Dawn crept upon us and found us unwilling to halt even for rest.